THEATRE ARTS VOCABULARY
... audience. stage directions - script instructions for movement, business, lighting, sound, etc. Usually in parentheses. stage fright - 'nervous feeling about performing. stage hands - see grip. strike - to clear from the stage completely; take down and store away when the run of the play has ended. t ...
... audience. stage directions - script instructions for movement, business, lighting, sound, etc. Usually in parentheses. stage fright - 'nervous feeling about performing. stage hands - see grip. strike - to clear from the stage completely; take down and store away when the run of the play has ended. t ...
Theatre in the western world can be traced back to ancient Greece
... served as the theatron or the seeing place hence Theatre. A flat terrace below the slope served as the orchestra (dancing place) in the middle of which was placed an altar dedicated to Dionysus. This arrangement gradually converted into a stone structure. The auditorium eventually became a semicircl ...
... served as the theatron or the seeing place hence Theatre. A flat terrace below the slope served as the orchestra (dancing place) in the middle of which was placed an altar dedicated to Dionysus. This arrangement gradually converted into a stone structure. The auditorium eventually became a semicircl ...
Performing Arts: Audience as an Essential Element in the Production
... reflection that strikes the heart is not that the evils before us are real evils, but that they are evils in which we ourselves may be exposed.“ ...
... reflection that strikes the heart is not that the evils before us are real evils, but that they are evils in which we ourselves may be exposed.“ ...
Downtown Cabaret Theatre Presents the Third Annual Bridgeport
... another. A theme will be revealed and role types determined based on the actors present. The playwrights will then, overnight, each sit down to create a new work around that theme and the role types. Beginning early the next morning, the actors and directors will return to the theater for an int ...
... another. A theme will be revealed and role types determined based on the actors present. The playwrights will then, overnight, each sit down to create a new work around that theme and the role types. Beginning early the next morning, the actors and directors will return to the theater for an int ...
scenery design
... – Almost all furniture faces the audience – Exterior doors are usually offstage right – Interior doors are usually stage left or upstage – Fireplaces tend to be placed on stage-right walls – French doors are usually stage left – Living-room and dining-room furniture often appear in the same area ...
... – Almost all furniture faces the audience – Exterior doors are usually offstage right – Interior doors are usually stage left or upstage – Fireplaces tend to be placed on stage-right walls – French doors are usually stage left – Living-room and dining-room furniture often appear in the same area ...
Greek Theatre - cloudfront.net
... • Birth of Comedy and Tragedy: The two types of plays performed. • Thespis became the first recognized actor when he stepped out of the standard chorus to perform something apart from the rest of the chorus. Thus, actors are called “Thespians” to this day. ...
... • Birth of Comedy and Tragedy: The two types of plays performed. • Thespis became the first recognized actor when he stepped out of the standard chorus to perform something apart from the rest of the chorus. Thus, actors are called “Thespians” to this day. ...
PULITZER-WINNING DRAMA DISGRACED TO TOUR
... Rachel Leslie (“Jory”) is a New York City-based actor who works in theatre, film, television and audio book narration. Representative theatre includes Seven Guitars (Yale Repertory Theatre); All The Way (Cleveland Play House); The Crucible (Syracuse Stage & Cleveland Play House); Nightlands (New Ge ...
... Rachel Leslie (“Jory”) is a New York City-based actor who works in theatre, film, television and audio book narration. Representative theatre includes Seven Guitars (Yale Repertory Theatre); All The Way (Cleveland Play House); The Crucible (Syracuse Stage & Cleveland Play House); Nightlands (New Ge ...
Reading Drama
... directions in a play; they will help you imagine the sights and sounds that you would experience with your senses in the theatre during an actual production. COSTUMES/PROPS Costume designers work hard from hints in the script to find clothing appropriate to each character, since the clothing of a ch ...
... directions in a play; they will help you imagine the sights and sounds that you would experience with your senses in the theatre during an actual production. COSTUMES/PROPS Costume designers work hard from hints in the script to find clothing appropriate to each character, since the clothing of a ch ...
Theatre_technician
... our own stage management team that finds and makes all our props. Our lighting designs are more often than not done in-house and our sound is created in-house. So yeah, you know, it’s a busy producing theatre. Art and science There is a big science element in terms of how scenery is going to move, h ...
... our own stage management team that finds and makes all our props. Our lighting designs are more often than not done in-house and our sound is created in-house. So yeah, you know, it’s a busy producing theatre. Art and science There is a big science element in terms of how scenery is going to move, h ...
Roman Theatre - CAI Teachers
... The Romans called their adaptations of Greek comedies fabulae palliatae ('plays in a Greek ...
... The Romans called their adaptations of Greek comedies fabulae palliatae ('plays in a Greek ...
Sidney Harman Hall The Origin of the Design Concept
... Since the theatre was to house a company producing a lot of Shakespeare, we thought about two wonderful spaces; the Globe reconstruction in London and the Swan at Stratford upon Avon. At two quite different scales these rooms are marvelously vibrant, responsive, and alive. In essence, these theatre ...
... Since the theatre was to house a company producing a lot of Shakespeare, we thought about two wonderful spaces; the Globe reconstruction in London and the Swan at Stratford upon Avon. At two quite different scales these rooms are marvelously vibrant, responsive, and alive. In essence, these theatre ...
Niya Johnson English 1102 Julie Wright 11 a.m Draft 2 Theatre
... There is an entity in theatre called an aside in which the audience knows something that one of the on-stage characters doesn’t know. This is very similar to aesthetic distance; creating a dramatic affect to what is happening on stage. It is also a distance between the artist and the work, but one t ...
