music-10th-edition-kamien-test-bank
... C. phrase. D. step. 101.A melodic phrase ending that sets up expectations for continuation is known as a(n) A. incomplete cadence. B. complete cadence. C. sentence. D. theme. 102.A cadence is A. the emotional focal point of a melody. B. a resting place at the end of a phrase. C. a melody that serves ...
... C. phrase. D. step. 101.A melodic phrase ending that sets up expectations for continuation is known as a(n) A. incomplete cadence. B. complete cadence. C. sentence. D. theme. 102.A cadence is A. the emotional focal point of a melody. B. a resting place at the end of a phrase. C. a melody that serves ...
Chords symbols and their chords
... and even then there are musically useful chords for which there are no standard chord symbols. It also has to be admitted that the system of chord symbols is not entirely logical, consistent or in accord with every aspect of musical theory, but we take it as we find it. In any case, a more logical, ...
... and even then there are musically useful chords for which there are no standard chord symbols. It also has to be admitted that the system of chord symbols is not entirely logical, consistent or in accord with every aspect of musical theory, but we take it as we find it. In any case, a more logical, ...
The Musical Idea and the Basic Image in an Atonal Song
... silently we both began to tremble when our bodies only brushed together and that our eyes brimmed over— You remained like that for long by my side. ...
... silently we both began to tremble when our bodies only brushed together and that our eyes brimmed over— You remained like that for long by my side. ...
Troubles with Tonal Terminology
... usually three or four chords). Vega’s concept of bimodality was useful in explaining harmony in many different types of popular music. All italics and underlinings are mine. For a thorough discussion of the Scotch snap, see Tagg (2011a). Neither Sub‐Saharan cross‐rhythm not the fluctuating to‐and ...
... usually three or four chords). Vega’s concept of bimodality was useful in explaining harmony in many different types of popular music. All italics and underlinings are mine. For a thorough discussion of the Scotch snap, see Tagg (2011a). Neither Sub‐Saharan cross‐rhythm not the fluctuating to‐and ...
Musical allusion to The Rite of Spring in four contemporary works for
... to Stephen Paulson, principal bassoonist of the San Francisco Symphony, and has been recorded by Judith Leclair, principal bassoonist of the New York Philharmonic. In the notes from the score to Canto XII Adler writes: ...
... to Stephen Paulson, principal bassoonist of the San Francisco Symphony, and has been recorded by Judith Leclair, principal bassoonist of the New York Philharmonic. In the notes from the score to Canto XII Adler writes: ...
The History of Ragtime
... Ragtime fell out of favor as jazz claimed the public's imagination after 1917, but there have been numerous rediscoveries and revivals, first in the jazz circles of the early 1940s, then in the 1950s as LPs became commonplace, and then more significantly in the 1970s. o In 1971, Joshua Rifkin releas ...
... Ragtime fell out of favor as jazz claimed the public's imagination after 1917, but there have been numerous rediscoveries and revivals, first in the jazz circles of the early 1940s, then in the 1950s as LPs became commonplace, and then more significantly in the 1970s. o In 1971, Joshua Rifkin releas ...
a multipitch approach to tonic identification in indian
... plays the tonic alongside the lower and upper fifth. Thus, a fifth relationship between two frequent notes might serve as a good indicator for the tonic. In the study of Western music, templates learned from music cognition experiments have been used for the related task of key detection, where a pi ...
... plays the tonic alongside the lower and upper fifth. Thus, a fifth relationship between two frequent notes might serve as a good indicator for the tonic. In the study of Western music, templates learned from music cognition experiments have been used for the related task of key detection, where a pi ...
WWW.BSSVE.IN
... kora (West African harp), the steel drum, the sitar or the didgeridoo. There are several conflicting definition for world music. One is that it consists of "all the music in the world", though such a broad definition renders the word virtually meaningless. The term also is taken as a classification ...
... kora (West African harp), the steel drum, the sitar or the didgeridoo. There are several conflicting definition for world music. One is that it consists of "all the music in the world", though such a broad definition renders the word virtually meaningless. The term also is taken as a classification ...
