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Greek Theater PPT
Greek Theater PPT

... does not seem negative, but is under these particular circumstances.  The tragic hero learns a lesson from his/her meaningful suffering, and the tragic hero and the audience feel a sense of release at the end (catharsis). ...
twelfth night - Classical Theatre Project
twelfth night - Classical Theatre Project

... Before the going to see the performance, write down some observations about the play, the characters, and lines of the text that stand out. After you have seen the CTP’s production of Twelfth Night, it is very obvious that some characters are missing or have been combined into others. Take a look at ...
Theatre LILA makes magic...itcase Dreams
Theatre LILA makes magic...itcase Dreams

... pair of clowns. They're funny, but in a way that's complex and satisfying. Real humanity runs through their back-andforth. Herold also shines in a heartbreaking scene with Mark Snowden as an old couple leaving their longtime home. As Cartier D'Amour, Amanda Connors makes the perfect noir femme fatal ...
Italian Renaissance Drama
Italian Renaissance Drama

... needed was makeup. • One interesting feature about the lovers is that they never touched, even in the most passionate moment. They would come very close to each other, in dramatic poses but wouldn't touch. ...
Globe Theatre Virtual Tour
Globe Theatre Virtual Tour

... Directions:    Please  log  on  to  the  following  website  and  answer  the  questions  below  as  your  complete   ...
Lecture 1 The Taming of the Shrew
Lecture 1 The Taming of the Shrew

... The audience is in a theatre watching a play about a Lord who makes a play for a tinker, Christopher Sly, Who watches actors perform a play, The Taming of the Shrew, Inside which is a play about the wooing of Bianca, by a love-sick hero, Hortensio, and his rival Bianca worshippers Lucentio and Gremi ...
A Clockwork Orange Proposal
A Clockwork Orange Proposal

... The Drama Studio’s stage will be stripped of curtains, tabs and wings to maximise the use of space. We stage it in the thrust, however the audience will only be seated at the stage right and centre section. Stage left will be reserved for the band who will move around and integrate with the action a ...
HERE - Citadel Theatre
HERE - Citadel Theatre

... and the universe – to life, but also – and this is the beauty of it – asks the audience to use their imaginations, too. So, we have this incredible array of props that I think you’d find on the deck of a ship or on a dock in England in the 1800s and, using these items, we’re going to create the worl ...
Theatre in context - School of English and American
Theatre in context - School of English and American

... leading role even Dryden's All for Love's Anthony: heart torn by feelings which he cannot control or understand male characters: unambiguous heroism: rather unconvincing ...
Artistic Statement
Artistic Statement

... theatre, we had to clean, create lighting positions, move the old theatre seating into position, and create a small cabin in the woods. We moved actual trees into the space, and the audience would have to walk through the interior of the cabin to reach their seats. This allowed us to create a little ...
Splendid Productions
Splendid Productions

... This exercise uses several of the techniques described above. In small groups (of 3-7), students should choose either: • a well-known person, ideally one who causes debate or controversy. (Katie Hopkins, Justin Bieber, Rhianna and Donald Trump are examples that work well in 2016.) • a character from ...
Greek Theatre History
Greek Theatre History

... by a group of 50 men (chorus) Chorus – group of men, elders that represented the voice of society There were 4 plays performed at the festival: 3 ...
paper - Community Legal Centres NSW
paper - Community Legal Centres NSW

... When the human face of our legal work may be lost in the process, “Monologues” can remind all of us that those we work with are more than a statistic in the system. Lajos Hamers, performer, will help provide that human face and voice to the stories of those who too often feel voiceless. The intentio ...
Ancient Greek Theater
Ancient Greek Theater

... masks of Japanese Noh drama), leather, or cloth and flour paste (like many masks made for modern productions today). ...
Brectian techniques revised
Brectian techniques revised

...  actors are also encouraged to distance themselves from their characters rather than identify with them  ironic commentary by a narrator adds to this ‘estrangement’.  By reminding the audience of the performance's artificial nature, Brecht hoped to stimulate a rational view of history as a change ...
Performance review - Theatre Journal
Performance review - Theatre Journal

... interrupted when Elisa Benureau appears on stage. Rose changes his focus to the fulfillment of his libidinal urges, ultimately receiving a very business-like blowjob. The scene is thick with male prerogative and power, which is suddenly shattered by a lengthy and loud terrorist attack, convincingly ...
Section B Prescribed Play Jan 2013
Section B Prescribed Play Jan 2013

... General Certificate of Education Advanced Subsidiary Examination January 2013 ...
Rachel Clements - 04/01/2017 - Rain or Shine Theatre Company
Rachel Clements - 04/01/2017 - Rain or Shine Theatre Company

... Although small, the company made ingenious use of the stage. Transitions from 221B Baker Street to the train to Devonshire were made smoothly via the use of functioning doors and windows in the set, through which the actors could pop their heads for comedic effect. The train scene was also a persona ...
William Shakespeare
William Shakespeare

... The Globe’s History Burned down in 1613 during a performance of Henry VIII when a cannon fired and ignited the thatch roof. It was burned to the ground in an hour.  Was rebuilt with a tile roof.  The Puritans closed all theaters in 1642  Globe was torn down in 1644.  Has been rebuilt in London ...
Educational notes from John Godber on Shafted
Educational notes from John Godber on Shafted

... Shafted! I took the decision to present the play in a series of filmic realistic scenes, and to have no direct audience address, unlike in my more famous plays, Bouncers, Teechers and Shakers etc. This means that each scene has to set a mood, place and tone very quickly. I was influenced by the writ ...
here - Home - Louise Burns
here - Home - Louise Burns

... Society & theatre. Billington: what are the links? political. i.e. the politics of the times seeps into the playwright’s work. He believes we can gauge the temper of the times through the both new writing and revivals. • We want to contextualise the plays: • Who was/is the playwright? What do we kno ...
S5 and S6 Higher Drama Course
S5 and S6 Higher Drama Course

... The course is divided into two component units: Drama Skills and Drama: Production Skills. Drama Skills involves you exploring a variety of textual stimuli in order to identify themes and issues which enables you to devise, collaboratively with your peers, a theatrical performance which can be perfo ...
Ancient Greek Theatre
Ancient Greek Theatre

... • Mathematics played a large role in the construction of these theatres, as their designers had to able to create acoustics in them such that the actors' voices could be heard throughout the theatre, including the very top row of seats. ...
Lec #12 Theatre of Absurd
Lec #12 Theatre of Absurd

... Authors felt that life is meaningless; there is no hope of salvation – thus their plays reflected these ideas. An attempt to restore the importance of myth and ritual to our age, by making man aware of the ultimate realities of his ...
Romeo and Juliet: Final Projects and Presentations
Romeo and Juliet: Final Projects and Presentations

... Adapt a scene, putting it into a new form such as a radio play or a short story. For a radio play, you might bring to life a key moment in the play, by choosing music and sound effects to help embellish a new version of it, creating a working script, and then recording this scene that seems especial ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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