Select bibliography - hrsbstaff.ednet.ns.ca
... resources that have been recommended by teachers and theatre practitioners, either for the purpose of this publication or on the online curriculum centre (OCC). It should not be seen as a reading list for the theatre course, nor should a teacher starting the course think that the suggested resources ...
... resources that have been recommended by teachers and theatre practitioners, either for the purpose of this publication or on the online curriculum centre (OCC). It should not be seen as a reading list for the theatre course, nor should a teacher starting the course think that the suggested resources ...
Thomas Sheridan 1719 – 1788
... itself would play as much as much a part as any in the historical and theatrical legacy of the theatre. This guide sets forth a location, title, production details and shelf number of archival sources from Smock Alley’s past and details a comprehensive listing of play scripts, manuscripts, ephemera ...
... itself would play as much as much a part as any in the historical and theatrical legacy of the theatre. This guide sets forth a location, title, production details and shelf number of archival sources from Smock Alley’s past and details a comprehensive listing of play scripts, manuscripts, ephemera ...
Study Guide - Shea`s Performing Arts Center
... opera, telling him that they would be pursuing Porgy as a play. Gershwin quickly wrote back and told the Heywards that writing an opera would take him years, and with the strong dramatic structure of a play on which to base his music, Porgy could have life as both a play and opera. The Heywards were ...
... opera, telling him that they would be pursuing Porgy as a play. Gershwin quickly wrote back and told the Heywards that writing an opera would take him years, and with the strong dramatic structure of a play on which to base his music, Porgy could have life as both a play and opera. The Heywards were ...
ACTING AND ITS REFUSAL IN THEATRE AND FILM
... linked to actors, because they disguise themselves and pretend to be what they are not. Actors are considered “evil because they try to substitute a self of their own contriving for the one given them by God” (Barish 93). This attitude is illustrated in one of the most famous stories from the Bible ...
... linked to actors, because they disguise themselves and pretend to be what they are not. Actors are considered “evil because they try to substitute a self of their own contriving for the one given them by God” (Barish 93). This attitude is illustrated in one of the most famous stories from the Bible ...
theatre biography - Samuel French, Ltd.
... “The six months that Samuel Beckett spent in Germany in 1936 -7 were a critical period in his intellectual, creative and emotional development. The diaries that he kept during this trip not only offer unique and invaluable insight into his views on the many works of art that he saw as he travelled t ...
... “The six months that Samuel Beckett spent in Germany in 1936 -7 were a critical period in his intellectual, creative and emotional development. The diaries that he kept during this trip not only offer unique and invaluable insight into his views on the many works of art that he saw as he travelled t ...
YING TONG SCHOOLS DAY PERFORMANCE
... The latter being one of my country’s more embarrassing moments but in our defence they threw herring and we only had bullets: the dirty rotten swines! Our navy never had a chance I tell you! I was living at that time in West London with my brother, sister and widowed father. A Geordie of few words a ...
... The latter being one of my country’s more embarrassing moments but in our defence they threw herring and we only had bullets: the dirty rotten swines! Our navy never had a chance I tell you! I was living at that time in West London with my brother, sister and widowed father. A Geordie of few words a ...
PROLOGUE: CUSTOMS—A CASE STUDY
... historical avant-garde railed against “conventional theatricality”—the empty gesture, the tired routine, the clichéd and hackneyed “going through the motions”—Gallasch negatively endows, in fact, identifies “theatricality” with conservatism and dullness to which “strong performance”, brimming with d ...
... historical avant-garde railed against “conventional theatricality”—the empty gesture, the tired routine, the clichéd and hackneyed “going through the motions”—Gallasch negatively endows, in fact, identifies “theatricality” with conservatism and dullness to which “strong performance”, brimming with d ...
libseries.num37 - KU ScholarWorks
... new earnestness of the stage in the period of Henry Arthur Jones' call for a renaissance of the English drama, in die period of the intellectual innovations of Jones and Pinero and Shaw. At the same time, Gilbert is best seen not in invidious comparison with these serious playwrights (with whom his ...
... new earnestness of the stage in the period of Henry Arthur Jones' call for a renaissance of the English drama, in die period of the intellectual innovations of Jones and Pinero and Shaw. At the same time, Gilbert is best seen not in invidious comparison with these serious playwrights (with whom his ...
Performance Research: A Journal of the Performing Arts The
... terms commonly used to describe the radical theatre of Socìetas Raffaello Sanzio (SRS). The aesthetic universe that the company and its leading director Romeo Castellucci have been developing from the 1980s onwards is indeed marked by an unrelenting attempt to shatter the boundaries of theatrical re ...
