![Marine Amplifier](http://s1.studyres.com/store/data/015462020_1-16a57c576b7348e447447be9df6349d9-300x300.png)
Slides - Linux Audio Conference
... a peak output of -10 dBu and +4 dBu are presented as supporting pro signal levels. • Most equipment reviews that can be found on the web don’t verify or even mention any technical specs. They are at best useless, if not completely bogus (the author got a free sample). • If specs are not completely u ...
... a peak output of -10 dBu and +4 dBu are presented as supporting pro signal levels. • Most equipment reviews that can be found on the web don’t verify or even mention any technical specs. They are at best useless, if not completely bogus (the author got a free sample). • If specs are not completely u ...
MixPre-D - User Guide and Technical Information
... common unwanted low frequency signal and a high-pass filter is effective for reducing wind noise. For most audio applications engaging the high-pass filter is beneficial, since little usable audio information exists below 80 Hz, especially for speech reproduction. The MixPre-D’s high-pass filters fe ...
... common unwanted low frequency signal and a high-pass filter is effective for reducing wind noise. For most audio applications engaging the high-pass filter is beneficial, since little usable audio information exists below 80 Hz, especially for speech reproduction. The MixPre-D’s high-pass filters fe ...
Anthem_Catalog_4.0:Layout 1
... still the only preamplifier/processor to offer upsampling on all channels and all formats, including decoded Dolby Digital and DTS material. As a high-end whole-home entertainment center, the D2v is as much about distributed video as it is about distributed audio—allowing you to select and direct au ...
... still the only preamplifier/processor to offer upsampling on all channels and all formats, including decoded Dolby Digital and DTS material. As a high-end whole-home entertainment center, the D2v is as much about distributed video as it is about distributed audio—allowing you to select and direct au ...
Op Amp Practice - My FIT (my.fit.edu)
... 2. Op Amp Basics • An operational amplifier is an IC “engine” that can support many applications • Defining characteristics – Amplifies difference between two input voltage – Extremely high gain – Extremely high input resistance – Extremely low output resistance ...
... 2. Op Amp Basics • An operational amplifier is an IC “engine” that can support many applications • Defining characteristics – Amplifies difference between two input voltage – Extremely high gain – Extremely high input resistance – Extremely low output resistance ...
MDP-1 Vacuum Tube Mic/DI Preamp- Operating Manual Features
... In the -20 position, a 20dB impedance-matched resistive pad is inserted in front of the input transformer to prevent overload. To optimize common-mode rejection, the metalfilm resistors are hand-matched to better than 0.1%. Use this position when recording with mics placed on sources with high sound ...
... In the -20 position, a 20dB impedance-matched resistive pad is inserted in front of the input transformer to prevent overload. To optimize common-mode rejection, the metalfilm resistors are hand-matched to better than 0.1%. Use this position when recording with mics placed on sources with high sound ...
. . . Level Matching for Autosound . . . ?or Why is my system so noisy?
... The alternator in the battery charging system makes things worse because the frequency of it’s AC output (alternating current...that’s why it’s called an alternator, not a generator) is easily within the audible range. The low impedances involved (high available current means low impedances) make fi ...
... The alternator in the battery charging system makes things worse because the frequency of it’s AC output (alternating current...that’s why it’s called an alternator, not a generator) is easily within the audible range. The low impedances involved (high available current means low impedances) make fi ...
AV110T Service Manual
... signal inverted by N204A. A sense signal of OK-SW on the MIC plug detection together with the network made up of V200. When MIC is not plugged, it is low level; when plugged, it is of high level. Karaoke auto mute function is also available. When P-KT fails to detect signal for a continuous period, ...
... signal inverted by N204A. A sense signal of OK-SW on the MIC plug detection together with the network made up of V200. When MIC is not plugged, it is low level; when plugged, it is of high level. Karaoke auto mute function is also available. When P-KT fails to detect signal for a continuous period, ...
Mains Power And Home Audio
... a few meters of cable to the wall socket from the Hi-Fi make any difference at all? There is good scientific reasoning to demonstrate that low impedance cabling, high frequency filtering and DC voltage blocking can improve the quality of your audio equipment operation (and the sound) if done correct ...
... a few meters of cable to the wall socket from the Hi-Fi make any difference at all? There is good scientific reasoning to demonstrate that low impedance cabling, high frequency filtering and DC voltage blocking can improve the quality of your audio equipment operation (and the sound) if done correct ...
Objective 105.02 Understand digital audio production methods
... -Fade starting and stopping audio clips at a defined point in the recording a gradual change of volume used to change between clips of audio Fade Up (In) and Fade Down (Out) : gradually increasing or decreasing the volume of an audio clip Crossfade : a gradual volume transition from one audio clip t ...
