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Drama Notes
... Maurice Maeterlinck used symbolic techniques for his plays (e.g. “the intruder, the blind, the bluebird”) He believed that most dramatic movements onstage should be static and silent, with thought and mystery His plays are famous for sound interspersed silence, frequent vocal repetition and dreamlik ...
... Maurice Maeterlinck used symbolic techniques for his plays (e.g. “the intruder, the blind, the bluebird”) He believed that most dramatic movements onstage should be static and silent, with thought and mystery His plays are famous for sound interspersed silence, frequent vocal repetition and dreamlik ...
File
... wounded by his experiences, often resulting in his death. He is often a king or leader, so that his people experience his fall with him. This could also include a leader of a family. The hero learns something from his/her mistake. The hero is faced with a serious decision. The suffering of the hero ...
... wounded by his experiences, often resulting in his death. He is often a king or leader, so that his people experience his fall with him. This could also include a leader of a family. The hero learns something from his/her mistake. The hero is faced with a serious decision. The suffering of the hero ...
2 Greek Theatre
... uncovered passages on either side – Gives us the word “scenery” because it was eventually painted and decorated Parados – passage way into the theatre for the choros in the ‘parados’ Proscenium- level area in front of skene; most of the action took place there; not a stage but possibly raised one st ...
... uncovered passages on either side – Gives us the word “scenery” because it was eventually painted and decorated Parados – passage way into the theatre for the choros in the ‘parados’ Proscenium- level area in front of skene; most of the action took place there; not a stage but possibly raised one st ...
Chapter 10 - theatrestudent
... • "When you write or act, think no more of the audience than if it had never existed. Imagine a huge wall across the front of the stage, separating you from the audience, and behave exactly as if the curtain had never risen.“ • Developed the concept of the fourth wall ...
... • "When you write or act, think no more of the audience than if it had never existed. Imagine a huge wall across the front of the stage, separating you from the audience, and behave exactly as if the curtain had never risen.“ • Developed the concept of the fourth wall ...
drama - Social Circle City Schools
... • The playing area extends behind an opening called a “proscenium arch.” • The audience sits on one side looking into the ...
... • The playing area extends behind an opening called a “proscenium arch.” • The audience sits on one side looking into the ...
File
... initial conflict between them Rising Action: suspense builds; "the plot thickens." Characters make decisions in response to the opening conflict; these decisions complicate the action. Opens up the plot, allowing for different possibilities of resolution. Turning Point: characters or circumstances c ...
... initial conflict between them Rising Action: suspense builds; "the plot thickens." Characters make decisions in response to the opening conflict; these decisions complicate the action. Opens up the plot, allowing for different possibilities of resolution. Turning Point: characters or circumstances c ...
1) before the performance
... The title mentions the grandfather: What is each child's grandfather or grandmother like? What are their names? Are they alive or have they moved to another house? Do they have white hair? Do they walk slowly or quickly? Do they tell stories? What do they enjoy doing with their grandchildren? If you ...
... The title mentions the grandfather: What is each child's grandfather or grandmother like? What are their names? Are they alive or have they moved to another house? Do they have white hair? Do they walk slowly or quickly? Do they tell stories? What do they enjoy doing with their grandchildren? If you ...
Yoruba Storytelling - Ben
... Yoruba Storytelling - Ben 1. The basis for Yoruba drama is religion, their main God is Obatala, and many of their dramatic works focus around him. 2. The most popular contemporary yoruba theatre is the yoruba opera. 3. This opera started with an opening glee, which is a rousing musical number, follo ...
... Yoruba Storytelling - Ben 1. The basis for Yoruba drama is religion, their main God is Obatala, and many of their dramatic works focus around him. 2. The most popular contemporary yoruba theatre is the yoruba opera. 3. This opera started with an opening glee, which is a rousing musical number, follo ...
Drama
... by players on a stage before an audience. – This definition may be applied to motion picture drama as well as to the traditional stage. ...
... by players on a stage before an audience. – This definition may be applied to motion picture drama as well as to the traditional stage. ...
Greek Drama PPT - Glassboro Public Schools
... • Theatron area where audience sat on benches. • Parados two broad aisles extending from the orchestra to each side of the theatron. • Skene rectangular building with 3 doors in front, providing a background for action of the play as well as an area into which actors could exit and change cost ...
... • Theatron area where audience sat on benches. • Parados two broad aisles extending from the orchestra to each side of the theatron. • Skene rectangular building with 3 doors in front, providing a background for action of the play as well as an area into which actors could exit and change cost ...
Review of a Theatre Performance: A Worksheet This worksheet is
... Review of a Theatre Performance: A Worksheet This worksheet is intended to help you write a theatre review. It is important to remember, though, that the text and its production should strongly influence the structure of the essay. Above all, you must answer the specific question you are given. 1. B ...
... Review of a Theatre Performance: A Worksheet This worksheet is intended to help you write a theatre review. It is important to remember, though, that the text and its production should strongly influence the structure of the essay. Above all, you must answer the specific question you are given. 1. B ...