... There is an entity in theatre called an aside in which the audience knows something that one of the on-stage characters doesn’t know. This is very similar to aesthetic distance; creating a dramatic affect to what is happening on stage. It is also a distance between the artist and the work, but one t ...
istage performance ensemble (ispe)
... create a well-crafted piece of theatre, and while all roles will differ in size and scope, we treat all parts with the same amount of care and dedication - instructing the way we approach character, the degree in which we flesh out characteristics, and the commitment we bring to the show as performe ...
... create a well-crafted piece of theatre, and while all roles will differ in size and scope, we treat all parts with the same amount of care and dedication - instructing the way we approach character, the degree in which we flesh out characteristics, and the commitment we bring to the show as performe ...
File
... initial conflict between them Rising Action: suspense builds; "the plot thickens." Characters make decisions in response to the opening conflict; these decisions complicate the action. Opens up the plot, allowing for different possibilities of resolution. Turning Point: characters or circumstances c ...
... initial conflict between them Rising Action: suspense builds; "the plot thickens." Characters make decisions in response to the opening conflict; these decisions complicate the action. Opens up the plot, allowing for different possibilities of resolution. Turning Point: characters or circumstances c ...
The Theatres
... acting troupes had little time to advertise and many of the theatregoers couldn't read. Therefore, they used a flag system to let audiences know when a ...
... acting troupes had little time to advertise and many of the theatregoers couldn't read. Therefore, they used a flag system to let audiences know when a ...
The Doll House - 09-10-HHS
... • Swiss theatre historically has been dominated by religious themes • During the 18th century the government suppressed the performing arts, but in the 19th century patriotic plays emerged • During the Nazi period in Germany (1933–45), Zurich's Schauspielhaus (German: “Playhouse”) was an important c ...
... • Swiss theatre historically has been dominated by religious themes • During the 18th century the government suppressed the performing arts, but in the 19th century patriotic plays emerged • During the Nazi period in Germany (1933–45), Zurich's Schauspielhaus (German: “Playhouse”) was an important c ...
the light in the piazza - Lincoln Center Theater
... Theater in April 2005 (after engagements at the Intiman Theatre in Seattle and the Goodman Theatre in Chicago) and enjoyed a long run of 540 performances at the Vivian Beaumont Theater. The musical ...
... Theater in April 2005 (after engagements at the Intiman Theatre in Seattle and the Goodman Theatre in Chicago) and enjoyed a long run of 540 performances at the Vivian Beaumont Theater. The musical ...
TPP 1100 Acting Fundamentals
... Motivation – The reason a character pursues a particular super objective. The motivation cannot be played directly; rather, it can be used as a detective device to find the need. Objective – The needs an actor playing a character pursues at all times while onstage. Obstacles – The things in a scene ...
... Motivation – The reason a character pursues a particular super objective. The motivation cannot be played directly; rather, it can be used as a detective device to find the need. Objective – The needs an actor playing a character pursues at all times while onstage. Obstacles – The things in a scene ...
First Stage partners with Emerald City Theatre to bring RUDOLPH
... Jeff Frank directs the holiday classic bringing First Stage’s unique brand of theater for young audiences to Chicago area families. Chicago – First Stage announces partnership with Emerald City Theatre and Broadway In Chicago to bring the holiday classic Rudolph the Red-Nosed Reindeer® to Chicago au ...
... Jeff Frank directs the holiday classic bringing First Stage’s unique brand of theater for young audiences to Chicago area families. Chicago – First Stage announces partnership with Emerald City Theatre and Broadway In Chicago to bring the holiday classic Rudolph the Red-Nosed Reindeer® to Chicago au ...
Newsday Review - Alfred Preisser
... The Classical Theatre of Harlem production, which opened Friday night, is a full, enveloping event, with director Alfred Preisser encouraging the action to spill off the stage and into the aisles around the audience. (The stage itself, as designed by Troy Hourie, is mostly bare, with a sheer draped ...
... The Classical Theatre of Harlem production, which opened Friday night, is a full, enveloping event, with director Alfred Preisser encouraging the action to spill off the stage and into the aisles around the audience. (The stage itself, as designed by Troy Hourie, is mostly bare, with a sheer draped ...
The Year in Review: The Best Dance of 2015 ARTICLE by Hedy
... The Year in Review: The Best Dance of 2015 ARTICLE by Hedy Weiss, Chicago Sun-Times, December 18, 2015 Dance is in its purest, most unfettered glory on the concert stage. But that is not where it ends. Movement of all kinds is an intrinsic element in theatrical productions, too, and often is the key ...
... The Year in Review: The Best Dance of 2015 ARTICLE by Hedy Weiss, Chicago Sun-Times, December 18, 2015 Dance is in its purest, most unfettered glory on the concert stage. But that is not where it ends. Movement of all kinds is an intrinsic element in theatrical productions, too, and often is the key ...
audience program
... The Other Mozart is a play about Nannerl Mozart, the sister of Amadeus. It tells the true story of this prodigy, a keyboard virtuoso and composer, who as a child toured through all of Europe performing with her brother, to equal acclaim, but who faded away and left behind nothing of her own. The sho ...
... The Other Mozart is a play about Nannerl Mozart, the sister of Amadeus. It tells the true story of this prodigy, a keyboard virtuoso and composer, who as a child toured through all of Europe performing with her brother, to equal acclaim, but who faded away and left behind nothing of her own. The sho ...
