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Demands and Strategies of Interpreting a Theatrical
Demands and Strategies of Interpreting a Theatrical

... Demands of visual information. A theatrical production tells a story in a variety of ways. Sometimes the story is solely auditory, delivered through dialogue between characters or a character’s song. Sometimes important plot details are communicated by the actions of the characters on stage. For exa ...
depth analysis of Steven Martin‟s play Picasso
depth analysis of Steven Martin‟s play Picasso

... strike when least expected. They used their creative powers with unbounded determination, and successfully ushered in a new mindset for the twentieth century with their ideas and inventions. Inspired by Martin‟s play, I looked forward to spending a year of graduate school exploring the work through ...
drama 10–20–30 - Alberta Education
drama 10–20–30 - Alberta Education

... Dramatic growth parallels the natural development of the student. This growth is fostered in an atmosphere that is non-competitive, cooperative, supportive, joyful yet challenging. The overall goal of drama is to foster a positive self-concept in students by encouraging them to explore life by the a ...
The BFG Resource Pack - Birmingham Repertory Theatre
The BFG Resource Pack - Birmingham Repertory Theatre

... Phil Clark, Director, introduces The BFG – the production I have been directing the work of Roald Dahl on stage for many years. In the 1990s I was Artistic Director of the Sherman Theatre Cardiff, Dahl’s home city. Over twelve years we produced eight stage adaptations of his magnificent stories for ...
About Performance Translation
About Performance Translation

... The division into two sentences has no specific rhythm; moreover, an actor would not find it as easy to say the line without pausing for breath. Ezra Pound makes a pertinent observation when he maintains that every translation is a criticism of the original, because of each translator’s interpretati ...
Self, Esteemed: Contemporary Auto/biographical Theatre in Latin
Self, Esteemed: Contemporary Auto/biographical Theatre in Latin

... that recycle reality, whether that reality is personal, social, political, or historical” (Theatre of the Real 5). In this study I designate the particular examples of theatre of the real in which the reality being recycled is the personal history of the onstage actors as auto/biographical theatre. ...
Markscheme Jan 2012
Markscheme Jan 2012

... Version 1.0: 0212 ...
- NIILM University
- NIILM University

... • In 2013 Odyssey Theatre in Ottawa, ON, Canada is putting on a masked performance of this play. ...
My Fair Lady - Shaw Festival
My Fair Lady - Shaw Festival

... original Pygmalion characters and story. Music has a way of striking at the core of an emotion in a way that is different from words, and is often more able than words to capture a sense of the indescribable. Although there is a lot said in the text -- how could there not be in something based on Sh ...
`Lardo` Reviews - Metal Rabbit Productions
`Lardo` Reviews - Metal Rabbit Productions

... to Lardo and the friendship and respect between the two men is a very unique and positive one to have brought to life on stage. There’s little to fault here – except that Lardo needs a bigger theatre that can accommodate more people. The cast are flawless, the scenery is atmospheric, and the writing ...
COMMUNITY-BASED THEATRE FOR DIALOGUE AND CONFLICT TRANSFORMATION
COMMUNITY-BASED THEATRE FOR DIALOGUE AND CONFLICT TRANSFORMATION

... Forum Theatre is a theatre for everyone, even for professional actors and other trained artists. It is a theatre that is at the service of ordinary people and that aims at democratizing peoples’ access to art and culture not only as passive consumers but as active participants, as creators, in the p ...
Performing `The Tragedy of Mariam` and Constructing Stage History
Performing `The Tragedy of Mariam` and Constructing Stage History

... which undoubtedly still obtains, and demanding that the play move inside a less straitjacketed interpretive terrain. The Text and the Burford Production Liz Schafer, in an important recent polemic, notes that, ‘Certain features of Mariam actually suggest that the play was very definitely written wit ...
Performing the Audience: Constructing Playgoing in Early Modern
Performing the Audience: Constructing Playgoing in Early Modern

