![Grade 4 Module 2](http://s1.studyres.com/store/data/015422775_1-9f992246d31927ff7553effc950880e9-300x300.png)
Grade 4 Module 2
... whole, and eighth notes. • Relate note values to math/fractions: o Make a chart on board showing the relationships of basic note values (triangle shape—whole note on top). o Use circle/pie charts. o Give students math problems with note ...
... whole, and eighth notes. • Relate note values to math/fractions: o Make a chart on board showing the relationships of basic note values (triangle shape—whole note on top). o Use circle/pie charts. o Give students math problems with note ...
Seventh chords - Wilson Central High School Band
... • Seventh chords are named by the quality of the triad plus the quality of the seventh when measured from the root. • A major-major seventh chord (MM7) has a major triad and a major 7th (CEGB). This is also known as a major 7th. • A minor-minor seventh chord (mm7) has a minor triad and a minor 7th ( ...
... • Seventh chords are named by the quality of the triad plus the quality of the seventh when measured from the root. • A major-major seventh chord (MM7) has a major triad and a major 7th (CEGB). This is also known as a major 7th. • A minor-minor seventh chord (mm7) has a minor triad and a minor 7th ( ...
Appendix 1 Musical Terms
... Time signature (sometimes called Meter signature) The two numbers placed at the beginning of a piece that indicate the number of beats in a measure (top number) and the note value of the basic pulse (lower number). Tonal music A musical system based on the major or minor scales. Tonic The note (or c ...
... Time signature (sometimes called Meter signature) The two numbers placed at the beginning of a piece that indicate the number of beats in a measure (top number) and the note value of the basic pulse (lower number). Tonal music A musical system based on the major or minor scales. Tonic The note (or c ...
The Contributions of Jaco Pastorius to Electric Bass
... instruments, which are characteristic of Latin American music. The tune begins with the statement of the main theme overtop of the four measure, four chord harmonic progression that is present throughout the entire piece. This chord series contains heavily jazz influenced harmony featuring dense use ...
... instruments, which are characteristic of Latin American music. The tune begins with the statement of the main theme overtop of the four measure, four chord harmonic progression that is present throughout the entire piece. This chord series contains heavily jazz influenced harmony featuring dense use ...
JAY MCSHANN's HOOTIE BLUES
... have attempted to notate them so that the reader is able to identify downbeats and where they correspond with left hand activity. For example, in measure 39 provided below, I could have notated t ...
... have attempted to notate them so that the reader is able to identify downbeats and where they correspond with left hand activity. For example, in measure 39 provided below, I could have notated t ...
here - University of Kent
... at his own pace, lingering on each mode for as long or as short a time as he wanted. This approach gave the players unprecedented freedom, but also demanded a degree of austerity unknown in bebop. Musicians raised on Parker’s precept that a soloist could— indeed, should!— “play any note against any ...
... at his own pace, lingering on each mode for as long or as short a time as he wanted. This approach gave the players unprecedented freedom, but also demanded a degree of austerity unknown in bebop. Musicians raised on Parker’s precept that a soloist could— indeed, should!— “play any note against any ...
A GUIDE TO PEDAGOGICAL RESOURCES FOR IMPROVISATION
... extends to more melodic content and solos played with the bow. Jimmy Blanton was a jazz bass virtuoso in the late 1930s and early 1940s. Through his innovative approach to melody and rhythm, Blanton departed from the walking bass idiom to create solos that were equally as substantial as those of his ...
... extends to more melodic content and solos played with the bow. Jimmy Blanton was a jazz bass virtuoso in the late 1930s and early 1940s. Through his innovative approach to melody and rhythm, Blanton departed from the walking bass idiom to create solos that were equally as substantial as those of his ...
Listening Journal - AMUSE Professional Learning
... Ascending, descending, repetitive, short, long, high, low, wide range, small range, stepwise/smooth, based on a scale, based on a triad, jagged, made up of phrases, uses sequences, tonality – scale forms, modal,contour, draw a line-graph of the phrase shape, upbeat, anacrusis, angular contour (leaps ...
... Ascending, descending, repetitive, short, long, high, low, wide range, small range, stepwise/smooth, based on a scale, based on a triad, jagged, made up of phrases, uses sequences, tonality – scale forms, modal,contour, draw a line-graph of the phrase shape, upbeat, anacrusis, angular contour (leaps ...
