What are the years of the Baroque Period?
... Major intervals and minor intervals Minor intervals and augmented intervals Minor intervals and perfect intervals Major intervals and augmented intervals ...
... Major intervals and minor intervals Minor intervals and augmented intervals Minor intervals and perfect intervals Major intervals and augmented intervals ...
Bartok, Ginastera, Copland: Folk Music as Compositional Inspiration
... home and influence in the world, sought to bring the folk music of America (as well as that of Cuba and Mexico) into the public consciousness, and to do so in a manner that achieved notable popular success, not only on the concert stage but also through films, television, radio and other media. Perh ...
... home and influence in the world, sought to bring the folk music of America (as well as that of Cuba and Mexico) into the public consciousness, and to do so in a manner that achieved notable popular success, not only on the concert stage but also through films, television, radio and other media. Perh ...
Addendums For Notes on History and Theory of
... gave its name to the style of this entire era. In some ways the modern system of rhythmic notation began with Vitry, who completely broke free from the older idea of the rhythmic modes. During the Ars nova era, secular music acquired a polyphonic sophistication formerly found only in sacred music, a ...
... gave its name to the style of this entire era. In some ways the modern system of rhythmic notation began with Vitry, who completely broke free from the older idea of the rhythmic modes. During the Ars nova era, secular music acquired a polyphonic sophistication formerly found only in sacred music, a ...
hugues dufourt`s “manifesto of the music of our times”
... when questioned, Dufourt admitted that these works have narrative in the sense of Cassirer’s symbolic forms.4 That is, it is less important that his music refer to some external reality, than it produce a world of its own (Cassirer 1946, 8). To understand this, we must look at how the elements of mu ...
... when questioned, Dufourt admitted that these works have narrative in the sense of Cassirer’s symbolic forms.4 That is, it is less important that his music refer to some external reality, than it produce a world of its own (Cassirer 1946, 8). To understand this, we must look at how the elements of mu ...
A Technical and Musical Approach to Rachmaninoff`s
... of compositional writing over previous works with a tendency to carry specific musical moods, often as character pieces. This is evident when comparing works such as the Prelude in C-sharp minor Op. 3/2 to the Preludes of Op. 23 and Op. 32 and ÉtudesTableaux, Op. 33 and Op. 39. Works from the third ...
... of compositional writing over previous works with a tendency to carry specific musical moods, often as character pieces. This is evident when comparing works such as the Prelude in C-sharp minor Op. 3/2 to the Preludes of Op. 23 and Op. 32 and ÉtudesTableaux, Op. 33 and Op. 39. Works from the third ...
MTO 16.3: Stoia, Mode, Harmony, and Dissonance Treatment
... [4] Dissonance arises within the melodic mode itself, through the relationship of the mode to the underlying harmony, and through the relationship of the non-tonic harmonies to the tonic. In this repertoire, the tonic triad is most often major. As in most tonal classical repertoire, the members of t ...
... [4] Dissonance arises within the melodic mode itself, through the relationship of the mode to the underlying harmony, and through the relationship of the non-tonic harmonies to the tonic. In this repertoire, the tonic triad is most often major. As in most tonal classical repertoire, the members of t ...
An Analysis of Theme and Variations for Orchestra
... accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. ...
... accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. ...
The theories of Helmholtz in the work of Vare`se
... This metaphor of the prism refers to the decomposition of the white light of the sun into the colours of the rainbow. But the way in which Varèse explains it carries a confusion. In fact, on the one hand the siren used by Varèse, contrary to that of Helmholtz, could not be held at a fixed pitch, a ...
... This metaphor of the prism refers to the decomposition of the white light of the sun into the colours of the rainbow. But the way in which Varèse explains it carries a confusion. In fact, on the one hand the siren used by Varèse, contrary to that of Helmholtz, could not be held at a fixed pitch, a ...
Bach`s Music and Newtonian Science
... time. Each voice distinguishes itself clearly from the others [...] They now flee, now follow one another without one's noticing the slightest irregularity in their efforts [...].11 The Hexachordum naturale, based on C: C major (only two other chords in the diatonic scale have the same structure: F ...
... time. Each voice distinguishes itself clearly from the others [...] They now flee, now follow one another without one's noticing the slightest irregularity in their efforts [...].11 The Hexachordum naturale, based on C: C major (only two other chords in the diatonic scale have the same structure: F ...
- City Research Online
... with an ever-aware and critical eye towards the historical traces implicit in sounds, gestures and other musical characteristics. Thus Lachenmann formulated the concept of 'verwiegerungen', which is often translated as 'rejection', 'refusal' or 'repudiation'. It was necessary to reject the conventio ...
... with an ever-aware and critical eye towards the historical traces implicit in sounds, gestures and other musical characteristics. Thus Lachenmann formulated the concept of 'verwiegerungen', which is often translated as 'rejection', 'refusal' or 'repudiation'. It was necessary to reject the conventio ...
Riding the Horse: Time as a Form Generator in Frescobaldi`s Toccatas
... tenor, and there is introduced the leap of a diminished fourth. If all this material is organized as blossoming out from the first oscillation, emphasizing every new dissonance along the road, as recommended by Frescobaldi, there is a progressive increase of tension. This is achieved by giving the o ...
... tenor, and there is introduced the leap of a diminished fourth. If all this material is organized as blossoming out from the first oscillation, emphasizing every new dissonance along the road, as recommended by Frescobaldi, there is a progressive increase of tension. This is achieved by giving the o ...
Thematic Extractor
... present. In cases where several concurrent voices are present in one instrument, for example in piano music, we deal with only the top sounding voice. This is clearly a restriction, albeit a reasonable one, as certain events are disregarded. This restriction is necessary . Although existing analysis ...