... Like many early modern plays, this text is a collaborative effort, even though it is only attributed to one person. I would like to take this opportunity to acknowledge those who made key contributions, while also acknowledging that there are many who will remain unacknowledged. Though I fully ackno ...
The Art of Auditioning
The Art of Auditioning

... Once you have identified the type of audition you will be attending, the next step in your process is selecting appropriate audition pieces. For a theatre audition it is generally standard that you will need to present between 1-2 monologues of a contrasting nature that each run under the time of 2 ...
Rafe`s Rebellion: Reconsidering The Knight of the Burning Pestle
Rafe`s Rebellion: Reconsidering The Knight of the Burning Pestle

... is somewhat surprising, coming 40 years after critics began discussing the death of the author. I have traced these debates at some length not to simply turn the tables on those who have used Beaumont’s biography to read him as “‘deferential, glad to be of use’ to the king and court,”20 but rather t ...
Legislative Theatre: Using performance to make politics
Legislative Theatre: Using performance to make politics

... doctors. He wanted to start with a short description of the origins of the Greek theatre, whose traditions we are heir to. And he explained that, in the beginning, the people sang and danced, all together in the street, in the open air: this was the time of the famous Dithyrambic Songs— it was not y ...
The Fan of Noh Theatre
The Fan of Noh Theatre

... When one dedicates his or her life only to the mastery of the art, only following the oral, individual instruction of a master, and not relating to a body of knowledge identical for every performer, the sensitivity of the performers heightens to the point that the slightest change in the interpretat ...
this PDF file
this PDF file

... (see Borsellino: 2000 31–35)1 and the newly introduced permanent narrative time, which exists only in literary space, becomes a substitute for life. In this novel, Pirandello raises philosophical and ethical issues that were particularly important at the beginning of the 20th century. He asks: What ...
ABSTRACT A Director`s Approach to Jeffrey Hatcher`s Dr. Jekyll and
ABSTRACT A Director`s Approach to Jeffrey Hatcher`s Dr. Jekyll and

... unflattering reviews with its only staging at the Denver Theatre Center (Swartz). The next play was Smash, an adaptation of the novel An Unsocial Socialist by George Bernard Shaw, which was produced at Intiman Theater in Seattle, Washington. It received a variety of favorable reviews and was picked ...
View our Summer 2017 Catalog
View our Summer 2017 Catalog

... produces the best on-camera acting. ...
`Canst paint a doleful cry?`: Promotion and
`Canst paint a doleful cry?`: Promotion and

... with the speed of the unfurling of the action. As well, the ‘centre/margin’23 layout of the illustration reveals significant information about early modern modes of visualization. The 1623 edition of the play reveals, however, that there was no break in the performance between what we know as scenes ...
Ubu Roi
Ubu Roi

... human existence. As a literary term, absurdity seems to have been coined especially for Pa Ubu. Throughout the play, Pa Ubu appears to be unaware of what is happening around him. Murder, dismemberment, the trampling of a townsperson when Pere Ubu distributes gold— none of these atrocities faze Ubu. ...
Dear jess - Theatrescience
Dear jess - Theatrescience

... subject of ‘genetic difference and health’. Having done schools workshops and plays on this subject, the team wanted to explore it further, and so submitted an application for a programme of work called ‘Not My Fault’, on the theme of genetic variability and health, to be performed within the biomes ...
NT Education Workpack Tartuffe
NT Education Workpack Tartuffe

... Verse can encourage “coasting” from actors. It was very important always to keep it alive and supported. During the run, in fact, they didn’t coast – but I pretended that they did from time to time so I could warn them about it and then they wouldn’t! I had to convince the actors that the audience c ...
Ophelia`s Intertheatricality, or, How Performance Is History
Ophelia`s Intertheatricality, or, How Performance Is History

... bound by and present in a particular (now past and lost) time and place.6 Such posited plenitude, coupled with a sense that performance is always in the process of disappearing, renders performance something that can only be glimpsed from the outside and recovered only in part. Nostalgic treatments ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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