Musical-technical terms: Responsorial singing
... many of these areas and, to a lesser extent, in Outer Joriscia as a whole. Cathedral Nobility- Cathedral schools began in the Early Middle Ages as centers of advanced education, some of them ultimately evolving into medieval universities. Throughout the Middle Ages and beyond, they were complemented ...
... many of these areas and, to a lesser extent, in Outer Joriscia as a whole. Cathedral Nobility- Cathedral schools began in the Early Middle Ages as centers of advanced education, some of them ultimately evolving into medieval universities. Throughout the Middle Ages and beyond, they were complemented ...
Liturgical Function and Gregorian Chant in the Music of Paulus
... the order of the church year. After compositions intended for specific feasts, Bucenus included six magnificats based on different tones. They were composed in the alternatim technique – usually the uneven verses were intended to be performed using the melody of a Gregorian chant. The hymns were wri ...
... the order of the church year. After compositions intended for specific feasts, Bucenus included six magnificats based on different tones. They were composed in the alternatim technique – usually the uneven verses were intended to be performed using the melody of a Gregorian chant. The hymns were wri ...
CHAPTER 4
... French province of Aquitaine. The notation of these manuscripts gives precise indication with regard to pitch. Acquitanian polyphony often involves a style called sustained-tone organum—the bottom voice holds a note while the fast-moving upper voice embellishes it in florid fashion. The end of the o ...
... French province of Aquitaine. The notation of these manuscripts gives precise indication with regard to pitch. Acquitanian polyphony often involves a style called sustained-tone organum—the bottom voice holds a note while the fast-moving upper voice embellishes it in florid fashion. The end of the o ...
Medieval Music Period
... joined together. These new neumes—called ligatures—are essentially combinations of the two original signs. It should be noted that this basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the ...
... joined together. These new neumes—called ligatures—are essentially combinations of the two original signs. It should be noted that this basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the ...
Plainchant
... Plainchant Music was used at services in cathedrals, monasteries, and convents every day • The Mass: the major worship service • The Divine Office: eight shorter services at various times of day and night ...
... Plainchant Music was used at services in cathedrals, monasteries, and convents every day • The Mass: the major worship service • The Divine Office: eight shorter services at various times of day and night ...
Music and the Church: Plainchant
... Plainchant Music was used at services in cathedrals, monasteries, and convents every day • The Mass: the major worship service • The Divine Office: eight shorter services at various times of day and night ...
... Plainchant Music was used at services in cathedrals, monasteries, and convents every day • The Mass: the major worship service • The Divine Office: eight shorter services at various times of day and night ...
Chapter 12 Review
... or viol playing the lower parts. It was also usually sung as a solo. The French equivalent was the air de cour, or “courtly air.” The Italian equivalent was the aria. The most popular instrument was the lute with its pear-shaped body, bent neck, and many strings. Instruments were often used for danc ...
... or viol playing the lower parts. It was also usually sung as a solo. The French equivalent was the air de cour, or “courtly air.” The Italian equivalent was the aria. The most popular instrument was the lute with its pear-shaped body, bent neck, and many strings. Instruments were often used for danc ...
5 Erik Satie
... Surprising as the parallel may seem, there has been wide discussion in print of a supposed relationship between Satie’s music and Gregorian chant or plainsong. In one study a Gregorian influence is seem primarily in the prosody of the vocal works, since it traces his modal harmonies to Gregorian. (A ...
... Surprising as the parallel may seem, there has been wide discussion in print of a supposed relationship between Satie’s music and Gregorian chant or plainsong. In one study a Gregorian influence is seem primarily in the prosody of the vocal works, since it traces his modal harmonies to Gregorian. (A ...
Late Medieval Music
... - florid organum (many rapid notes over long drawn out tones of chant). - Note how the contrasting vowel sounds ...
... - florid organum (many rapid notes over long drawn out tones of chant). - Note how the contrasting vowel sounds ...
Late Medieval (Gothic) Music Gothic Era
... • starting around 1220, the term denotes a curious musical form with 3 simultaneous layers of music & text: The ...
... • starting around 1220, the term denotes a curious musical form with 3 simultaneous layers of music & text: The ...
medieval music
... o Decided when chants should and could be sung during the year o He was not a musician and wrote few, if any, chants. Chants are unaccompanied vocal music with religious Latin text Composed for use in churches or monasteries Does not use rhythms of time signatures Unison singing alternating ...
... o Decided when chants should and could be sung during the year o He was not a musician and wrote few, if any, chants. Chants are unaccompanied vocal music with religious Latin text Composed for use in churches or monasteries Does not use rhythms of time signatures Unison singing alternating ...
Related Articles CD Review by JF Weber
... 1515 book from Toledo for the two Spanish chants. Both have proved their expertise and scholarship in previous recordings of polyphony and chant, respectively. The recording was made at San Miguel in Cuenca during three concerts of the Festival of Sacred Music in 2004 (see 27:1 for a report on the p ...
... 1515 book from Toledo for the two Spanish chants. Both have proved their expertise and scholarship in previous recordings of polyphony and chant, respectively. The recording was made at San Miguel in Cuenca during three concerts of the Festival of Sacred Music in 2004 (see 27:1 for a report on the p ...
Course Description - W. David
... generally remain in it, although rhythmic adjustments could be indicated by changes in the expected pattern of ligatures, even to the extent of changing to another rhythmic mode. A German theorist of a slightly later period, Franco of Cologne, was the first to describe a system of notation in whic ...
... generally remain in it, although rhythmic adjustments could be indicated by changes in the expected pattern of ligatures, even to the extent of changing to another rhythmic mode. A German theorist of a slightly later period, Franco of Cologne, was the first to describe a system of notation in whic ...