Listening Journal Approach to Outcome 2
... Ascending, descending, repetitive, short, long, high, low, wide range, small range, stepwise/smooth, based on a scale, based on a triad, jagged, made up of phrases, uses sequences, tonality – scale forms, modal,contour, draw a line-graph of the phrase shape, upbeat, anacrusis, angular contour (leaps ...
... Ascending, descending, repetitive, short, long, high, low, wide range, small range, stepwise/smooth, based on a scale, based on a triad, jagged, made up of phrases, uses sequences, tonality – scale forms, modal,contour, draw a line-graph of the phrase shape, upbeat, anacrusis, angular contour (leaps ...
Asst. Professor - Christ University
... • As stated by the famous Sitar exponent Pa¸·it Ravi Shankar, the Indian classical forms of music are principally based on r¡ga and t¡la and not on harmony, counterpoint, chords, modulation and other basics of Western classical music. • Classical music usually is practiced strictly adhering to the g ...
... • As stated by the famous Sitar exponent Pa¸·it Ravi Shankar, the Indian classical forms of music are principally based on r¡ga and t¡la and not on harmony, counterpoint, chords, modulation and other basics of Western classical music. • Classical music usually is practiced strictly adhering to the g ...
abstracts - South Asia Institute
... metonym for a homogenous Manipuri culture. This paper takes a close look at one of Manipur’s expressive traditions via history and multi-sited ethnography. Brian Bond, The Graduate Center, CUNY Lives of a Fatwā: Sufism, Islamic Reform, and Ethical Audition in Kachchh, Gujarat In the early 1970s, a p ...
... metonym for a homogenous Manipuri culture. This paper takes a close look at one of Manipur’s expressive traditions via history and multi-sited ethnography. Brian Bond, The Graduate Center, CUNY Lives of a Fatwā: Sufism, Islamic Reform, and Ethical Audition in Kachchh, Gujarat In the early 1970s, a p ...
A technical look at swing rhythm in music
... straight time. Musical notes and structure are identical in both performances, but the notes’ temporal patterns have slight, significant differences between straight and swing performances. We demonstrate an approach for analyzing these differences, and show examples of several styles of swing: Amer ...
... straight time. Musical notes and structure are identical in both performances, but the notes’ temporal patterns have slight, significant differences between straight and swing performances. We demonstrate an approach for analyzing these differences, and show examples of several styles of swing: Amer ...
A Psychophysical Explanation for Why Major Chords are “Bright
... a psychophysical model of harmony perception. There are only two ways to move away from such tension: an increase or decrease in the pitch of any the tones. Without exception, a semitone increase in pitch leads to a minor chord and a semitone decrease leads to a major chord (Fig. 4 & Appendix). This ...
... a psychophysical model of harmony perception. There are only two ways to move away from such tension: an increase or decrease in the pitch of any the tones. Without exception, a semitone increase in pitch leads to a minor chord and a semitone decrease leads to a major chord (Fig. 4 & Appendix). This ...
PDF text - Music Theory Online
... point in the bass. As a result, the rondo refrain—and the work—begins in open-ended fashion with a plagal cadence. End of B and Beginning of A2 [17] Such a rondo refrain sets up conditions ripe for continuity upon its return, conditions that Debussy richly exploits. Example 5 contains the last 3½ ba ...
... point in the bass. As a result, the rondo refrain—and the work—begins in open-ended fashion with a plagal cadence. End of B and Beginning of A2 [17] Such a rondo refrain sets up conditions ripe for continuity upon its return, conditions that Debussy richly exploits. Example 5 contains the last 3½ ba ...
York: Oxford University Press, 1995. xvi, 323 pp.
... through 9 discuss performers-grouped according to instruments-while chapter 10 discusses the great ensembles of bebop history. Finally, chapter 11 discusses young musicians of promise who are likely to become bebop's leading figures in the next century. Perhaps there is good reason why many jazz com ...
... through 9 discuss performers-grouped according to instruments-while chapter 10 discusses the great ensembles of bebop history. Finally, chapter 11 discusses young musicians of promise who are likely to become bebop's leading figures in the next century. Perhaps there is good reason why many jazz com ...
Pedagogical strategies for free improvisation - Stoa
... predominant in the type of performance that follows the traditional pattern themechorus-theme, where solo improvisation is thought as melodic variations over chord changes. In this aspect it could also be related to traditional forms of Western music such as theme with variations, chaconne, passacag ...
