Middle Ages (450 – 1450)
... Gregorian Chant: Pope Gregory the Great organized the writing of chant (plainchant) around the year 600 A.D. It was set to a sacred (holy) Latin text. Instrumental Music: Introduced to the church, then banned for a time because the church wanted to wean the converts to Christianity away from everyth ...
... Gregorian Chant: Pope Gregory the Great organized the writing of chant (plainchant) around the year 600 A.D. It was set to a sacred (holy) Latin text. Instrumental Music: Introduced to the church, then banned for a time because the church wanted to wean the converts to Christianity away from everyth ...
II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text (since many college students today have difficulty reading English, we should be patient when confronting them with anoth ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text (since many college students today have difficulty reading English, we should be patient when confronting them with anoth ...
Late Medieval Music
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
Late Medieval (Gothic) Music Gothic Era
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
Listening Guide for MUSC 2133
... Notice that the bottom voice singing the long notes is singing the chant melody heard in #1. This was the essence of organum – taking an existing, familiar chant melody and writing another melody above it. The compositional technique used is polyphony – two or more voices singing independent vocal l ...
... Notice that the bottom voice singing the long notes is singing the chant melody heard in #1. This was the essence of organum – taking an existing, familiar chant melody and writing another melody above it. The compositional technique used is polyphony – two or more voices singing independent vocal l ...
Antiquity and the Middle Ages
... (c850–915). By the twelfth century, when compositional activity became more common in urban cathedrals, the practice of troping died out. Sequences. Sequences are much like tropes, in that they add text and music to chant. They consistently appeared, not at the beginning of a chant but at its conclu ...
... (c850–915). By the twelfth century, when compositional activity became more common in urban cathedrals, the practice of troping died out. Sequences. Sequences are much like tropes, in that they add text and music to chant. They consistently appeared, not at the beginning of a chant but at its conclu ...
Full file at http://emailtestbank.com/ Solution-Manual-for-Music
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
FREE Sample Here
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
Medieval music - WordPress.com
... system of notation in which differently shaped notes have entirely different rhythmic values. This is a striking change from the earlier system of de Garlandia. Whereas before the length of the individual note could only be gathered from the mode itself, this new inverted relationship made the mode ...
... system of notation in which differently shaped notes have entirely different rhythmic values. This is a striking change from the earlier system of de Garlandia. Whereas before the length of the individual note could only be gathered from the mode itself, this new inverted relationship made the mode ...
II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
... we have a nobility and a peasantry? How does the power of the church today compare with then? If there are classes today, are there musical associations? 3. The mention of Hildegard of Bingen should whet one’s appetite for more information on the status of women in music. There is no question that w ...
Medieval Music Period
... joined together. These new neumes—called ligatures—are essentially combinations of the two original signs. It should be noted that this basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the ...
... joined together. These new neumes—called ligatures—are essentially combinations of the two original signs. It should be noted that this basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the ...
Fact Sheet 1
... This is an example of sacred music sung in two parts. Alleluia and a troped Alleluia Although Plainchant was usually made up of just one There are many Gregorian ‘Alleluias’ for singing at part sung in unison, singers would make it more different occasions during worship. They are even interesting b ...
... This is an example of sacred music sung in two parts. Alleluia and a troped Alleluia Although Plainchant was usually made up of just one There are many Gregorian ‘Alleluias’ for singing at part sung in unison, singers would make it more different occasions during worship. They are even interesting b ...
3e_Late_Med_MUS
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
... which one or more contrapuntal parts are added • as it started with improvisation, one could call it a technique as well • no certain connection to “organ” as in the instrument ...
2. Middle Ages PPT
... ¡ Composers experimented with the idea of singing two melodic lines at the same time at parallel intervals (usually at the fourth, fifth, or octave) ¡ Over the next one hundred years, added melody lines were no longer moving parallel, but contrary to each other, sometimes even crossing ¡ Organum ...
... ¡ Composers experimented with the idea of singing two melodic lines at the same time at parallel intervals (usually at the fourth, fifth, or octave) ¡ Over the next one hundred years, added melody lines were no longer moving parallel, but contrary to each other, sometimes even crossing ¡ Organum ...