Music of the Middle Ages – Chant after 1000 AD
... Rise of the Motet (Things Ain’t Never Gonna Be The Same!) While music of the early Middle Ages was dominated by sacred music such as Gregorian Chant and the forms which evolved from variations and manipulations of chant, the late Middle Ages became identified with the gradual widespread popularity o ...
... Rise of the Motet (Things Ain’t Never Gonna Be The Same!) While music of the early Middle Ages was dominated by sacred music such as Gregorian Chant and the forms which evolved from variations and manipulations of chant, the late Middle Ages became identified with the gradual widespread popularity o ...
Antiquity and the Middle Ages
... just inland from where the mouth of the Seine flows into the English Channel, fled to St. Gall in Switzerland (see Map 3-1), bringing along a book containing a few sequences. There they came to the notice of Notker Balbulus, the author of the first biography of Charlemagne, who was intrigued and wro ...
... just inland from where the mouth of the Seine flows into the English Channel, fled to St. Gall in Switzerland (see Map 3-1), bringing along a book containing a few sequences. There they came to the notice of Notker Balbulus, the author of the first biography of Charlemagne, who was intrigued and wro ...
General Music Notes – Music History
... Motet – Medieval or Renaissance vocal music with two or more simultaneous melody lines. Sometimes chant melodies were used in motets, although motets are secular music. Sacred – pertaining to the church or “heavenly” Secular – pertaining to the “worldly” (non-church) Chant was used by the Ca ...
... Motet – Medieval or Renaissance vocal music with two or more simultaneous melody lines. Sometimes chant melodies were used in motets, although motets are secular music. Sacred – pertaining to the church or “heavenly” Secular – pertaining to the “worldly” (non-church) Chant was used by the Ca ...
II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... we have a nobility and a peasantry? How does the power of the church today compare with then? (Note, for example, the many prominent clergymen in the present African American movement.) If there are classes today, are there musical associations? (Lawrence Welk vs. the BeeGees, Pavarotti vs. Dr. Dre? ...
... we have a nobility and a peasantry? How does the power of the church today compare with then? (Note, for example, the many prominent clergymen in the present African American movement.) If there are classes today, are there musical associations? (Lawrence Welk vs. the BeeGees, Pavarotti vs. Dr. Dre? ...
UNIT 1
... Proyecto Bilingüe – 2º ESO to measure it due to the need of synchronizing the different voices of the polyphony. In order to measure the durations of sound, musicians had to resort to the old Greek rhythm by using their main metrical feet. The most important musical centre of this period was the so ...
... Proyecto Bilingüe – 2º ESO to measure it due to the need of synchronizing the different voices of the polyphony. In order to measure the durations of sound, musicians had to resort to the old Greek rhythm by using their main metrical feet. The most important musical centre of this period was the so ...
Le contenance anglois
... manner and followed Danstable, wherey wondrous pleasure makes their music joyous and…” Music ficta- performance practice, “false music” whereby you add sharps or flats to music, even when not indicated in the music, Performers just know how to do because they know counterpoint Music theorist Joh ...
... manner and followed Danstable, wherey wondrous pleasure makes their music joyous and…” Music ficta- performance practice, “false music” whereby you add sharps or flats to music, even when not indicated in the music, Performers just know how to do because they know counterpoint Music theorist Joh ...
Vocal Music History
... thy word unto thy servant”. When the king finally paid him, he wrote another one called “Lord thou hast dealt graciously with thy servant”. ...
... thy word unto thy servant”. When the king finally paid him, he wrote another one called “Lord thou hast dealt graciously with thy servant”. ...
Charles M. Atkinson, The Critical Nexus: Tone
... comprehend these authors on their own terms. At the same time, however, glossators and commentators could not help but consider concepts like tonus, tropus, and accentus in the context of that which they knew, the eight church modes. Chapter 3, “The Heritage of the Church,” explores the influence of ...
... comprehend these authors on their own terms. At the same time, however, glossators and commentators could not help but consider concepts like tonus, tropus, and accentus in the context of that which they knew, the eight church modes. Chapter 3, “The Heritage of the Church,” explores the influence of ...
Full file at http://emailtestbank.com/ Solution-Manual-for-Music
... of the white notes on the piano, and help students to write them out in notation. 2. Compare the medieval chant notation of the Alleluia: Vidimus stellam, its modern transcription, and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronou ...
... of the white notes on the piano, and help students to write them out in notation. 2. Compare the medieval chant notation of the Alleluia: Vidimus stellam, its modern transcription, and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronou ...
FREE Sample Here
... of the white notes on the piano, and help students to write them out in notation. 2. Compare the medieval chant notation of the Alleluia: Vidimus stellam, its modern transcription, and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronou ...
... of the white notes on the piano, and help students to write them out in notation. 2. Compare the medieval chant notation of the Alleluia: Vidimus stellam, its modern transcription, and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronou ...
File
... • 1. Add new words and music before the chant and often between phrases. • 2. Add melody only by extending melismas or adding new ones. • 3. Add text only, set to existing melismas. • Most common was the first example, especially with introits. • All added a type of solemnity (state of being serious ...
... • 1. Add new words and music before the chant and often between phrases. • 2. Add melody only by extending melismas or adding new ones. • 3. Add text only, set to existing melismas. • Most common was the first example, especially with introits. • All added a type of solemnity (state of being serious ...
Tonary
A tonary is a liturgical book in the Western Christian Church containing various chant incipits which is organized according to the eight psalm tones of Gregorian chant. It may include antiphons and responsories from the Mass and Offices. Although they can be standalone works, they were frequently used as an appendix to other liturgical books, like antiphonaries, graduals, tropers, prosers, but also included in collections of musical treatises.