Lecture Notes - Bandpass Circuits File
... e(t) is called the Phase Error. The Phase Error voltage characteristics is SINUSOIDAL. A PLL can track the incoming frequency only over a finite range Lock/hold-in range The frequency range over which the input will cause the loop to lock pull-in/capture ...
... e(t) is called the Phase Error. The Phase Error voltage characteristics is SINUSOIDAL. A PLL can track the incoming frequency only over a finite range Lock/hold-in range The frequency range over which the input will cause the loop to lock pull-in/capture ...
UB System - LA Audio
... A wide range of modules allow the connection of semi-pro or consumer audio-equipment to broadcast installations, telephone line interfaces, amplification and audio/video distribution systems. Some modules conform to the original philosophy, such as the dual output or dual input modules. These, with ...
... A wide range of modules allow the connection of semi-pro or consumer audio-equipment to broadcast installations, telephone line interfaces, amplification and audio/video distribution systems. Some modules conform to the original philosophy, such as the dual output or dual input modules. These, with ...
Chapter 5 Low-Noise Design Methodology
... • so the conversion gain is proportional to the magnitude of the local oscillator voltage. For maximum conversion gain, the local oscillator amplitude should be selected so that it drives the gate just to the point of transistor saturation. • The input signal is normally connected to the lower (clo ...
... • so the conversion gain is proportional to the magnitude of the local oscillator voltage. For maximum conversion gain, the local oscillator amplitude should be selected so that it drives the gate just to the point of transistor saturation. • The input signal is normally connected to the lower (clo ...
P14345 Hardware Test Procedure
... Generate a 1VPP 1kHz sine wave using the function generator and apply it to the Channel 1 non‐inverting input. Use an oscilloscope to compare the input to the output, they should be identical. Generate a 1VPP 1kHz sine wave using the function generator and apply it to the Channel 1 inverting ...
... Generate a 1VPP 1kHz sine wave using the function generator and apply it to the Channel 1 non‐inverting input. Use an oscilloscope to compare the input to the output, they should be identical. Generate a 1VPP 1kHz sine wave using the function generator and apply it to the Channel 1 inverting ...
VIP-204 Programming
... packet every 10 seconds which has important information for use in trouble shooting and system monitoring. ...
... packet every 10 seconds which has important information for use in trouble shooting and system monitoring. ...
File
... and carry a greater uncertainty in the measurement (about 3%), while digital multimeter measurements have a far less uncertainty (about 0.5% or less). Digital multimeters are more accurate than analog multimeters. ...
... and carry a greater uncertainty in the measurement (about 3%), while digital multimeter measurements have a far less uncertainty (about 0.5% or less). Digital multimeters are more accurate than analog multimeters. ...
HCS-4380SD Discussion Unit with Voting and Channel Selection
... Transmitting up to 64 CHs high quality digital audio signals on a dedicated 6-pin cable (general cat. 5 cable substitutable) ...
... Transmitting up to 64 CHs high quality digital audio signals on a dedicated 6-pin cable (general cat. 5 cable substitutable) ...
Marantz Productbook 2004
... In not all domestic environments the availability of one speaker system is sufficient. The PM7001 is equipped with the possibility to connect 2 pairs of loudspeakers. The speaker systems can be switched on and off by simply selecting the speaker system on the front of the amplifier. Another option f ...
... In not all domestic environments the availability of one speaker system is sufficient. The PM7001 is equipped with the possibility to connect 2 pairs of loudspeakers. The speaker systems can be switched on and off by simply selecting the speaker system on the front of the amplifier. Another option f ...
To All Customers Notification of selling digital input and output units
... E-SX bus. These units allow a system to be built using the E-SX bus with its quick response of 0.25 ms tact. (1) Digital input unit 32-point input digital unit with high-speed input of input delay time 75 μs or less having 4 circuits of 8-point common input contact. The unit uses a removable M3 scre ...
