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... Ockeghem Variations (2000), inspired by one of my favorite composers in history. The piece is scored for the unusual coupling of piano and wind quintet. Wallingford Riegger uses that configuration somewhat orchestrally in his concerto for that combination, but Shatin fuses it into a more focused cha ...
... Ockeghem Variations (2000), inspired by one of my favorite composers in history. The piece is scored for the unusual coupling of piano and wind quintet. Wallingford Riegger uses that configuration somewhat orchestrally in his concerto for that combination, but Shatin fuses it into a more focused cha ...
Boss, Jack. 2014. Schoenberg`s Twelve–Tone Music
... more succinctly, a piece’s musical idea encompasses the thematic musical problem of a piece, the attempts made to deal with it, and the solution(s) that diffuse the piece’s central problematic. Boss sketches the intellectual history antecedent to Schoenberg’s musical idea, pointing to rhetorical and ...
... more succinctly, a piece’s musical idea encompasses the thematic musical problem of a piece, the attempts made to deal with it, and the solution(s) that diffuse the piece’s central problematic. Boss sketches the intellectual history antecedent to Schoenberg’s musical idea, pointing to rhetorical and ...
Melody and Musical Texture What This Book Is About
... parts are accompaniment; they are also melodic (try singing them!), but their melodies are subsidiary to the principal melody in the first violin, and the bass is perhaps the least melodic part here. All together, these components form a texture, a polyphonic texture of several different parts (ofte ...
... parts are accompaniment; they are also melodic (try singing them!), but their melodies are subsidiary to the principal melody in the first violin, and the bass is perhaps the least melodic part here. All together, these components form a texture, a polyphonic texture of several different parts (ofte ...
HERE - davenantperformingarts
... The ‘gong’ sounds continue as a type of pedal for the first ten bars, when they are replaced by a single low G♯. The key signature of five sharps suggests B major or G♯ minor but neither key is properly established. Debussy is using the black notes of the piano for their pentatonic possibilities. B ...
... The ‘gong’ sounds continue as a type of pedal for the first ten bars, when they are replaced by a single low G♯. The key signature of five sharps suggests B major or G♯ minor but neither key is properly established. Debussy is using the black notes of the piano for their pentatonic possibilities. B ...
the electromagnetically-prepared piano and its
... 6.1. Elsewhere is a Negative Mirror, Part I The first of these compositions, Elsewhere is a Negative Mirror, Part I (2005) for solo piano with electromagnets, was composed concurrently with the device's creation. Much of its functionality was at that time speculation, an interesting situation for a ...
... 6.1. Elsewhere is a Negative Mirror, Part I The first of these compositions, Elsewhere is a Negative Mirror, Part I (2005) for solo piano with electromagnets, was composed concurrently with the device's creation. Much of its functionality was at that time speculation, an interesting situation for a ...
Read full article in PDF version - Analytical Approaches To World
... provide a central beat, usually on every first and second count. It acts as the temporal reference to which all the other instruments relate. The largest of the four drums is the mbuutu, whose player uses both hands to play repetitive and cyclical rhythms based on word simulations.For a long time, b ...
... provide a central beat, usually on every first and second count. It acts as the temporal reference to which all the other instruments relate. The largest of the four drums is the mbuutu, whose player uses both hands to play repetitive and cyclical rhythms based on word simulations.For a long time, b ...
Triple Meter
... Another important aspect of rhythm is meter. Meter organizes pulses into groupings called measures depending on the pattern of stressed (strong/accented) or unstressed (weak/unaccented) beats. If you have learned to read music, you know that there are many meter signatures (also known as time signat ...
... Another important aspect of rhythm is meter. Meter organizes pulses into groupings called measures depending on the pattern of stressed (strong/accented) or unstressed (weak/unaccented) beats. If you have learned to read music, you know that there are many meter signatures (also known as time signat ...
Why the harp? Composers who take to the harp are few and far
... naturalized citizen of the U.S., but lived a musical life that spanned the globe. Tcherepnin called many countries home, including his native Russia, Georgia, France, the United States, Japan and China. His music reflects his diverse experiences and the many cultures which he came in contact with du ...
