On Theatre of the Oppressed, Psychodrama and Playback Theatre
... and valuing the group. In contrast to typical hierarchical social structures, psychodrama, with its concept of spontaneity, allowed any participant to take the creative focus at any one moment. Psychodrama also invited deep emotions. I wanted such balance, flexibility, and catharsis for the theatre. ...
... and valuing the group. In contrast to typical hierarchical social structures, psychodrama, with its concept of spontaneity, allowed any participant to take the creative focus at any one moment. Psychodrama also invited deep emotions. I wanted such balance, flexibility, and catharsis for the theatre. ...
THEATRE OF THE BIG BEND NEARS 50TH BIRTHDAY by Steve
... Retired Sul Ross music professors Dr. Rex Wilson and Ellen Boyd spent many years in charge of musical direction, from piano accompaniment to leading the orchestra to working with soloists and ensembles. Bill Brooks, who has performed in numerous summer productions during his extensive acting avocati ...
... Retired Sul Ross music professors Dr. Rex Wilson and Ellen Boyd spent many years in charge of musical direction, from piano accompaniment to leading the orchestra to working with soloists and ensembles. Bill Brooks, who has performed in numerous summer productions during his extensive acting avocati ...
Sample Chapter 1 - McGraw Hill Higher Education
... In different ways, these elements had been developing in Athens before the fifth century B.C.E. Important forerunners of theatre in Greece were religious ceremonies, which were a prominent feature of Greek society: funeral services, festivals celebrating the seasons, and ceremonies honoring the god ...
... In different ways, these elements had been developing in Athens before the fifth century B.C.E. Important forerunners of theatre in Greece were religious ceremonies, which were a prominent feature of Greek society: funeral services, festivals celebrating the seasons, and ceremonies honoring the god ...
SHAKESPEARE REINVENTED: TATE`S FEMININE
... the new audience, they were “altered”, “revived with alterations” or even “improved”. Davenant’s Macbeth contains “alterations, amendments, additions and new songs.” His drama had to be made fit for this new theatrical era; between 1662 and 1682 seventeen versions of Shakespearean plays appeared on ...
... the new audience, they were “altered”, “revived with alterations” or even “improved”. Davenant’s Macbeth contains “alterations, amendments, additions and new songs.” His drama had to be made fit for this new theatrical era; between 1662 and 1682 seventeen versions of Shakespearean plays appeared on ...
ISLAM AND THE COLONIAL STAGE IN NORTH AFRICA
... into it.” They go on to assert that “the fuqaha [Islamic religious scholars] and the orthodox have twisted the allegorical meaning of the Qur’an the better to impose rules and prohibitions.” According to these authors, “this alleged prohibition was directed against the surviving forms of totemism wh ...
... into it.” They go on to assert that “the fuqaha [Islamic religious scholars] and the orthodox have twisted the allegorical meaning of the Qur’an the better to impose rules and prohibitions.” According to these authors, “this alleged prohibition was directed against the surviving forms of totemism wh ...
April-May 2014
... renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation." -- Back cover Seeing from above : the aerial view in visual culture -- London ...
... renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation." -- Back cover Seeing from above : the aerial view in visual culture -- London ...
Oscar® and Tony Award® Winner JOEL GREY Master
... production of the play for Two River Theater Company's 20th Anniversary Season). He made his Broadway debut exactly two decades later as a replacement in Neil Simon’s first comedy hit, Come Blow Your Horn (1961). Since then, his Broadway credits include the Stop the World I Want to Get Off, Half a S ...
... production of the play for Two River Theater Company's 20th Anniversary Season). He made his Broadway debut exactly two decades later as a replacement in Neil Simon’s first comedy hit, Come Blow Your Horn (1961). Since then, his Broadway credits include the Stop the World I Want to Get Off, Half a S ...
REVIEW of Performing Autobiography by Sherrill Grace
... Perfect Pie, The Drawer Boy, Goodness, and Eternal Hydra. Other choices are surprising and all the more interesting for that. Few theatregoers or readers will know Timothy Findley’s last play Shadows, but it makes a superb case study. Still more surprising is Stephenson’s choice of Ronnie Burkett’s ...
... Perfect Pie, The Drawer Boy, Goodness, and Eternal Hydra. Other choices are surprising and all the more interesting for that. Few theatregoers or readers will know Timothy Findley’s last play Shadows, but it makes a superb case study. Still more surprising is Stephenson’s choice of Ronnie Burkett’s ...
plays - Cloudfront.net
... Marlowe’s Murder v According to the inquest Marlowe met with three men, Frizer, Skeres and Poley in a tavern in Deptford. They stayed there all day until an argument broke out and Frizer stabbed Marlowe in the eye out of self-defence. v But there are several strange things about the murder. Why did ...
