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- University of Missouri School of Law Scholarship
- University of Missouri School of Law Scholarship

... human hearing in both the physiological and, as Kepler assumed, the psychological domain. 3. Analogical thinking plays a considerable part in Kepler, insofar as analogies between various sciences are brought out, the analogy between cosmic and musical laws is established, and also the analogy to hum ...
Poetic language: a Minimalist theory
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Distributional semantics in linguistic and cognitive research
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... The degree of semantic similarity between two linguistic expressions A and B is a function of the similarity of the linguistic contexts in which A and B can appear. Therefore, according to the DH, at least certain aspects of the meaning of lexical expressions depend on the distributional properties ...
Topicalisation and Left-Dislocation in European Portuguese Robert
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Chapter 4: Syntactic Relations and Case Marking
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BINDING IN SWAHILI MORPHOLOGY AND SYNTAX. NAME
BINDING IN SWAHILI MORPHOLOGY AND SYNTAX. NAME

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Syntactic Relations - Cornell University
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Metaphor and Lexical Semantics
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Spanish Clitics, Events and Opposition Structure
Spanish Clitics, Events and Opposition Structure

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draft - University of Delaware
draft - University of Delaware

... I show here that these putative locality restrictions on idiomatic interpretations are violated in a good number of cases. There is no locality restriction on idioms. I suggest instead that the selection theory of idioms proposed in Bruening (2010) correctly captures possible and impossible forms th ...
Proceedings of the 22nd International Conference on Computational
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Chapter I
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Musicophilia (E
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Walter Piston, Practical Theorist
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Full Text  - Institute for Logic, Language and Computation
Full Text - Institute for Logic, Language and Computation

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Ineffability in Grammar
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Chapter 7: Linking syntax and semantics in complex sentences
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The ellipsis alternation: remnants with and without prepositions

... third corpus, I extracted an equal sample of bare wh-phrases and which/what/whoseNP phrases from the spoken part of the corpus to avoid a potential bias toward a particular kind of wh-phrase. Given that COCA is not a parsed corpus, extracting all wh-phrases would have been quite a time-consuming pro ...
The syntax and semantics of internally headed relative clauses in
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The Syntax of Meteorology: The Linguistic Status of Variadic Functions
The Syntax of Meteorology: The Linguistic Status of Variadic Functions

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Chord Progressions
Chord Progressions

... twelve-bar chord progression. The form evolved in the United States in the communities of former African slaves from spirituals, praise songs, field hollers, shouts, and chants. The use of blue notes and the prominence of call-and-response patterns in the music and lyrics are indicative of the blues ...
Linguistic Steganography - CERIAS
Linguistic Steganography - CERIAS

... accessible bodies of data in which to hide information, and increasingly sophisticated techniques with which to analyze and recover that information. While much of the recent research in steganography has been centered on hiding data in images, many of the solutions that work for images are more com ...
Chapter 20: Head-Driven Phrase Structure Grammar
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Explorations of the Syntax-Semantics Interface
Explorations of the Syntax-Semantics Interface

... Ricardo Mairal and Carlos Periñán-Pascual’s paper ‘Representing Constructional Schemata in the FunGramKB Grammaticon’ describes the format and integration of constructional schemata in FunGramKB, a multi-purpose natural language processing system. The authors propose to represent constructions by “c ...
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Musical syntax

When analysing the regularities and structure of music as well as the processing of music in the brain, certain findings lead to the question, if music is based on a syntax that could be compared with linguistic syntax. To get closer to this question it is necessary to have a look at the basic aspects of syntax in language, as language unquestionably presents a complex syntactical system. If music has a matchable syntax, noteworthy equivalents to basic aspects of linguistic syntax have to be found in musical structure. Claiming that syntax is a fundamental element of music, it is interesting to know, if there are also similarities in processing linguistic and musical syntax in the brain. By implication the processing of music in comparison to language could also give information about the structure of music.
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