Print this article - OJS at the State and University Library
... probably also a kind of transitional feast for the youth.12The feasts of the Thesmophoria, for Demeter, apparently included the disappearance of the corn due to the anger of the goddess, as recounted in the Homeric hymn, as well as the abduction and return of Persephone.13 In the sanctu ...
... probably also a kind of transitional feast for the youth.12The feasts of the Thesmophoria, for Demeter, apparently included the disappearance of the corn due to the anger of the goddess, as recounted in the Homeric hymn, as well as the abduction and return of Persephone.13 In the sanctu ...
ANALYSIS Waiting for Lefty
... presented without the benefit of an elaborate stage or scenery, within a few months Lefty was being produced all over the country. The reception was predictably enthusiastic in almost every city where it was presented. Even when the play was condemned as mere propaganda, it managed to create enough ...
... presented without the benefit of an elaborate stage or scenery, within a few months Lefty was being produced all over the country. The reception was predictably enthusiastic in almost every city where it was presented. Even when the play was condemned as mere propaganda, it managed to create enough ...
Emotions in Drama Characters and Virtual Agents
... purpose of this distinction, at the actional level, is to account for the pragmatics of actions (for example, in beat 9, the rhetorical question posed by Hamlet to Ophelia, while literally being a question, is a way to introduce a new topic). In the action type column, the actions of each agent are ...
... purpose of this distinction, at the actional level, is to account for the pragmatics of actions (for example, in beat 9, the rhetorical question posed by Hamlet to Ophelia, while literally being a question, is a way to introduce a new topic). In the action type column, the actions of each agent are ...
henry james`s dramatic drama: a critical account1
... recognition, spectacular music-hall shows, and crudely melodramatic productions. So it is not at all surprising that he developed a taste for melodrama which he hardly managed to avoid in most of his plays. He was first taken to the theatre at the age of seven and when he was about nineteen he submit ...
... recognition, spectacular music-hall shows, and crudely melodramatic productions. So it is not at all surprising that he developed a taste for melodrama which he hardly managed to avoid in most of his plays. He was first taken to the theatre at the age of seven and when he was about nineteen he submit ...
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... Ignoring Irish landscape or history for setting, plot, or theme, this drama did little to reinvigorate the political cause of Irish Catholics in the decade before Emancipation. Adelaide, Sheil’s first play, was initially performed in Ireland, but subsequent works discussed here premiered in London. ...
... Ignoring Irish landscape or history for setting, plot, or theme, this drama did little to reinvigorate the political cause of Irish Catholics in the decade before Emancipation. Adelaide, Sheil’s first play, was initially performed in Ireland, but subsequent works discussed here premiered in London. ...
4 The Poetic Tradition
... books on the theory are The Semiotics of Theatre and Drama by Keir Elam (1980) and Theatre as Sign System by Elaine Aston and George Savona (1991). Both books aimed at a concise overview of semiotics for the English language public at the times of publication. As such, they incorporate some aspects ...
... books on the theory are The Semiotics of Theatre and Drama by Keir Elam (1980) and Theatre as Sign System by Elaine Aston and George Savona (1991). Both books aimed at a concise overview of semiotics for the English language public at the times of publication. As such, they incorporate some aspects ...
Marathi Theater
... argued that it was their duty to extend all possible help to professional drama companies for development of this art, particularly because the theatre was a medium of full manifestation of many arts. They became the friends and supporters of Vishnudas Bhave during his very first sojurn in Mumbai. H ...
... argued that it was their duty to extend all possible help to professional drama companies for development of this art, particularly because the theatre was a medium of full manifestation of many arts. They became the friends and supporters of Vishnudas Bhave during his very first sojurn in Mumbai. H ...
Progression of Learning in Secondary School Drama
... In order to create, perform and appreciate dramatic works, students must acquire a certain amount of knowledge related to the language of drama. Presented schematically in the compulsory and optional programs, this learning is addressed here in order to facilitate teachers’ planning. Divided into tw ...
... In order to create, perform and appreciate dramatic works, students must acquire a certain amount of knowledge related to the language of drama. Presented schematically in the compulsory and optional programs, this learning is addressed here in order to facilitate teachers’ planning. Divided into tw ...
Staging of Classical Drama around 2000
... are now increasingly the result of cultural exchange between traditions that cross subject disciplines and national boundaries and in turn demand discussion and evaluation among those determined to extend their own parameters of investigation and understanding. The section thus communicates the etho ...
... are now increasingly the result of cultural exchange between traditions that cross subject disciplines and national boundaries and in turn demand discussion and evaluation among those determined to extend their own parameters of investigation and understanding. The section thus communicates the etho ...
Stage 6 Syllabus - Assessment Resource Centre
... Students learn experientially, within and in response to situations where they take on roles. Learning about dramatic meaning will emerge from the making of drama. The processes of making, performing and critically studying drama and theatre are valued, whether or not they lead to theatrical perform ...