... Marlowe’s Murder v According to the inquest Marlowe met with three men, Frizer, Skeres and Poley in a tavern in Deptford. They stayed there all day until an argument broke out and Frizer stabbed Marlowe in the eye out of self-defence. v But there are several strange things about the murder. Why did ...
Political Theatre
... Feminist theatre often uses the ensemble principle, with its requirement of equal parts for all - this often rules out the creation of large central roles whom the audience can follow. It is important to realise that the above brought about certain theatrical limitations (What are these limitations? ...
... Feminist theatre often uses the ensemble principle, with its requirement of equal parts for all - this often rules out the creation of large central roles whom the audience can follow. It is important to realise that the above brought about certain theatrical limitations (What are these limitations? ...
NEWS RELEASE - Lewis Family Playhouse
... As part of their 10th season, this production of FairyTales UnScripted will give children and their families a rare opportunity to see a play created right before their eyes. FairyTales UnScripted also marks the beginning of Impro Theatre's 10th anniversary season. Impro Theatre creates completely i ...
... As part of their 10th season, this production of FairyTales UnScripted will give children and their families a rare opportunity to see a play created right before their eyes. FairyTales UnScripted also marks the beginning of Impro Theatre's 10th anniversary season. Impro Theatre creates completely i ...
SpringfieldTheatreGuide
... been home to the Masons, Shriners, puppet theatre and children’s theatre companies, and for the past 15 years, contemporary theatre. Springfield Contemporary Theayre at the Vandivort Center excites audiences with a wide variety of year-round productions. From landmark local productions to contempora ...
... been home to the Masons, Shriners, puppet theatre and children’s theatre companies, and for the past 15 years, contemporary theatre. Springfield Contemporary Theayre at the Vandivort Center excites audiences with a wide variety of year-round productions. From landmark local productions to contempora ...
Internal Assessment Resource
... turns silly and ends “and I’ll promise not to piddle in the reeds around your shrine” (1). Plautus’s audience expected a very different type of humour. His humour was based on that of New Comedy which was lacking in the satirical department and tended to be more about everyday life and the home, rat ...
... turns silly and ends “and I’ll promise not to piddle in the reeds around your shrine” (1). Plautus’s audience expected a very different type of humour. His humour was based on that of New Comedy which was lacking in the satirical department and tended to be more about everyday life and the home, rat ...
Wilson, 5e Chapter 1
... preliminary presentation designed to advertise and provide information about the coming plays. On one or two other days, there were parades and sacrifices honoring Dionysus. Five days were then assigned to dithyrambs and plays. On two of these days, ten dithyrambic choruses were presented: probably ...
... preliminary presentation designed to advertise and provide information about the coming plays. On one or two other days, there were parades and sacrifices honoring Dionysus. Five days were then assigned to dithyrambs and plays. On two of these days, ten dithyrambic choruses were presented: probably ...
Vanya and Sonia and Masha and Spike
... exposé. Why, you might ask? This is the author who broke out famously in the 80s with Sister Mary Ignatius Explains It All For You – a scaldingly funny romp through Catholic school, led by the wholly un-PC and somewhat fascistic Sister Mary. This is the guy who, with Betty’s Summer Vacation, created ...
... exposé. Why, you might ask? This is the author who broke out famously in the 80s with Sister Mary Ignatius Explains It All For You – a scaldingly funny romp through Catholic school, led by the wholly un-PC and somewhat fascistic Sister Mary. This is the guy who, with Betty’s Summer Vacation, created ...
Theatre Around the World MS A/B
... manner in which they draw from world cultures in terms of technical aspects. For example, in a production of a Shakespeare play, a student would detail the ways in which the production adhered to or moved away from the Elizabethan conventions in terms of costume, make-up, props, use of music, and sc ...
... manner in which they draw from world cultures in terms of technical aspects. For example, in a production of a Shakespeare play, a student would detail the ways in which the production adhered to or moved away from the Elizabethan conventions in terms of costume, make-up, props, use of music, and sc ...
Theatrical Production 1
... person who pretends to be an acrobat walking a tightrope is performing a dramatic act. Both performers are engaged in theatrical presentation, but only the latter is involved in the creation of dramatic illusion. Though a dramatic performance may include dancing, singing, juggling, acrobatics, or ot ...
... person who pretends to be an acrobat walking a tightrope is performing a dramatic act. Both performers are engaged in theatrical presentation, but only the latter is involved in the creation of dramatic illusion. Though a dramatic performance may include dancing, singing, juggling, acrobatics, or ot ...