Week 7 Lecture Notes p.1
... Neumatic (small groups of notes up to 5 or 6 set to each syllable) Mellismatic style (long groups of notes set to one syllable of text) ...
... Neumatic (small groups of notes up to 5 or 6 set to each syllable) Mellismatic style (long groups of notes set to one syllable of text) ...
medieval music
... o He was not a musician and wrote few, if any, chants. Chants are unaccompanied vocal music with religious Latin text Composed for use in churches or monasteries Does not use rhythms of time signatures Unison singing alternating between solo and choral singing. Early Music notation (writing) ...
... o He was not a musician and wrote few, if any, chants. Chants are unaccompanied vocal music with religious Latin text Composed for use in churches or monasteries Does not use rhythms of time signatures Unison singing alternating between solo and choral singing. Early Music notation (writing) ...
Gothic Period Music - 59-208-201-f10
... practices • Gregorian Chant: simple, monophonic liturgical music ...
... practices • Gregorian Chant: simple, monophonic liturgical music ...
Music 200 Midterm I Review Sheet
... Counterpoint & Polyphonic a-cappella texture Rise of the individual artist; DuFay, DesPrez, DiLasso …etc Word-painting Palestrina & his importance in counter-reformation The scientific revolution The Baroque Emergence of national/regional styles Harmony & Homophonc Texture Opera; early opera, aria, ...
... Counterpoint & Polyphonic a-cappella texture Rise of the individual artist; DuFay, DesPrez, DiLasso …etc Word-painting Palestrina & his importance in counter-reformation The scientific revolution The Baroque Emergence of national/regional styles Harmony & Homophonc Texture Opera; early opera, aria, ...
Music History - WordPress.com
... -Leonin and Periotin were choirmasters and composers at Notre Dame Cathedral in the artistic and intellectual center of Europe; Paris. -Notre Dame: school of composers, invented concept of measure and rhythm -attached definite time values and pitches to chant notes Results: music can now be repeated ...
... -Leonin and Periotin were choirmasters and composers at Notre Dame Cathedral in the artistic and intellectual center of Europe; Paris. -Notre Dame: school of composers, invented concept of measure and rhythm -attached definite time values and pitches to chant notes Results: music can now be repeated ...
LEONIN AND PEROTIN GO TO SCHOOL
... polyphony brought about the development ol precise notation ol music. The earliest known composer of polyphonic musicwas Leonin, who lived in the last part ot the twellth century. He was one of a number ol composers whose center ol study and composition was the cathsdral ol Notre Dame in Paris. The ...
... polyphony brought about the development ol precise notation ol music. The earliest known composer of polyphonic musicwas Leonin, who lived in the last part ot the twellth century. He was one of a number ol composers whose center ol study and composition was the cathsdral ol Notre Dame in Paris. The ...
Music of the Middle Ages – Chant after 1000 AD
... examples of their fine work and musical innovations. One such composer we know virtually nothing about is another monk of the Notre Dame tradition, known only as Magister Albertus of Paris. His Benedicamus Domino trope, known as Congaudeant catholici, is considered by historians to be the oldest thr ...
... examples of their fine work and musical innovations. One such composer we know virtually nothing about is another monk of the Notre Dame tradition, known only as Magister Albertus of Paris. His Benedicamus Domino trope, known as Congaudeant catholici, is considered by historians to be the oldest thr ...
The Middle Ages: Chapter 2
... Perotin (ca. 1160-1240) First written examples of polyphonic music- music with ...
... Perotin (ca. 1160-1240) First written examples of polyphonic music- music with ...
Document
... • Did the singer really sound that way? • Did he or she perform the rhythms the way our singer did? • Did he or she use accompaniment for this song? • We’ll never know for sure! ...
... • Did the singer really sound that way? • Did he or she perform the rhythms the way our singer did? • Did he or she use accompaniment for this song? • We’ll never know for sure! ...
Chapter 6 Middle ages
... • Did the singer really sound that way? • Did he or she perform the rhythms the way our singer did? • Did he or she use accompaniment for this song? • We’ll never know for sure! ...
... • Did the singer really sound that way? • Did he or she perform the rhythms the way our singer did? • Did he or she use accompaniment for this song? • We’ll never know for sure! ...