... terms commonly used to describe the radical theatre of Socìetas Raffaello Sanzio (SRS). The aesthetic universe that the company and its leading director Romeo Castellucci have been developing from the 1980s onwards is indeed marked by an unrelenting attempt to shatter the boundaries of theatrical re ...
healing maori through song and dance
... The “healing” is effected largely by performing elements of kapa haka in ways that do not challenge or overcome the production’s Broadway musical components, but rather bring the Maori and the American forms together harmonically in the end. The stage adaptation of The Whale Rider begins with the re ...
... The “healing” is effected largely by performing elements of kapa haka in ways that do not challenge or overcome the production’s Broadway musical components, but rather bring the Maori and the American forms together harmonically in the end. The stage adaptation of The Whale Rider begins with the re ...
aaron copland`s music for the theatre
... musical tradition of teaching, composing and performing.”17 His first composition teacher at Fontainebleau was Paul Vidal, formerly of the Paris Conservatory who, like Rubin Goldmark, had “little or no sympathy for the contemporary musical idiom.”18 Copland quickly discovered his instruction at the ...
... musical tradition of teaching, composing and performing.”17 His first composition teacher at Fontainebleau was Paul Vidal, formerly of the Paris Conservatory who, like Rubin Goldmark, had “little or no sympathy for the contemporary musical idiom.”18 Copland quickly discovered his instruction at the ...
breaking tradition: reaching for the avant-garde in theatre
... positioned the United States as primed for an avant- garde movement, or “breaking” of tradition. (1). He further postulates that with these elements in place, a lengthy period of established tradition must present itself before even diminutive elements of an avant-garde can emerge. Using Aronson’s ...
... positioned the United States as primed for an avant- garde movement, or “breaking” of tradition. (1). He further postulates that with these elements in place, a lengthy period of established tradition must present itself before even diminutive elements of an avant-garde can emerge. Using Aronson’s ...
Topography of a New Theatre-Making Context Rebecca McFadden
... the nové divadlo movement as a whole, represents a significant divergence from both the historically dominant Czech repertory theatre and the dissident avant-garde. While clear stylistic links to earlier Czech theatre practice are visible in the work (such as a hybrid performance vocabulary combinin ...
... the nové divadlo movement as a whole, represents a significant divergence from both the historically dominant Czech repertory theatre and the dissident avant-garde. While clear stylistic links to earlier Czech theatre practice are visible in the work (such as a hybrid performance vocabulary combinin ...
Changing scenes and ying machines: re
... completion of this thesis. I am extremely grateful for each conversation, point in the right direction, and moment of encouragement that has been gifted to me. Firstly, I would like to offer my thanks to Loughborough University and the English and Drama department for their interest in my area of st ...
... completion of this thesis. I am extremely grateful for each conversation, point in the right direction, and moment of encouragement that has been gifted to me. Firstly, I would like to offer my thanks to Loughborough University and the English and Drama department for their interest in my area of st ...
theatre women and cultural diplomacy in the transatlantic
... crazy the idea or adventure, and whose constant support and love anchors me. To my brother, Steve, my role model and earliest friend, thank you for showing me that nothing is ever too far out of reach. Ever. You taught me to follow my dreams—and to never stop dreaming. To my children, Zoë, Skyler, a ...
... crazy the idea or adventure, and whose constant support and love anchors me. To my brother, Steve, my role model and earliest friend, thank you for showing me that nothing is ever too far out of reach. Ever. You taught me to follow my dreams—and to never stop dreaming. To my children, Zoë, Skyler, a ...
OF by Philip Booth A thesis submitted ta the Faculty of Graduate
... The author wishes to extend his warmest and most sincere appreciation ta Professor John Ripley of the McGill University Department of English for his guidance and support through his ...
... The author wishes to extend his warmest and most sincere appreciation ta Professor John Ripley of the McGill University Department of English for his guidance and support through his ...
Coping with Not-knowing by Co-confidencing in Theatre Teacher
... assessment in theatre education through a diploma-course, and worked as a part-time theatre teacher trainer. Seeking of the core of my own theatre concept has both been driven by my experiences and provided a reason to proceed to those tasks. These professional experiences have given me a wide persp ...
... assessment in theatre education through a diploma-course, and worked as a part-time theatre teacher trainer. Seeking of the core of my own theatre concept has both been driven by my experiences and provided a reason to proceed to those tasks. These professional experiences have given me a wide persp ...
