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Resource Pack: Three Sisters
Resource Pack: Three Sisters

... His first published piece appeared in the St. Petersburg weekly Strekoza (Dragonfly) in March 1880. Many more followed in similar journals under various pseudonyms such as Antosha Chekhonte, a nickname given to Chekhov by his favourite teacher. During this early period of writing, Chekhov met Nicola ...
YING TONG SCHOOLS DAY PERFORMANCE
YING TONG SCHOOLS DAY PERFORMANCE

... STC has been a major force in Australian drama since its establishment in 1978. It was created by the New South Wales Government, following the demise of the Old Tote Theatre Company. The original intention was to better utilise the Drama Theatre of the Sydney Opera House and the new Company compris ...
Changing scenes and ying machines: re
Changing scenes and ying machines: re

... Restoration theatre merely in terms of machinery and scenery, as some have done, but that it properly includes a wider range of elements, such as puppetry and performers, the thesis contends that spectacle on the Restoration stage was more of an integral aspect of theatrical development than previou ...
The Newspaper `Trial` of Charles Macklin`s Macbeth and the Theatre
The Newspaper `Trial` of Charles Macklin`s Macbeth and the Theatre

... In October 1773, veteran actor Charles Macklin (1697?–1797) produced and starred in a new Macbeth for George Colman at Covent Garden Theatre. Macklin was well known for his comic roles and his innovative characterization of Shylock in The Merchant of Venice, but he had struggled professionally and f ...
SEAGULL ThEATrE QUArTErLY - The Seagull Foundation for the Arts
SEAGULL ThEATrE QUArTErLY - The Seagull Foundation for the Arts

... remains that some of the finest playtexts written in Bengali in the period are not in the realistic mode at all, and some of them have gone through the embarrassment of being read/treated as realistic texts. While Bijan Bhattacharya is rarely staged with any degree of creativity, both Mohit Chattopa ...
stanislavski and postmodernism - eTheses Repository
stanislavski and postmodernism - eTheses Repository

... Associationist psychology was introspective and observational – precisely the methodology Stanislavski preferred to use. It also formed the foundation for the work and theories of Theodule Ribot (1839-96), which was a crucial formative influence on Stanislavski’s use of Emotion Memory or Affective m ...
Thesis
Thesis

... which utilized Kabuki staging techniques to tell the story of a dog who seeks to comfort a family in the loss of their father. Touched by the maturity and depth of this work, Vogel urged Ruhl to consider a career in playwriting. Ruhl now contends that Vogel did more than teach her to write; she nur ...
The Miser - Agnes Scott College
The Miser - Agnes Scott College

... accepted fashions were (and frankly still are) artificial notions, and often exaggerated at that. By utilizing clowns, we will be admitting that the plot, characters and action are purely farcical to those observing. However, to those participating in the world, there will be no sense of self-refere ...
chapter one - SUST Repository
chapter one - SUST Repository

... importance this device has generally in literature. In addition to this, the result expected would work to elaborate more clearly what is Soliloquy as a technique. This elaboration would further acquaint readers in general with what is Soliloquy in literature, its significance ,as well as give them ...

 A
thesis
submitted
in
partial
fulfilment
of
the
requirements
for
the
 Degree
 of
Master
of
Antarctic
Studies


 A
thesis
submitted
in
partial
fulfilment
of
the
requirements
for
the
 Degree
 of
Master
of
Antarctic
Studies


... continent.
It
is
not
necessary
to
physically
visit
Antarctica
in
order
to
make
a
claim,
however,
 and
in
some
instances
creating
an
imaginary
version
of
a
place
can
have
a
far
wider
impact
 than
a
single
visit.
These
plays
illustrate
how

“one
also
becomes
attached
to
places
by
the
 power
of
imagini ...
ACTING STYLES OF KATHAKALI AND KABUKI
ACTING STYLES OF KATHAKALI AND KABUKI

... animist Dravidians the earth was Bhagvati or mother Goddess, a deity they worshipped. She was the source of life and life-sustaining supplies. Dance was an integral part of their life. They worshipped their deities through dance. History tells us that Kathakali is a fusion of Dravidian and Aryan dan ...
Group Sales - City of Brampton
Group Sales - City of Brampton

... Each year brings a new challenge to present the right variety of programming to suit our diverse audiences. As I began programming, I looked at your feedback, your requests and at box office returns. I asked myself, how can I make the Rose more accessible to a broader portion of this community, main ...
Greg Elsasser Jacquie Emerson
Greg Elsasser Jacquie Emerson