... present. In cases where several concurrent voices are present in one instrument, for example in piano music, we deal with only the top sounding voice. This is clearly a restriction, albeit a reasonable one, as certain events are disregarded. This restriction is necessary . Although existing analysis ...
Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge:
... Scenes featuring the Messenger and/or the Shepherd precede the celebrated coda in act II, the accompaniment to Oedipus's threefold confession ("I was born against divine law; I married against divine law; I killed against divine law") and final resignation (Lux facta est). Walsh remarks quite rightl ...
... Scenes featuring the Messenger and/or the Shepherd precede the celebrated coda in act II, the accompaniment to Oedipus's threefold confession ("I was born against divine law; I married against divine law; I killed against divine law") and final resignation (Lux facta est). Walsh remarks quite rightl ...
String Quartets of Penderecki: Analyzing Form
... of serialism pioneered by composers such as Arnold Schoenberg. Krzysztof Penderecki has frequently been hailed as not only one of the most gifted but also among the most influential composers to emerge out of this period musical uncertainty over the last fifty years. It was at the onset of the 1960s ...
... of serialism pioneered by composers such as Arnold Schoenberg. Krzysztof Penderecki has frequently been hailed as not only one of the most gifted but also among the most influential composers to emerge out of this period musical uncertainty over the last fifty years. It was at the onset of the 1960s ...
Analysis for the Drama Image and Musical Image of Musetta in the
... audience and Macello. The speed of this period is allegro moderato and the strength is this period is dolcissimo. The musical notes are dense in this period and the vocal music labor is intensive. Although the main melody is still eighth notes, the accompaniment is also eighth notes, which form per ...
... audience and Macello. The speed of this period is allegro moderato and the strength is this period is dolcissimo. The musical notes are dense in this period and the vocal music labor is intensive. Although the main melody is still eighth notes, the accompaniment is also eighth notes, which form per ...
PROGRAM NOTES Edgard Varèse Ionisation
... Varèse began Amériques not long after settling in New York City. "For the first time," he later recalled, "with my physical ears I heard a sound that kept recurring in my dreams as a boy--a high whistling Csharp. It came to me as I worked in my Westside apartment, where I could hear all the river so ...
... Varèse began Amériques not long after settling in New York City. "For the first time," he later recalled, "with my physical ears I heard a sound that kept recurring in my dreams as a boy--a high whistling Csharp. It came to me as I worked in my Westside apartment, where I could hear all the river so ...
La cathédrale engloutie - Wikipedia, the free encyclopedia
... Debussy marks the next section to be played "a little more slowly," "with a feeling that becomes more grandiose," and "expressive and concentrated," to illustrate the way the music of the organ and the chanting within the cathedral is heard clearly while the cathedral is above shore. This section is ...
... Debussy marks the next section to be played "a little more slowly," "with a feeling that becomes more grandiose," and "expressive and concentrated," to illustrate the way the music of the organ and the chanting within the cathedral is heard clearly while the cathedral is above shore. This section is ...
instrumental music - Ocean County Teen Arts
... Strings: Bowings are seldom consistent within each instrument section, seldom reflecting the phrasing, dynamics, articulation and style of the piece. String to string transitions are seldom smooth and accurate. ...
... Strings: Bowings are seldom consistent within each instrument section, seldom reflecting the phrasing, dynamics, articulation and style of the piece. String to string transitions are seldom smooth and accurate. ...
Recondite Harmony: the operas of Puccini Introduction
... Recondite Harmony: the operas of Puccini Introduction ...
... Recondite Harmony: the operas of Puccini Introduction ...
... emblematic features of the group’s style. It dates from their early years (1966-70), arguably their most important stylistic period, and was selected by the band for publication at that time. Above all it presents a fertile musical conception, in which aspects of local tonal construction relate to l ...
gregorian chant as a compositional element
... The 20th century was unique in that advancements in all things technological were occurring at an unprecedented rate. Think of it in these terms. My father lived from 1914 until 2004 and in his lifetime he saw the evolution of the automobile, air travel, space travel, widespread use of electricity, ...
... The 20th century was unique in that advancements in all things technological were occurring at an unprecedented rate. Think of it in these terms. My father lived from 1914 until 2004 and in his lifetime he saw the evolution of the automobile, air travel, space travel, widespread use of electricity, ...
COMPOSERS AND THEIR MUSIC NO.1: OLIVIER MESSIAEN 1908
... 1 and 2 can be traced further back. (It should be noted that these have nothing to do with other modes of ...
... 1 and 2 can be traced further back. (It should be noted that these have nothing to do with other modes of ...
Chord Conundrum: Examining the Performance
... Vold, Emily, "Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works" (2011). Theses and Dissertations. Paper 107. ...
... Vold, Emily, "Chord Conundrum: Examining the Performance Practice of Polyphonic Figures in J.S. Bach's Solo Violin Works" (2011). Theses and Dissertations. Paper 107. ...
Music theory
Music theory is the study of the practices and possibilities of music. It generally derives from observation of how musicians and composers make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a spectacle. As such, it is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships, but there is also a body of theory concerning such practical aspects as the creation or the performance of music, orchestration, ornamentation, improvisation, and electronic sound production. A person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M.A. or Ph.D level, is required to teach as a tenure-track music theorist in an American or Canadian university. Methods of analysis include mathematics, graphic analysis, and, especially, analysis enabled by Western music notation. Comparative, descriptive, statistical, and other methods are also used.The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. For example, ancient instruments from Mesopotamia, China, and prehistoric sites around the world reveal details about the music they produced and, potentially, something of the musical theory that might have been used by their makers (see History of music and Musical instrument). In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia, Pharoanic Egypt, and ancient China have also considered music theory in more formal ways such as written treatises and music notation.