... Students learn experientially, within and in response to situations where they take on roles. Learning about dramatic meaning will emerge from the making of drama. The processes of making, performing and critically studying drama and theatre are valued, whether or not they lead to theatrical perform ...
THE STUFF THAT PLAyS ARE MADE oF
... claimed that theatre no longer belongs to literature. From the world of scholarship we hear appeals for the theatre to release itself from the text (Derrida) or, on the other front, appeals to literary studies to set the dramatic genre aside because the word in drama is an autoritarian tool incapabl ...
... claimed that theatre no longer belongs to literature. From the world of scholarship we hear appeals for the theatre to release itself from the text (Derrida) or, on the other front, appeals to literary studies to set the dramatic genre aside because the word in drama is an autoritarian tool incapabl ...
3.Renaiss.English.drama 106KB Feb 14 2017 04:45:58 AM
... Renaissance Drama. London and New York: Methuen, 1985. Bevington, David, and Peter Holbrook, eds. The Politics of the Stuart Court Masque. 1998. Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time 1490-1642. Princeton: Princeton UP, 1971. _____. The Profession of Player in Shake ...
... Renaissance Drama. London and New York: Methuen, 1985. Bevington, David, and Peter Holbrook, eds. The Politics of the Stuart Court Masque. 1998. Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time 1490-1642. Princeton: Princeton UP, 1971. _____. The Profession of Player in Shake ...
John Guare - Beck-Shop
... of play for there is also another side to John Guare – poetic, profoundly metaphoric. In his Nantucket plays, in particular, he explores history and myth in dramatic metaphors of genuine force and originality, metaphors which offer an account of the fate of American utopianism and the self ’s struggl ...
... of play for there is also another side to John Guare – poetic, profoundly metaphoric. In his Nantucket plays, in particular, he explores history and myth in dramatic metaphors of genuine force and originality, metaphors which offer an account of the fate of American utopianism and the self ’s struggl ...
John Guare - Assets - Cambridge
... of play for there is also another side to John Guare – poetic, profoundly metaphoric. In his Nantucket plays, in particular, he explores history and myth in dramatic metaphors of genuine force and originality, metaphors which offer an account of the fate of American utopianism and the self ’s struggl ...
... of play for there is also another side to John Guare – poetic, profoundly metaphoric. In his Nantucket plays, in particular, he explores history and myth in dramatic metaphors of genuine force and originality, metaphors which offer an account of the fate of American utopianism and the self ’s struggl ...
PDF - Performance as Research and Robert Wilson`s The
... The reaction of the onstage spectators suggests that Burbon, in order to ‘wipe’ the beauty from Bellamira’s face, has in fact blotted the boy actor’s reds and whites with black spots that are then taken for signs of disease (as mentioned above, the effect of spotting also mimics the real-world use o ...
... The reaction of the onstage spectators suggests that Burbon, in order to ‘wipe’ the beauty from Bellamira’s face, has in fact blotted the boy actor’s reds and whites with black spots that are then taken for signs of disease (as mentioned above, the effect of spotting also mimics the real-world use o ...
4.Restoration.18th.drama 75KB Feb 14 2017 04:45:59 AM
... prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays 108-17. Genest, John. Some Account of the English Stage from 1660 to 1830. 10 vols. Bath, 1832. Gentleman, Francis. Dramatic Censor. 1770. Jacob, Giles. Lives of Dramatic Poets. 18th cent.? Johnson, Samuel. "Prol ...
... prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays 108-17. Genest, John. Some Account of the English Stage from 1660 to 1830. 10 vols. Bath, 1832. Gentleman, Francis. Dramatic Censor. 1770. Jacob, Giles. Lives of Dramatic Poets. 18th cent.? Johnson, Samuel. "Prol ...
Bharata`s Theatre and Kutiyattam
... from music and dancing. A play was said to have been ‘danced’ rather than acted unlike the modern social and historical plays. According to the traditional view a drama was an entertainment coupled with educative value for all classes of people. Dance and music were not seperated from drama and so i ...
... from music and dancing. A play was said to have been ‘danced’ rather than acted unlike the modern social and historical plays. According to the traditional view a drama was an entertainment coupled with educative value for all classes of people. Dance and music were not seperated from drama and so i ...
The Second Shepherd`s Play
... in the pageant. On the contrary, this distinction has consistently gone to the trickster Mak. Wallace H. Johnson, for instance, argues that the drama has received so much critical attention because of ‘the appeal of its leading character, the sheep-stealing Mak’.23 Similarly, Richard Axton asserts t ...
... in the pageant. On the contrary, this distinction has consistently gone to the trickster Mak. Wallace H. Johnson, for instance, argues that the drama has received so much critical attention because of ‘the appeal of its leading character, the sheep-stealing Mak’.23 Similarly, Richard Axton asserts t ...
