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Pentatonic Scales
Pentatonic Scales

... What is a Pentatonic Scale? • Penta means five. A pentatonic scale is a 5 note scale as it’s simplest definition. • Unlike 7 tone scales which are called diatonic scales (step – wise). Major scales are diatonic scales. Also the modes are diatonic scales. • The black keys on a piano are a pentatonic ...
PDF - UNT Digital Library
PDF - UNT Digital Library

... baritone saxophonists in recent jazz history, including Ronnie Cuber, Gary Smulyan, Scott Robinson, Glenn Wilson, and Nick Brignola. Through his associations with Benny Goodman (1958-1959), Charles Mingus (1959-1963), Donald Byrd (1958-1962), and his longtime membership in the Thad Jones/Mel Lewis O ...
please - Bay Area Music Association
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... Diatonic half-step, chromatic half-step, organ point, m.d.(mano destra),m.s.(mano sinistra), Ionian mode, Dorian mode, mixolidian mode, Aeolian mode,Chromatic scale Authentic, plagal and half cadences, deceptive cadence ...
Chapter 3: Alto Clef
Chapter 3: Alto Clef

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search-effectiveness measures for symbolic music queries
search-effectiveness measures for symbolic music queries

... to include rhythm as well to examine which rhythmic features may be of benefit when searching in Themefinder. Fourteen symbolic features of music were examined in this study—seven for pitch and seven for rhythm. Here is a list of the seven pitch features extracted from the musical data which are ord ...
the use of traditional japanese music
the use of traditional japanese music

... together elements of Japanese and Western music in their works, much like Noda accomplished in his own compositions for saxophone. Among the composers who wrote pieces for Ryo Noda in this stylistic genre is Joji Yuasa, who in 1976 dedicated Not I, but the wind… to Noda.8 Since Noda’s introduction ...
An analytical approach to vibraphone performance through the
An analytical approach to vibraphone performance through the

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The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its
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... collection of nine pitches, affectionately known by many as the “Tcherepnin Scale.” This collection, which is termed more generically the “nine-step scale,” is symmetrical in its construction. Having only four distinct transpositions, its structure can be viewed in a variety of ways. It is the combi ...
- University of Missouri School of Law Scholarship
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... Before embarking on a brief tour through superstring theory, it is helpful first to review a 400-year old scientific theory, similar to that posed here, that music is at the core of world harmony, both acoustically and relationally. 5 A little known fact is that mathematician and astronomer Johannes ...
Using Music to Better Understand Poe`s "The
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The Classical Indian Just Intonation Tuning System
The Classical Indian Just Intonation Tuning System

... sruti dhaivata and so on. – For the cycle of fourths, add 498 in each case and proceed as mentioned above. 2. Arithmetical method. The octave consists of 22 srutis. The panchama has 13 srutis and suddha mydhyama 9. (13 + 9) = 22. Take madhya shadja as equal to 0. Its Panchama is the 13th sruti. The ...
a multipitch approach to tonic identification in indian
a multipitch approach to tonic identification in indian

... plays the tonic alongside the lower and upper fifth. Thus, a fifth relationship between two frequent notes might serve as a good indicator for the tonic. In the study of Western music, templates learned from music cognition experiments have been used for the related task of key detection, where a pi ...
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... Indian Classical Music styles span a wide range, a prominent categorization within which is Hindustani and Carnatic. The distinction is geographical with the two styles having evolved under distinctly different historical and cultural influences. Carnatic music is predominantly performed and studied ...
Stravinsky and the Octatonic: The Sounds of
Stravinsky and the Octatonic: The Sounds of

... course of making these positive points, my article raised several methodological questions about Pieter van den Toorn’s analytical procedures. I pointed out, for example, that any proper subset of the chromatic scale can be decomposed into octatonic and diatonic components, and I challenged van den ...
View printable PDF of 1.Appendix.1 Solfège
View printable PDF of 1.Appendix.1 Solfège

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... start with reviewing research on implicit learning in the music domain, and then present research investigating the perception of global musical organization. One of the main reasons leading human beings of Western culture to develop musical activities is the expressive power of music. The content o ...
Sample Copy of Level 1
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... The G major scale descending (going down) Notice that it consists of the G and D major tetrachords. 1. Write the note names for all open strings, then write the note names in the circles on the G and D strings for the G major scale. ...
Beyer Clarinet Suites
Beyer Clarinet Suites

... Since there are currently no manuscript examples of Beyer’s work before around 1930, it is impossible to speculate about what her earlier work, prior to meeting the Seegers and Cowell, might have been like. These two clarinet suites are perhaps Beyer’s earliest extant works, and strongly show the in ...
Possible Paths - Music Theory Online
Possible Paths - Music Theory Online

... reached maturity (Owens 1974, vol. 1, 5). These thirty-nine performances fit two criteria, one practical, the other theoretical: a recording and published transcription were readily available; (5) and the tempo was at least 160 quarter-notes per minute. (6) I speculate that the patterns in this samp ...
Tier 3 unit 1 power point
Tier 3 unit 1 power point

Glossary of musical terminology
Glossary of musical terminology

... • disjunct: an adjective applied to a melodic line which moves by leap (intervals of more than a 2nd) as opposed to conjunct motion (by step) • dissonante: dissonant • divisi or div.: divided; i.e., in a part in which several musicians normally play exactly the same notes they are instead to split t ...
6 Schoenberg`s `second melody`, or, `Meyer
6 Schoenberg`s `second melody`, or, `Meyer

VALUING MUSIC
VALUING MUSIC

... to sing and/or play an instrument with appropriate tone, rhythm, technique, and maintain awareness of intonation, musical feeling and balance in the ensemble. ...
Guitar Method I
Guitar Method I

... fingers. There is rarely a problem with nylon string guitars, but there are low, medium and hard tension sets available, so choose what works best for you. ...
Definition - Murphy Junior High Music
Definition - Murphy Junior High Music

... Octave Definition: Two pitches of the same name where one is sounding eight tones higher than the other. ...
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Harmony



In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.
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