Telemann`s Zwanzig kleine Fugen!
... Zwanzig kleine Fugen thus set, the remainder of this article investigates the relationship between Telemann's chord progressions and the principles of Schenkerian analysis. Both aspects of composing-out and reduction are examined. Three fugues have been selected as examples to illustrate the relatio ...
... Zwanzig kleine Fugen thus set, the remainder of this article investigates the relationship between Telemann's chord progressions and the principles of Schenkerian analysis. Both aspects of composing-out and reduction are examined. Three fugues have been selected as examples to illustrate the relatio ...
An analysis of and conductor`s guide to Vincent Persichetti`s
... will provide the first significant and complete study of the composition since its creation in 1965. Specifically, the analysis will examine the means by which Persichetti achieves motivic and harmonic unity within the Masquerade. The formal structure is considered a theme and variations, however, i ...
... will provide the first significant and complete study of the composition since its creation in 1965. Specifically, the analysis will examine the means by which Persichetti achieves motivic and harmonic unity within the Masquerade. The formal structure is considered a theme and variations, however, i ...
Free from Jazz: The Jazz and Improvised Music Scene in Vienna
... few rock musicians are included in this study, although they may improvise. This study is limited to mostly instrumental music based on standard jazz instrumentation (saxophone, trumpet, trombone, guitar, piano/synthesizer, bass, and drums/percussion). There are occasions where musicians use non-sta ...
... few rock musicians are included in this study, although they may improvise. This study is limited to mostly instrumental music based on standard jazz instrumentation (saxophone, trumpet, trombone, guitar, piano/synthesizer, bass, and drums/percussion). There are occasions where musicians use non-sta ...
What Is a CadenCe?
... all-encompassing definition. As Robert Gjerdingen polemically points out, a chordcentered definition of the cadence is dubious, as it “highlights only what Locatelli has in common with Rimsky-Korsakov.”6 This type of “lowest common denominator” approach adopted by many theorists may single out V–I a ...
... all-encompassing definition. As Robert Gjerdingen polemically points out, a chordcentered definition of the cadence is dubious, as it “highlights only what Locatelli has in common with Rimsky-Korsakov.”6 This type of “lowest common denominator” approach adopted by many theorists may single out V–I a ...
Stravinsky and the Octatonic: A Reconsideration
... scales represent a natural avenue of exploration for composers interested in expanding the vocabulary of traditional tonal harmony: rst, because they provide natural scalar counterparts to the extended triadic sonorities much beloved by early twentieth-century composers; and second, because as sca ...
... scales represent a natural avenue of exploration for composers interested in expanding the vocabulary of traditional tonal harmony: rst, because they provide natural scalar counterparts to the extended triadic sonorities much beloved by early twentieth-century composers; and second, because as sca ...
abstract - eThesis
... The studies that compose this dissertation analyze a selection of pieces of early post-tonal music (by Debussy, Scriabin, Schoenberg, Berg, and Webern) on the basis of the notion of prolongation. They also discuss extensively the theoretical principles of post-tonal prolongation and, to some extent, ...
... The studies that compose this dissertation analyze a selection of pieces of early post-tonal music (by Debussy, Scriabin, Schoenberg, Berg, and Webern) on the basis of the notion of prolongation. They also discuss extensively the theoretical principles of post-tonal prolongation and, to some extent, ...
PDF - UNT Digital Library
... worked with for the better part of his career: Elvin Jones, Thad Jones, Tommy Flanagan, Curtis Fuller, Frank Foster, and Donald Byrd. In addition, saxophonists Sonny Stitt and Wardell Gray were active in the Detroit musical scene and provided Adams with an excellent example by which he stylized his ...
... worked with for the better part of his career: Elvin Jones, Thad Jones, Tommy Flanagan, Curtis Fuller, Frank Foster, and Donald Byrd. In addition, saxophonists Sonny Stitt and Wardell Gray were active in the Detroit musical scene and provided Adams with an excellent example by which he stylized his ...