AMERICAN - Journals of Faculty of Arts, University of Ljubljana
... and Edna Ferber's popular success play Dinner at Eight (1937) were also performed. To be sure, there was a significant change in the emergence of American literature in Slovenia in the thirties, which is probably due to the fact that the Nobel Prize was awarded to Sinclair Lewis in 1930 and American ...
... and Edna Ferber's popular success play Dinner at Eight (1937) were also performed. To be sure, there was a significant change in the emergence of American literature in Slovenia in the thirties, which is probably due to the fact that the Nobel Prize was awarded to Sinclair Lewis in 1930 and American ...
CfE secondLevel Drama Skills
... designing costumes /props creating sound effects experimenting with lighting e.g. lights on, lights off. ...
... designing costumes /props creating sound effects experimenting with lighting e.g. lights on, lights off. ...
History of Drama in Ogden - BYU ScholarsArchive
... Upon the stage of a theatre can be represented in character evil and its consequences, good and Its happy results and rewards; the weakness and the follies of man, the magnanimity of virtue and the greatness of truth. The stage can be made to aid the pulpit in impressing upon the minds of a communit ...
... Upon the stage of a theatre can be represented in character evil and its consequences, good and Its happy results and rewards; the weakness and the follies of man, the magnanimity of virtue and the greatness of truth. The stage can be made to aid the pulpit in impressing upon the minds of a communit ...
DRAMA EXTRAS 1
... were well written. The plays highlighted the ever present reality of eternity, by hell and heaven being so dominant on stage. Eternity was more important than time on earth, so historical accuracy was not seen as necessary. God‟s power was seen as all powerful, cycle plays were common. These cycles ...
... were well written. The plays highlighted the ever present reality of eternity, by hell and heaven being so dominant on stage. Eternity was more important than time on earth, so historical accuracy was not seen as necessary. God‟s power was seen as all powerful, cycle plays were common. These cycles ...
Plays/Playwrights - Jessica Barkl, theater generalist
... physical difference by leaving his body dwarfed and hunchbacked. Through dramatized scenes, personal letters, essays, and the classical music Bourne played, we see the picture of a man firmly committed to progressive ideas, the multi-cultural potential of America, and the vital need for society to ...
... physical difference by leaving his body dwarfed and hunchbacked. Through dramatized scenes, personal letters, essays, and the classical music Bourne played, we see the picture of a man firmly committed to progressive ideas, the multi-cultural potential of America, and the vital need for society to ...
e Empress Dowager as Dramaturg: Reinventing Late
... emperors for all kinds of ceremonial occasions, including popular calendrical festivals, guest rituals, and life cycle rituals such as imperial weddings and birthday celebrations. As such, these dramas were known for their panegyric nature and spectacular pageantry. e plot of a ceremonial drama usu ...
... emperors for all kinds of ceremonial occasions, including popular calendrical festivals, guest rituals, and life cycle rituals such as imperial weddings and birthday celebrations. As such, these dramas were known for their panegyric nature and spectacular pageantry. e plot of a ceremonial drama usu ...
Liturgical drama
Liturgical drama or religious drama, in its various Christian contexts, originates from the Mass itself, and usually presents a relatively complex ritual that includes theatrical elements. Until the Late Middle Ages it is the best recorded tradition of religious drama, and is assumed to have been the root from which other forms such as the civic mystery plays, as well as poorly recorded travelling companies, grew. The number of surviving scripts is small, and many performances are only known about from entries in payment records and the like.The medieval drama originated in religion. The Church forbade the faithful during the early centuries to attend the licentious representations of decadent paganism, but once this ""immoral"" theatre disappeared, the Church allowed, and contributed to, gradual development of a new drama that was not only moral, but edifying and pious. On certain solemn feasts, such as Easter and Christmas the Office was interrupted, and the priests represented, in the presence of those assisting, the religious event being celebrated. At first the text of this liturgical drama was very brief, such as the interchange of the ""Quem Quaeritis?"" between the angel and the three Maries that was introduced into the Easter liturgy in the tenth century, as a new genre of liturgical ceremony. Dramatic texts were at first taken solely from the Gospel or the Office of the day. It was in prose and in Latin. But by degrees versification crept in. The earliest of such dramatic ""tropes"" of the Easter service are from England and date from the tenth century. Soon verse pervaded the entire drama, prose became the exception, and the vernacular appeared beside Latin. Thus, in the twelfth-century French drama of the ""Wise Virgins,"" women keep their virginity by eating blue rocks that make them immune to men. It does little more than depict the Gospel parable of the wise and foolish virgins. The chorus employs Latin, while Christ and the virgins use both Latin and French, and the angel speaks only French. When the vernacular completely supplanted the Latin, and individual inventiveness asserted itself, the drama left the precincts of the Church and ceased to be liturgical, but kept its religious character. This evolution seems to have been accomplished in the twelfth century. With the appearance of the vernacular a development of the drama along national lines became possible.