Studies in Drama and Theatre – Brecht
... Brechtian theatre or Epic theatre in its time was a great change to the theatrical. Berthold Brecht brought a new dynamic to theatre during his life from 1893 to 1964. His plays were meant to make people think and become proactive rather than accepting things the way they are. In his late teens he b ...
... Brechtian theatre or Epic theatre in its time was a great change to the theatrical. Berthold Brecht brought a new dynamic to theatre during his life from 1893 to 1964. His plays were meant to make people think and become proactive rather than accepting things the way they are. In his late teens he b ...
REALIST DRAMA
... secrets known to audience, withheld from certain characters expected, logical reversals, hero - successes and failures the secret is revealed - the climax, the antagonist is revealed the protagonist has dignity restored, receives reward denouement is believable and logical ...
... secrets known to audience, withheld from certain characters expected, logical reversals, hero - successes and failures the secret is revealed - the climax, the antagonist is revealed the protagonist has dignity restored, receives reward denouement is believable and logical ...
Hero saves famous literary figures
... levels of lighting and sound add to the show and make it unique.” For director Austin Tichenor, this is his irst stint at Valparaiso University. “Usually the director is a Valpo professor who has always been doing college theatre and they have a very set structure,” Terzic said. “This is not a bad t ...
... levels of lighting and sound add to the show and make it unique.” For director Austin Tichenor, this is his irst stint at Valparaiso University. “Usually the director is a Valpo professor who has always been doing college theatre and they have a very set structure,” Terzic said. “This is not a bad t ...
Introduction to Theatre and Advisory Musical writeup
... head with a book and then ran away. Describe the characters. Example: Joan was a sick person who was not taking her medication. ...
... head with a book and then ran away. Describe the characters. Example: Joan was a sick person who was not taking her medication. ...
Drama in FYW Resources and Links
... conductors/music directors, stagehands, riggers, stage managers, and of course producers and marketing. This is important because it highlights theatre as a collaborative art; a piece of dramatic writing may be written by one or two people, but many parties have a hand in creating what we see on sta ...
... conductors/music directors, stagehands, riggers, stage managers, and of course producers and marketing. This is important because it highlights theatre as a collaborative art; a piece of dramatic writing may be written by one or two people, but many parties have a hand in creating what we see on sta ...
Naturalist Theatre What is Naturalist Theatre?
... stage time equals real time – eg. three hours in the theatre equals three hours for the characters in the world of the play costumes, sets and props are historically accurate and very detailed, attempting to offer a photographic reproduction of reality (‘slice of life’) settings for naturalistic dra ...
... stage time equals real time – eg. three hours in the theatre equals three hours for the characters in the world of the play costumes, sets and props are historically accurate and very detailed, attempting to offer a photographic reproduction of reality (‘slice of life’) settings for naturalistic dra ...
NODA review - Bovingdon Players
... Neville's Island is a very well written play, but demands a lot of it's cast. I enjoyed Director John Mower's well thought out production. The play was both amusing at times and sad and thought provoking at others. The reaction to stress in each of the characters and changes in their personalities w ...
... Neville's Island is a very well written play, but demands a lot of it's cast. I enjoyed Director John Mower's well thought out production. The play was both amusing at times and sad and thought provoking at others. The reaction to stress in each of the characters and changes in their personalities w ...
MacBeth
... another or to a group of characters • Aside- a private remark to one character to the audience that breaks convention because it is understood NOT TO BE HEARD by other characters onstage • Chorus- single character or group whose words may connect scenes or convey the collective thoughts of feelings ...
... another or to a group of characters • Aside- a private remark to one character to the audience that breaks convention because it is understood NOT TO BE HEARD by other characters onstage • Chorus- single character or group whose words may connect scenes or convey the collective thoughts of feelings ...
Basic Theatre Terms 6th
... Offstage: Any part of the stage where the audience can not see. Onstage: Any part of the stage where the audience can see. Pantomime: Telling a story or presenting an idea without words. Project: To increase voice or actions so they will carry out into the audience. Props: Items that are not classif ...
... Offstage: Any part of the stage where the audience can not see. Onstage: Any part of the stage where the audience can see. Pantomime: Telling a story or presenting an idea without words. Project: To increase voice or actions so they will carry out into the audience. Props: Items that are not classif ...
BREAKING DOWN THE BOUNDARIES OF AN EXISTING PUBLIC SPACE IN...
... Theatrical term describing the imaginary line separating the audience from the stage. 2. The imaginary wall through which the audience views the action of a play. When this boundary is broken (e.g. when the audience is directly addressed), it is called “breaking the fourth wall”. ...
... Theatrical term describing the imaginary line separating the audience from the stage. 2. The imaginary wall through which the audience views the action of a play. When this boundary is broken (e.g. when the audience is directly addressed), it is called “breaking the fourth wall”. ...
THE PLAYSCRIPT Chap. 3
... Includes the themes, arguments, and overall meaning of the action. The ways of projecting thought are ...
... Includes the themes, arguments, and overall meaning of the action. The ways of projecting thought are ...