On Duration and Developing Variation
... variation. This article discusses the intersection of Bergson’s philosophy and Schoenberg’s music by showing a connection between Bergson’s concept of duration (durée) and Schoenberg’s idea of developing variation. Part II presents archival evidence from Schoenberg’s personal library that invites ou ...
... variation. This article discusses the intersection of Bergson’s philosophy and Schoenberg’s music by showing a connection between Bergson’s concept of duration (durée) and Schoenberg’s idea of developing variation. Part II presents archival evidence from Schoenberg’s personal library that invites ou ...
Music Standards Document - Last Updated October 2009
... Evaluates, applies and analyzes the elements of music while creating, performing and responding to music. Performs independently demonstrating accurate rhythmic skills using literature ranging from moderately difficult to difficult. Describes beat and rhythm in fast, slow, and medium compositions wi ...
... Evaluates, applies and analyzes the elements of music while creating, performing and responding to music. Performs independently demonstrating accurate rhythmic skills using literature ranging from moderately difficult to difficult. Describes beat and rhythm in fast, slow, and medium compositions wi ...
Triads, 7th chords, the roman numeral harmony system, inversions
... sounding together. Most western classical, pop, jazz and folk music is based off of this kind of harmony. In recalling the issues of continuity and cohesion, it is worth noting that a big point has been made to understand triads as chords in a diatonic system, meaning that a particular group of tria ...
... sounding together. Most western classical, pop, jazz and folk music is based off of this kind of harmony. In recalling the issues of continuity and cohesion, it is worth noting that a big point has been made to understand triads as chords in a diatonic system, meaning that a particular group of tria ...
"Funk is its own reward" : an analysis of selected lyrics in popular
... which can only be attributed to the African-American population. It was unique in its sound, style, and connection to its audience. Funk music of the 1970s also expressed a singular African-American aesthetic that was unique to that era, and it expressed the social and political conditions of the pe ...
... which can only be attributed to the African-American population. It was unique in its sound, style, and connection to its audience. Funk music of the 1970s also expressed a singular African-American aesthetic that was unique to that era, and it expressed the social and political conditions of the pe ...
Javanese Gamelan Terminology
... Seven tones per octave, the intervals varying from slightly less than a minor second to close to a major third. Also called Mineer or Miring. Melodic patterns for the rebab and pesindhen used in sections of slendro gendhing. The scale for these melodies use tones are not found on the fixed-pitch sle ...
... Seven tones per octave, the intervals varying from slightly less than a minor second to close to a major third. Also called Mineer or Miring. Melodic patterns for the rebab and pesindhen used in sections of slendro gendhing. The scale for these melodies use tones are not found on the fixed-pitch sle ...
crystallization of the sonata form in frederic chopin`s vision
... sonata was written in 1828 and dedicated to his composition professor Josef Elsner. The young composer was only 18 years old at the time, being interested in creating extensive opuses (such as the concertos for piano Sonata No.1, Scherzo No.1, Rondo à la mazur), of an ardent Romantic essence, whereb ...
... sonata was written in 1828 and dedicated to his composition professor Josef Elsner. The young composer was only 18 years old at the time, being interested in creating extensive opuses (such as the concertos for piano Sonata No.1, Scherzo No.1, Rondo à la mazur), of an ardent Romantic essence, whereb ...
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA
... meend gives continuity in both time and frequency. In another grace known as krintan, four notes are produced in rapid succession on a single stroke of the string of the sitar by a complex sequence of plucking the string and pressing on different frets. The general term used to describe such effects ...
... meend gives continuity in both time and frequency. In another grace known as krintan, four notes are produced in rapid succession on a single stroke of the string of the sitar by a complex sequence of plucking the string and pressing on different frets. The general term used to describe such effects ...
Chords and Ragas based on the Melodic minor scale
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
Write like Mozart – lecture notes Table of Contents
... Analysis: Beethoven's bagatelle, op. 119 #1......................................................................................53 Harmonic analysis of the first and third phrases............................................................................54 Harmonic analysis of the second phrase... ...
... Analysis: Beethoven's bagatelle, op. 119 #1......................................................................................53 Harmonic analysis of the first and third phrases............................................................................54 Harmonic analysis of the second phrase... ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.