Full Text - Life Science Journal
... Zh. Renara, E.Fabre [4]. The twentieth century was also deemed to be the golden age of the pop theatre. The classic theatre as the art of entertainment has become the symbol of Paris, but it has lost its leading position in the long term development of the theatre – it has no future [5]. If the worl ...
... Zh. Renara, E.Fabre [4]. The twentieth century was also deemed to be the golden age of the pop theatre. The classic theatre as the art of entertainment has become the symbol of Paris, but it has lost its leading position in the long term development of the theatre – it has no future [5]. If the worl ...
Antigone/Lysistrata Programme
... women of the warring Greek cities not to have sex with their husbands until they make peace; at the same time, the women of Athens seize control of the Acropolis and hence of the city’s finances. This play too is often interpreted and performed as an anti-war play and/or a play about female empowerm ...
... women of the warring Greek cities not to have sex with their husbands until they make peace; at the same time, the women of Athens seize control of the Acropolis and hence of the city’s finances. This play too is often interpreted and performed as an anti-war play and/or a play about female empowerm ...
Completed Master Theses in Drama Therapy New
... Abstract : The study is informed by the need for cross cultural sensitivity and awareness in the practice of Drama Therapy. The author explores one way in which Drama Therapy can be culturally relevant and responsive to diverse populations in which it may be situated. Trinidad and Tobago is a West ...
... Abstract : The study is informed by the need for cross cultural sensitivity and awareness in the practice of Drama Therapy. The author explores one way in which Drama Therapy can be culturally relevant and responsive to diverse populations in which it may be situated. Trinidad and Tobago is a West ...
11 - tempest program - University of Michigan School of Music
... felt bound by the more realistic devices of his earlier historical and tragic forms. The Tempest, written in 1611 as Shakespeare’s final play, is his most produced romance. Shakespeare retired to his birthplace in Stratford in 1610, where he lived comfortably as a country gentlemen until his death o ...
... felt bound by the more realistic devices of his earlier historical and tragic forms. The Tempest, written in 1611 as Shakespeare’s final play, is his most produced romance. Shakespeare retired to his birthplace in Stratford in 1610, where he lived comfortably as a country gentlemen until his death o ...
Pantomime Book Revie..
... The sad thing to me is just how rarely, in the fields of drama and performance, scholars even see that there is a problem, and a need, to know concrete things about audiences. The rot was confirmed by Susan Bennett who, after her Theatre Audiences became the source of just about all knowledge/ignora ...
... The sad thing to me is just how rarely, in the fields of drama and performance, scholars even see that there is a problem, and a need, to know concrete things about audiences. The rot was confirmed by Susan Bennett who, after her Theatre Audiences became the source of just about all knowledge/ignora ...
Deconstructing the “Fourth Wall”: Metatheatricality in Plautus` Miles
... Beacham, 1991; Wright, 1974, pp.183-196; Barchiesi, 1970; Muecke, 1986; Frangoulides, 1997) generally agree that Plautus’ plays, which are also adaptations from Greek comedies, are more self-consciously theatrical, even than their Greek originals, with such dramatic antics as audience address and th ...
... Beacham, 1991; Wright, 1974, pp.183-196; Barchiesi, 1970; Muecke, 1986; Frangoulides, 1997) generally agree that Plautus’ plays, which are also adaptations from Greek comedies, are more self-consciously theatrical, even than their Greek originals, with such dramatic antics as audience address and th ...
clytemnestra - Induo Teatro
... INDUOTEATRO PRODUCTIONS born in late 2009 of the encounter three theater professionals Andaluz, José Manuel Sánchez “Andreu”, director of scene (producer) who has in his curriculum more than thirty theatrical directed spectacles. Pilar Jiménez, actress and set designer, co-founder with Andreu of the ...
... INDUOTEATRO PRODUCTIONS born in late 2009 of the encounter three theater professionals Andaluz, José Manuel Sánchez “Andreu”, director of scene (producer) who has in his curriculum more than thirty theatrical directed spectacles. Pilar Jiménez, actress and set designer, co-founder with Andreu of the ...
Theatre History
... sound, lighting, costume and innovation in design of sets. _ theatre played many roles: sometimes meant to capture the inner landscape of the mind and the collective unconscious; or to move people to social action; or to reexamine older, alternative traditions in the East; to explore national iden ...
... sound, lighting, costume and innovation in design of sets. _ theatre played many roles: sometimes meant to capture the inner landscape of the mind and the collective unconscious; or to move people to social action; or to reexamine older, alternative traditions in the East; to explore national iden ...
Drama
Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.The use of ""drama"" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe ""drama"" as a genre within their respective media. ""Radio drama"" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.