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Aleph 1.2 - Pass Labs
Aleph 1.2 - Pass Labs

... 3) Maximum intrinsic linearity is desired. This is the performance of the gain stages before feedback is applied. Experience suggests that feedback is a subtractive process; it removes information from the signal. In many older designs, poor intrinsic linearity has been corrected out by large applic ...
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Chapter 17 - Transistors and Applications
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Audio Presentation – Continuous Sigma TM April 2015
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crystal oscillator

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JOHN FLYNN

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... You are now the proud owner of the Crate V8 Guitar Amplifier. This powerful little unit packs a whole lot of vintage tube sound into its compact cabinet – giving you an amp that’s small and easy to operate yet still produces incredible sounds! Like all Crate products, your V8 amplifier is designed b ...
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... They are identical, with only the HF residual to show the difference! Slew rate does not have the same significance in class D amplifiers as in linear amplifiers. In linear amplifiers, slew rate is dictated by the bias current of the driver stage. A very high slew rate is required to insure that the ...
Enhanced Wireless Audio Amplifier
Enhanced Wireless Audio Amplifier

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Ch 6
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... The capacitance of the collector-base junction (CCB) looks bigger at the base than it really is. It looks like CM = Av  CCB where CM is the Miller Capacitance. It’s caused by negative feedback from the output (collector) back to the input (base). An RC low-pass filter is formed by CM and the resist ...
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Instrument amplifier



An instrument amplifier is an electronic amplifier that converts the often barely audible or purely electronic signal from musical instruments such as an electric guitar, an electric bass, or an electric keyboard into an electronic signal capable of driving a loudspeaker that can be heard by the performers and audience. Combination (""combo"") amplifiers include a preamplifier, a power amplifier, tone controls, and one or more speakers in a cabinet, a housing usually made of hardwood, plywood, particleboard, or, less commonly, moulded plastic. Instrument amplifiers for some instruments are also available without an internal speaker; these amplifiers, called ""heads"", have to be plugged into an external speaker cabinet. Instrument amplifiers are available for specific instruments, including the electric guitar, electric bass, electric keyboards, and acoustic instruments such as the mandolin and banjo. Some amplifiers are designed for specific styles of music, such as the ""traditional""-style ""tweed"" guitar amplifiers used by blues and country musicians, and the Marshall amplifiers used by hard rock and heavy metal bands.Unlike home ""hi-fi"" amplifiers or public address systems, which are designed to reproduce accurately the source sound signals with as little harmonic distortion as possible, instrument amplifiers are often designed to add additional tonal coloration to the original signal or emphasize (or de-emphasize) certain frequencies. The two exceptions are keyboard amplifiers and ""acoustic"" instrument amplifiers, which typically aim for a relatively flat frequency response.
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