... predominant in the type of performance that follows the traditional pattern themechorus-theme, where solo improvisation is thought as melodic variations over chord changes. In this aspect it could also be related to traditional forms of Western music such as theme with variations, chaconne, passacag ...
- MusicTeachers.co.uk
... evident in his mature piano works written after 1900, with their exploration of the instrument's percussive bell- and gong-like sonorities. Harmonically, Debussy's music incorporates both modality and tonality (earlier French composers such as Fauré had used modal aspects in their works) and he is r ...
... evident in his mature piano works written after 1900, with their exploration of the instrument's percussive bell- and gong-like sonorities. Harmonically, Debussy's music incorporates both modality and tonality (earlier French composers such as Fauré had used modal aspects in their works) and he is r ...
New Harmonic Resources
... system was intended to accommodate principles of not only traditional tonal music, but any type of meaningful music.! n Used ...
... system was intended to accommodate principles of not only traditional tonal music, but any type of meaningful music.! n Used ...
Harmony as a Strategy for Beneficial Change by Richard A. Schultz
... As stated by many including Paul Case in his treatise on Rosicrucian principles 13 , and by Stephan Hoeller in his analysis of Karl Jung’s interpretation of Gnostic concepts 14 , the context of mystical transcendence, or illumination, should be of equal importance with the experience of illumination ...
... As stated by many including Paul Case in his treatise on Rosicrucian principles 13 , and by Stephan Hoeller in his analysis of Karl Jung’s interpretation of Gnostic concepts 14 , the context of mystical transcendence, or illumination, should be of equal importance with the experience of illumination ...
General Principles of Harmony by Alan Belkin
... notion that all inversions of a given chord can be heard as part of the same "family", there are important exceptions, as we shall see below. Worse, obvious audible facts, like the actual, heard bass line, the spacing chosen for a given chord, and its linear context, tend to be minimized by this app ...
... notion that all inversions of a given chord can be heard as part of the same "family", there are important exceptions, as we shall see below. Worse, obvious audible facts, like the actual, heard bass line, the spacing chosen for a given chord, and its linear context, tend to be minimized by this app ...
Evolution and Structure in Flamenco Harmony
... rumba, and miionga, and the alegrias, which evidently originated from the Aragonesejota. These latter are ofless interest to us here since they tend to lack the distinctive harmonic features of the Andalusian-derived cantes. Andalusian harmony combines elements of European common practice with disti ...
... rumba, and miionga, and the alegrias, which evidently originated from the Aragonesejota. These latter are ofless interest to us here since they tend to lack the distinctive harmonic features of the Andalusian-derived cantes. Andalusian harmony combines elements of European common practice with disti ...
Music (504) - National Evaluation Series
... (The examinee would listen to a 30-second excerpt of a piano rag.) A. bebop B. blues C. swing D. ragtime Correct Response and Explanation D. This question requires the examinee to recognize the style of a recorded example of music from the United States. Ragtime music is typically performed on the p ...
... (The examinee would listen to a 30-second excerpt of a piano rag.) A. bebop B. blues C. swing D. ragtime Correct Response and Explanation D. This question requires the examinee to recognize the style of a recorded example of music from the United States. Ragtime music is typically performed on the p ...
The Geometry of Musical Chords REPORTS
... The content of a collection of notes is often more important than their order. Chords can therefore be modeled as multisets of either pitches or pitch classes. (BChord[ will henceforth refer to a multiset of pitch classes unless otherwise noted.) The musical term Btransposition[ is synonymous with t ...
... The content of a collection of notes is often more important than their order. Chords can therefore be modeled as multisets of either pitches or pitch classes. (BChord[ will henceforth refer to a multiset of pitch classes unless otherwise noted.) The musical term Btransposition[ is synonymous with t ...
What Classical Music Is
... French horns. Only classical music sounds like that. A Bach piece would sound somewhat different—its rhythm would be more steadily propulsive, its separate strands would stand out more, layered on each other, even tugging at each other, rather than blending—but even so, if on a classical radio stati ...
... French horns. Only classical music sounds like that. A Bach piece would sound somewhat different—its rhythm would be more steadily propulsive, its separate strands would stand out more, layered on each other, even tugging at each other, rather than blending—but even so, if on a classical radio stati ...
Ostinato
![](https://commons.wikimedia.org/wiki/Special:FilePath/Dido's_Lament_ground_bass.png?width=300)
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.