... naturalized citizen of the U.S., but lived a musical life that spanned the globe. Tcherepnin called many countries home, including his native Russia, Georgia, France, the United States, Japan and China. His music reflects his diverse experiences and the many cultures which he came in contact with du ...
ba 2 nd year (theory)
... Here the note is articulated with a quiver so that instead of a steady or unwavering tone the note sounds tremulous or undulating, adding an emotional dimension to it. What is the precise mechanics of the ornament? Let us analyse it in detail: The ornament spans two distinct pitches – the note itsel ...
... Here the note is articulated with a quiver so that instead of a steady or unwavering tone the note sounds tremulous or undulating, adding an emotional dimension to it. What is the precise mechanics of the ornament? Let us analyse it in detail: The ornament spans two distinct pitches – the note itsel ...
BA Sem-V (THEORY)
... Here the note is articulated with a quiver so that instead of a steady or unwavering tone the note sounds tremulous or undulating, adding an emotional dimension to it. What is the precise mechanics of the ornament? Let us analyse it in detail: The ornament spans two distinct pitches – the note itsel ...
... Here the note is articulated with a quiver so that instead of a steady or unwavering tone the note sounds tremulous or undulating, adding an emotional dimension to it. What is the precise mechanics of the ornament? Let us analyse it in detail: The ornament spans two distinct pitches – the note itsel ...
21.2
... Schoenberg & Webern, especially to Mahler • Use tonal references in Wozzeck & his Violin Concerto • His expressionist opera Wozzeck was an ...
... Schoenberg & Webern, especially to Mahler • Use tonal references in Wozzeck & his Violin Concerto • His expressionist opera Wozzeck was an ...
A level Guidance for Teaching
... programme carefully, planning well in advance so that they are fully prepared, rehearsed and confident. This also ensures that any amendments to their programme (if necessary) can be made sooner rather than later. If a chosen piece is on a graded music exam syllabus, then the level should be checked ...
... programme carefully, planning well in advance so that they are fully prepared, rehearsed and confident. This also ensures that any amendments to their programme (if necessary) can be made sooner rather than later. If a chosen piece is on a graded music exam syllabus, then the level should be checked ...
A level Guidance for Teaching
... programme carefully, planning well in advance so that they are fully prepared, rehearsed and confident. This also ensures that any amendments to their programme (if necessary) can be made sooner rather than later. If a chosen piece is on a graded music exam syllabus, then the level should be checked ...
... programme carefully, planning well in advance so that they are fully prepared, rehearsed and confident. This also ensures that any amendments to their programme (if necessary) can be made sooner rather than later. If a chosen piece is on a graded music exam syllabus, then the level should be checked ...
Real Time Transformation of Musical Material with Fractal
... the pattern of a brass instrument to play a chromatic scale from C down to Db. In order from the top, the buttons lower pitch by 2, 1, 3, and 5 semitones. Normal alternate fingerings are provided. ...
... the pattern of a brass instrument to play a chromatic scale from C down to Db. In order from the top, the buttons lower pitch by 2, 1, 3, and 5 semitones. Normal alternate fingerings are provided. ...
Musical Elements - Fleming County Schools
... the following video…see what happens when the presenter teaches the audience to sing… ...
... the following video…see what happens when the presenter teaches the audience to sing… ...
English Notes
... works, such as the aforementioned Tropi. However, his stay in America, where he met the minimalists (in particular Terry Riley), encouraged him especially to progress along the path of a gradual abandonment of the techniques of the Neue Musik – with which indeed he had experimented in works such as ...
... works, such as the aforementioned Tropi. However, his stay in America, where he met the minimalists (in particular Terry Riley), encouraged him especially to progress along the path of a gradual abandonment of the techniques of the Neue Musik – with which indeed he had experimented in works such as ...
Twentieth Century Avant Gardes BB EDIT
... So what exactly is the nature of Kafka’s music as it appears in his texts? What is consistent throughout his writing is that for the most part it is not music in any real sense of the word, as is the case with Thomas Mann for example, and his description of pieces by twelve-tone composer Adrian Leve ...
... So what exactly is the nature of Kafka’s music as it appears in his texts? What is consistent throughout his writing is that for the most part it is not music in any real sense of the word, as is the case with Thomas Mann for example, and his description of pieces by twelve-tone composer Adrian Leve ...
