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Chapter 28: The Renaissance, 1300 A.D.
Chapter 28: The Renaissance, 1300 A.D.

... One idea that the scholars accepted was a belief in the importance of people. Because of this, the scholars were called humanists (hyū’ muh nists). Their work caused a break with the thinking of the Middle Ages and led to a new age called the Renaissance ...
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... • Crusades boosted trade, led to growth of large Italian city-states • Italy became urban while rest of Europe mostly rural • Why would an urban setting be ideal for an intellectual revolution? ...
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... Harpies (1517), exposed in the Palazzo Pitti, is thought to be the painter’s major contribution to High Renaissance art. Andrea del Sarto was also an excellent draughtsman; the best collection of his drawings is in the Uffizi. ...
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... Prospered in Italy and spread to the north. In North, where feudalism was strong, it spread throughout the noble class. Renaissance was more traditional Rebirth of Classical Texts  Greek and Roman – people tried to find their faith. ...
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... • How did the works of northern artists differ from those of the Italian Renaissance? ...
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Humanism and its influence on the Painting, Sculpture
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Italian Renaissance

The Italian Renaissance (Italian: Rinascimento IPA: [rinaʃːiˈmento]) was the earliest manifestation of the general European Renaissance, a period of great cultural change and achievement that began in Italy during the 14th century and lasted until the 16th century, marking the transition between Medieval and Early Modern Europe. The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. Although the origins of a movement that was confined largely to the literate culture of intellectual endeavor and patronage can be traced to the earlier part of the 14th century, many aspects of Italian culture and society remained largely Medieval; the Renaissance did not come into full swing until the end of the century. The French word renaissance (Rinascimento in Italian) means ""Rebirth"", and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages.
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