The Rise of the Costume Designer
... The designer in the theatre works in a variety of theatre forms— opera, ballet, musical, drama, and comedy. For these various forms he must adapt a variety of styles of expression.6 Designers enjoyed the challenge of designing for dance. Virginia Volland, costume specialist, goes as far as to say: " ...
... The designer in the theatre works in a variety of theatre forms— opera, ballet, musical, drama, and comedy. For these various forms he must adapt a variety of styles of expression.6 Designers enjoyed the challenge of designing for dance. Virginia Volland, costume specialist, goes as far as to say: " ...
here - Sedona Film Festival
... (starring Ed Asner) focuses primarily on the political figure's battle with polio and reveals the humanity and grace of the man who led the country through some of its most difficult times, including the Great Depression and World War II. FDR is based on the play Sunrise at Campobello by Dore Schary ...
... (starring Ed Asner) focuses primarily on the political figure's battle with polio and reveals the humanity and grace of the man who led the country through some of its most difficult times, including the Great Depression and World War II. FDR is based on the play Sunrise at Campobello by Dore Schary ...
History of European Drama and Theatre
... Woyzeck, trans. Victor Price, Oxford: Oxford University Press, 1971. By permission of Oxford University Press. Anton Chekhov: from Three Sisters, trans. Elisaveta Fen (1951), by permission of Penguin UK. © 1951 Elisaveta Fen. From The Seagull, in Anton ...
... Woyzeck, trans. Victor Price, Oxford: Oxford University Press, 1971. By permission of Oxford University Press. Anton Chekhov: from Three Sisters, trans. Elisaveta Fen (1951), by permission of Penguin UK. © 1951 Elisaveta Fen. From The Seagull, in Anton ...
Staging Quakerism in American Theatre and Film
... The use of Quaker characters on stage as stock characters in English drama began soon after the establishment of the Religious Society ofFriends in the middle of the seventeenth century, and their deployment as both comic and serious dramatic types in the theater in many ways resembled the ways that ...
... The use of Quaker characters on stage as stock characters in English drama began soon after the establishment of the Religious Society ofFriends in the middle of the seventeenth century, and their deployment as both comic and serious dramatic types in the theater in many ways resembled the ways that ...
The Influence of Dalcroze Eurhythmics in the Contemporary Theatre.
... dancers were important for the theatre because they produced "a genuine phenomenon of our re-awakening sense of the beauty of r h y t h m . A p p i a himself explained in 1923 that under the influence of the physical culture movement, the dance gradually freed itself cfrom labored and mechanical tec ...
... dancers were important for the theatre because they produced "a genuine phenomenon of our re-awakening sense of the beauty of r h y t h m . A p p i a himself explained in 1923 that under the influence of the physical culture movement, the dance gradually freed itself cfrom labored and mechanical tec ...
The Theatre of the Real - Knowledge Bank
... Apollonian theatre, which, he says, is governed by order and reserve. The well-made play was the major, and most popular, form of theatre in the Victorian era, but as theatre began to embrace Modernism, it sought many forms of reaction against this unnatural and often unintentionally comedic form. I ...
... Apollonian theatre, which, he says, is governed by order and reserve. The well-made play was the major, and most popular, form of theatre in the Victorian era, but as theatre began to embrace Modernism, it sought many forms of reaction against this unnatural and often unintentionally comedic form. I ...
A Boal Companion
... Brazilian theatrical avant-garde of the mid-twentieth century, the influences of political theorists such as Hegel and of aesthetic theorists such as Aristotle. Boal’s work has spread to seven continents and is practiced by innumerable Jokers, or facilitators.1 In this way, TO’s modularity allows peo ...
... Brazilian theatrical avant-garde of the mid-twentieth century, the influences of political theorists such as Hegel and of aesthetic theorists such as Aristotle. Boal’s work has spread to seven continents and is practiced by innumerable Jokers, or facilitators.1 In this way, TO’s modularity allows peo ...
Papers of the playwright Séamus De Búrca
... The Papers The Papers were acquired by the National Library of Ireland in two accessions: Accession 4778 was purchased from from De Búrca Rare Books in 1994 and Accession 5862 was bought from Caroline De Búrca in 2003. Both accessions contain papers associated with Séamus De Búrca and records connec ...
... The Papers The Papers were acquired by the National Library of Ireland in two accessions: Accession 4778 was purchased from from De Búrca Rare Books in 1994 and Accession 5862 was bought from Caroline De Búrca in 2003. Both accessions contain papers associated with Séamus De Búrca and records connec ...