Transcribing the Gamba Music of Marin Marais to the
... an eighth, is lengthened and the eighth note is shortened. During the baroque period, rhythmic alterations other than notes inégales were also used. Fig. 1c shows an example where the quarter notes and sixteenths are rhythmically altered: The third quarter is lengthened and the fourth quarter is sho ...
... an eighth, is lengthened and the eighth note is shortened. During the baroque period, rhythmic alterations other than notes inégales were also used. Fig. 1c shows an example where the quarter notes and sixteenths are rhythmically altered: The third quarter is lengthened and the fourth quarter is sho ...
1 Eric Chasalow, Professor of Composition, Brandeis University 351
... purposes becomes, not only appropriate, but essential. In my own case, I have chosen two different approaches regarding respect for the words of the interview subject. Most often, I create portraits that, while they distort certain personality traits for emphasis, attempt to remain faithful to the h ...
... purposes becomes, not only appropriate, but essential. In my own case, I have chosen two different approaches regarding respect for the words of the interview subject. Most often, I create portraits that, while they distort certain personality traits for emphasis, attempt to remain faithful to the h ...
Sigh no more, ladies - Cardinal Scholar Home
... willow, willow” etc.) from other Shakespeare lyrics that already contain “perfect melody in the words.” She claims that the latter type are less fitted for singing and offers the sonnet form as an example of containing “perfect melody in the words” whereas ballad type poetry is more suitable. Anothe ...
... willow, willow” etc.) from other Shakespeare lyrics that already contain “perfect melody in the words.” She claims that the latter type are less fitted for singing and offers the sonnet form as an example of containing “perfect melody in the words” whereas ballad type poetry is more suitable. Anothe ...
prelude - Ravensbourne Performing Arts
... and chromatic harmony. Musical structures tend to be freer and less symmetrical than in the classical style Contrasts in keys, melodies and dynamics are often very dramatic ...
... and chromatic harmony. Musical structures tend to be freer and less symmetrical than in the classical style Contrasts in keys, melodies and dynamics are often very dramatic ...
Rudepoema
... him so many years to write. As many of his acquaintances reported, Villa-Lobos used to compose astonishingly fast and once a piece was laid on paper he seldom went back to revise it. This may have originated the often repeated remarks that Villa-Lobos was careless about the formal unity of his works ...
... him so many years to write. As many of his acquaintances reported, Villa-Lobos used to compose astonishingly fast and once a piece was laid on paper he seldom went back to revise it. This may have originated the often repeated remarks that Villa-Lobos was careless about the formal unity of his works ...
Milton Babbitt - New World Records
... Born in Philadelphia in 1916, Babbitt grew up in Jackson, Mississippi, where his interests were mathematics (his father's profession) and popular music. ("I know the lyrics of every popular song between '26 and '35," Babbitt has boasted, and after the war he tried his hand at composing musical comed ...
... Born in Philadelphia in 1916, Babbitt grew up in Jackson, Mississippi, where his interests were mathematics (his father's profession) and popular music. ("I know the lyrics of every popular song between '26 and '35," Babbitt has boasted, and after the war he tried his hand at composing musical comed ...
Iannis Xenakis his influence in music technology today
... and arranged in various densities according to theories of probability. • Controlled individual elements of sound • “Second-order sonorities” • Spectrum of small moments in time larger formal structures • Related to the concept of fractals ...
... and arranged in various densities according to theories of probability. • Controlled individual elements of sound • “Second-order sonorities” • Spectrum of small moments in time larger formal structures • Related to the concept of fractals ...
Music theory
Music theory is the study of the practices and possibilities of music. It generally derives from observation of how musicians and composers make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a spectacle. As such, it is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships, but there is also a body of theory concerning such practical aspects as the creation or the performance of music, orchestration, ornamentation, improvisation, and electronic sound production. A person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M.A. or Ph.D level, is required to teach as a tenure-track music theorist in an American or Canadian university. Methods of analysis include mathematics, graphic analysis, and, especially, analysis enabled by Western music notation. Comparative, descriptive, statistical, and other methods are also used.The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. For example, ancient instruments from Mesopotamia, China, and prehistoric sites around the world reveal details about the music they produced and, potentially, something of the musical theory that might have been used by their makers (see History of music and Musical instrument). In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia, Pharoanic Egypt, and ancient China have also considered music theory in more formal ways such as written treatises and music notation.