... -Fade starting and stopping audio clips at a defined point in the recording a gradual change of volume used to change between clips of audio Fade Up (In) and Fade Down (Out) : gradually increasing or decreasing the volume of an audio clip Crossfade : a gradual volume transition from one audio clip t ...
A/E Specification - Bosch Security Systems
... mounting with the possibility of more than 90° horizontal rotation to either side. For ease of transport and handling, the loudspeaker array shall be modular and shall consist of elements or units with a length of 120 cm each that can be bolted together to form an array with a length of 240 cm or 36 ...
... mounting with the possibility of more than 90° horizontal rotation to either side. For ease of transport and handling, the loudspeaker array shall be modular and shall consist of elements or units with a length of 120 cm each that can be bolted together to form an array with a length of 240 cm or 36 ...
eautioll Warllillg - technicalaudio.com
... 2. Set the equalizer switch at either 7.5 or 15 inch position, depending upon which speed is going to be used on the recorder mechanism. 3. Set the meter switch to "R" . This conneds the meter circuit to the recording amplifier output where it wi ll read the recording level. 4. Set the Record-Playba ...
... 2. Set the equalizer switch at either 7.5 or 15 inch position, depending upon which speed is going to be used on the recorder mechanism. 3. Set the meter switch to "R" . This conneds the meter circuit to the recording amplifier output where it wi ll read the recording level. 4. Set the Record-Playba ...
V - ISY@LiU
... Consider the CMR in buffer configuration In telescopic OTA, the swing will be very small since bias transistor "locks" the ...
... Consider the CMR in buffer configuration In telescopic OTA, the swing will be very small since bias transistor "locks" the ...
Product Manual - Home Electronic Warehouse
... may be closer to one of the speakers. If the speakers in the room are connected to a stereo amplifier you will only hear half the music. The SI-1230’s BusMatrix™ enables you to create mono sound from one speaker without impacting the stereo quality in the rest of the system. You can configure each r ...
... may be closer to one of the speakers. If the speakers in the room are connected to a stereo amplifier you will only hear half the music. The SI-1230’s BusMatrix™ enables you to create mono sound from one speaker without impacting the stereo quality in the rest of the system. You can configure each r ...
Product Guide
... new solution for the number one problem experienced by people with hearing loss, improving on the ability to understand speech in noisy environments. Amplify & compress: Amplifying and compressing sounds so they become audible, comfortable and at the same time preserve the acoustic details. Handle f ...
... new solution for the number one problem experienced by people with hearing loss, improving on the ability to understand speech in noisy environments. Amplify & compress: Amplifying and compressing sounds so they become audible, comfortable and at the same time preserve the acoustic details. Handle f ...
Pendulum MDP-1 Operating Manual
... To add more 'harmonic content' by driving the tubes at a higher signal level, set the GAIN control to a higher gain setting and use the OUTPUT attenuator to bring the output level down to a more useable range. Or, use the OUTPUT control to make fine adjustments (within the 3dB range of the GAIN swit ...
... To add more 'harmonic content' by driving the tubes at a higher signal level, set the GAIN control to a higher gain setting and use the OUTPUT attenuator to bring the output level down to a more useable range. Or, use the OUTPUT control to make fine adjustments (within the 3dB range of the GAIN swit ...
Music Open Learning Materials Performing Workbook 4 Chapter 5
... New Deal for Musicians has no responsibility for or control of the following sites. The inclusion of any site does not necessarily imply New Deal for Musicians approval of the site. To access any of the sites please type in the address into a browser or search using keywords from the name of the lin ...
... New Deal for Musicians has no responsibility for or control of the following sites. The inclusion of any site does not necessarily imply New Deal for Musicians approval of the site. To access any of the sites please type in the address into a browser or search using keywords from the name of the lin ...
The sound of Distortion
... • A pure tone, a sine wave, is represented by a single peak at one frequency • As we saw before, a square wave is composed of all odd harmonics; e.g., a 1 kHz square wave is made up of 1kHz, 3kHz, 5kHz, etc. ...
... • A pure tone, a sine wave, is represented by a single peak at one frequency • As we saw before, a square wave is composed of all odd harmonics; e.g., a 1 kHz square wave is made up of 1kHz, 3kHz, 5kHz, etc. ...
Owner`s Guide for the SVP-1500 Rack Mount Bass Power
... your speakers, using cables terminated with 1/4" phone plugs. Since these jacks are not as well suited to high current applications as the Speakon® jacks, they are NOT recommended for extended use at high power levels, or when driving 2 or 4 ohm loads. ...
... your speakers, using cables terminated with 1/4" phone plugs. Since these jacks are not as well suited to high current applications as the Speakon® jacks, they are NOT recommended for extended use at high power levels, or when driving 2 or 4 ohm loads. ...
Sound reinforcement system
![](https://commons.wikimedia.org/wiki/Special:FilePath/Large_Outdoor_Concert.jpg?width=300)
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.