... E-SX bus. These units allow a system to be built using the E-SX bus with its quick response of 0.25 ms tact. (1) Digital input unit 32-point input digital unit with high-speed input of input delay time 75 μs or less having 4 circuits of 8-point common input contact. The unit uses a removable M3 scre ...
VAB-802
... of three (3) prioritized relay trigger inputs. One of sixteen messages/tones stored in the VAB-802 Audio Booster amplifier can be selected for broadcasting. If controlled by one of the three (3) prioritized relay trigger inputs, two of the relay trigger inputs can be assigned to two separate/ indivi ...
... of three (3) prioritized relay trigger inputs. One of sixteen messages/tones stored in the VAB-802 Audio Booster amplifier can be selected for broadcasting. If controlled by one of the three (3) prioritized relay trigger inputs, two of the relay trigger inputs can be assigned to two separate/ indivi ...
converters, splitters, extenders, switches
... Allows any a/v source to distribute S-video &/or composite video with left & right audio. The signal ratio is true one to one with no loss from original source to 4 different locations. These locations must have the same application as your audio/video source. Can be looped, cascaded or put in tande ...
... Allows any a/v source to distribute S-video &/or composite video with left & right audio. The signal ratio is true one to one with no loss from original source to 4 different locations. These locations must have the same application as your audio/video source. Can be looped, cascaded or put in tande ...
AN9789: Audio Quality Measurement Primer
... measurement of the real world to the human ear. Without this adjustment, the perceived system performance would not correlate well with the measured performance. For instance, our threshold of hearing for normal speech (200Hz - 3kHz) is much lower than the threshold of hearing at low frequencies (DC ...
... measurement of the real world to the human ear. Without this adjustment, the perceived system performance would not correlate well with the measured performance. For instance, our threshold of hearing for normal speech (200Hz - 3kHz) is much lower than the threshold of hearing at low frequencies (DC ...
Plena All-in-One Unit - Bosch Security Systems
... An optional Wall Panel can be connected to the All‑in‑One Unit by use of a standard Cat‑5 cable and RJ45 connectors. The Wall Panel provides remote control of the system, as well as an input for a remote music player or microphone. The Enable button on the remote Wall Panel can be pressed to gain co ...
... An optional Wall Panel can be connected to the All‑in‑One Unit by use of a standard Cat‑5 cable and RJ45 connectors. The Wall Panel provides remote control of the system, as well as an input for a remote music player or microphone. The Enable button on the remote Wall Panel can be pressed to gain co ...
mpeg4-SA
... describe the composition of these objects to create compound media objects that form audiovisual scenes multiplex and synchronize the data associated with media objects, so that they can be transported over networks providing a QoS (Quality of Service) interact with the audiovisual scene gener ...
... describe the composition of these objects to create compound media objects that form audiovisual scenes multiplex and synchronize the data associated with media objects, so that they can be transported over networks providing a QoS (Quality of Service) interact with the audiovisual scene gener ...
eq600 MANUAL
... For Four Channel Or Speaker Level Input Users. If you are only using the Front or Rear or Speaker Level inputs, you will find that the subwoofer equalization now works on the rear channels. Therefore, the Rear input gain is actually controlled by the Subwoofer input gain control. 5. Now adjust the o ...
... For Four Channel Or Speaker Level Input Users. If you are only using the Front or Rear or Speaker Level inputs, you will find that the subwoofer equalization now works on the rear channels. Therefore, the Rear input gain is actually controlled by the Subwoofer input gain control. 5. Now adjust the o ...
sp-micro-1 - Sound Professionals
... The next step is to determine microphone placement. The microphones, being very small, can be placed almost anywhere. For true binaural recordings, the best place to clip them is on either side of your (or an artificial) head, possibly on a pair of eyeglasses or a hat. With this placement, recording ...
... The next step is to determine microphone placement. The microphones, being very small, can be placed almost anywhere. For true binaural recordings, the best place to clip them is on either side of your (or an artificial) head, possibly on a pair of eyeglasses or a hat. With this placement, recording ...