... suit” and carrying a clipboard, which she is never without.) PETE: You know, Jacquie, I just can’t figure out this new lighting board. There are thousands of controls, switches, and buttons. I don’t think there is any way I can memorize and program this board in four weeks. JACQUIE: Maybe we should ...
Study Guide for - Donmar Warehouse
Study Guide for - Donmar Warehouse

... displaying chrysanthemums, symbolising loyalty, are staged. Tenth day blooms are too old to be displayed and are discarded, signifying Mishima’s theme of wasted loyalty in his play. The Harp of Joy, 1963. This play caused a rift between Mishima and the prestigious Bungakuza theatre company for whom ...
They reckon I need a dramaturg : examining the
They reckon I need a dramaturg : examining the

... The journey of a play from an idea to the stage is usually a long one. Once the play has been accepted for production, many individuals begin to contribute to its dramaturgy. Sometimes a dramaturg is one of the collaborators, for “the professional dramaturg specializes in an understanding of dramat ...
James Baldwin, Performance Theorist, Sings the Blues for Mister
James Baldwin, Performance Theorist, Sings the Blues for Mister

... in his nonfiction, rounding out his (often-unheralded) contribution to what is now called performance theory. Baldwin’s essays consistently engage the meaning-making power of performance, whether in the form of blues and gospel singing or the theatricality of everyday life.4 As a result, though they ...
drama teacher academy pd course summary
drama teacher academy pd course summary

... This mini-course will give you a toolkit to bring your shows to the next level by having an engaged, active, ensemble. The ensemble is a critical part of a large cast show. But you can't leave them to fend for themselves. They need structure. They need exercises and activities. In Strong Ensemble = ...
SHARED EXPERIENCE THEATRE: EXPLORING
SHARED EXPERIENCE THEATRE: EXPLORING

... survived, indeed is thriving, more than ever today. To date, this company has not been the focus of any major study. I am first scholar to document the history of Shared Experience and its significance in contemporary British theatre, producing the first major research of this company. While this st ...
towards an audience development plan for the national
towards an audience development plan for the national

... 2007, p. 136). This is because, in the theatre, both the performers and the audience need each other to achieve the concept of theatre experience. A theatre audience may be defined as “a group drawn together by a theatrical event, at a certain time and place that is aware of itself as a group” (Came ...
NVS 2-1-7 B-Poore - Neo
NVS 2-1-7 B-Poore - Neo

... Fagin is therefore depicted much more gently than in Dickens’ novel. One might expect musical theatre to have much in common with melodrama in its use of music to underline and direct emotion, and its fondness for the happy ending, but Oliver! does not work melodramatically. When Fagin, towards the ...
PDF-1 - RUcore
PDF-1 - RUcore

... scripts. When I insert an extract from a film, it isn’t an homage but outright theft. It’s part of the story I’m telling and becomes an active presence rather than an homage, which is always something passive” (Almodóvar on Almodóvar 47). Almodóvar’s focus on the way films play an “active part” in h ...
“antic dispositions?” the representation of madness in modern british
“antic dispositions?” the representation of madness in modern british

... images of madness, it offers a detailed look at contemporary British theatre and performance. By contrast to approaches based in psychiatry, however, I will explore the representation of madness from the point of view of theatre and performance itself. In particular, I focus on two key elements whic ...
The Country Girl - The American Century Theater
The Country Girl - The American Century Theater

... Odets became a cofounder of one of the bravest and most significant theater organizations in American theater history. But his contribution to the Group didn’t end there, for he was literally its clearest voice. He had begun writing plays that would advance the company’s objective of brewing an Amer ...
ACTING AND ITS REFUSAL IN THEATRE AND FILM
ACTING AND ITS REFUSAL IN THEATRE AND FILM

... to Roman times. As Johan Huizinga notes in his observations of the situation in Ancient Greece, acting there did not contain the idea of feigning or pretending, as what he calls the play-spirit (acting) was not distinct from life but integrated into it: “Hellenic society was so profoundly imbued wit ...
p42-52_Lahr Kushner Well.L.ps
p42-52_Lahr Kushner Well.L.ps

... In 1969, Sylvia underwent a mastectomy, and nine years later William became the maestro of the Lake Charles Symphony—events that changed the family dynamic. While Lesley and Eric gravitated toward their father, Tony maintained the closest bond to Sylvia. From an early age, he’d been a fervent reader ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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