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Bayou Boogie: the Americanization of Cajun music, 1928-1950
Bayou Boogie: the Americanization of Cajun music, 1928-1950

... music is defined in this study more by ethos and social context than by a delimited set of stylistic features. I define ethos as the group’s openness to change and their ability to interpret, selectively apply and negotiate specific cultural information to suits the needs of individuals and the gro ...
Bayou Boogie: The Americanization of Cajun Music, 1928
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The Devil`s Horn and the Music of the Brothel
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... The saxophone has, by necessity, adapted a body of repertoire that was originally written for other instruments from a variety of genres since its invention in 1844. These adaptations, conceived as transcriptions and arrangements, have formed an integral part of sculpting the saxophone’s repertoire ...
In Honor of I. P. Pavlov
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FREE Sample Here - Find the cheapest test bank for your

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Music psychology

Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behavior and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human aptitude, skill, intelligence, creativity, and social behavior.Music psychology can shed light on non-psychological aspects of musicology and musical practice. For example, it contributes to music theory through investigations of the perception and computational modelling of musical structures such as melody, harmony, tonality, rhythm, meter, and form. Research in music history can benefit from systematic study of the history of musical syntax, or from psychological analyses of composers and compositions in relation to perceptual, affective, and social responses to their music. Ethnomusicology can benefit from psychological approaches to the study of music cognition in different cultures.
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