NE602 (Mixer)
... Figure 8 shows a Colpitts varacter tuned tank oscillator suitable for synthesizer-controlled applications. It is important to buffer the output of this circuit to assure that switching spikes from the first counter or prescaler do not end up in the oscillator spectrum. The dual-gate MOSFET provides ...
... Figure 8 shows a Colpitts varacter tuned tank oscillator suitable for synthesizer-controlled applications. It is important to buffer the output of this circuit to assure that switching spikes from the first counter or prescaler do not end up in the oscillator spectrum. The dual-gate MOSFET provides ...
Application Note, 82C916/82C750
... more effort than 4-layer PCB to the layout designer. However, regardless of whether a 2-layer or 4-layer approach is used, the circuit designer needs to pay great attention to 82C916's grounding as much as to a conventional sound card design because of the nature of the chip as a Serial Audio Codec, ...
... more effort than 4-layer PCB to the layout designer. However, regardless of whether a 2-layer or 4-layer approach is used, the circuit designer needs to pay great attention to 82C916's grounding as much as to a conventional sound card design because of the nature of the chip as a Serial Audio Codec, ...
FE_ASIC_for_SLHCb_Dec10 - Indico
... Up to 110 dB attenuation Programmable Used to test other 12 bit measurement systems (Saclay, LPNHE) Already bought ...
... Up to 110 dB attenuation Programmable Used to test other 12 bit measurement systems (Saclay, LPNHE) Already bought ...
Electronic Stethoscope - Wyoming Scholars Repository
... • Both stereo audio as well as Bluetooth for wired/wireless transmission of signal ...
... • Both stereo audio as well as Bluetooth for wired/wireless transmission of signal ...
G1SLE Mk2 Repeater control connections Interconnection with the
... un-muted unprocessed discriminator audio output. Input is buffered and appears as approximately 220k impedance. A level of 100 to 500mV p-p at 300hz deviation is desirable, should it be necessary the buffer amplifier feedback resistor may be changed to achieve best performance. 3. Remote Busy Input. ...
... un-muted unprocessed discriminator audio output. Input is buffered and appears as approximately 220k impedance. A level of 100 to 500mV p-p at 300hz deviation is desirable, should it be necessary the buffer amplifier feedback resistor may be changed to achieve best performance. 3. Remote Busy Input. ...
interactive outdoor theatre
... In addition to a programmable routing matrix, we clearly needed some hefty digital signal processing (DSP) power, and this is where the TiMax2 SoundHub stands alone. Like a Swiss Army knife for audio, the SoundHub combines a number of extremely useful functions in a single package: a routing matrix ...
... In addition to a programmable routing matrix, we clearly needed some hefty digital signal processing (DSP) power, and this is where the TiMax2 SoundHub stands alone. Like a Swiss Army knife for audio, the SoundHub combines a number of extremely useful functions in a single package: a routing matrix ...
interactive outdoor theatre
... In addition to a programmable routing matrix, we clearly needed some hefty digital signal processing (DSP) power, and this is where the TiMax2 SoundHub stands alone. Like a Swiss Army knife for audio, the SoundHub combines a number of extremely useful functions in a single package: a routing matrix ...
... In addition to a programmable routing matrix, we clearly needed some hefty digital signal processing (DSP) power, and this is where the TiMax2 SoundHub stands alone. Like a Swiss Army knife for audio, the SoundHub combines a number of extremely useful functions in a single package: a routing matrix ...
WEEKLY PROGRESS REPORT Student: Rizal Maulana 102521603
... multiplexer (MUX) routes one AI channel at a time to the PGA. PGA – The programmable-gain amplifier provides input gains of 1, 2, 4, 5, 8, 10, 16, or 20 when configured for differential measurements and gain of 1 when configured for single-ended measurements. The PGA gain is automatically calculat ...
... multiplexer (MUX) routes one AI channel at a time to the PGA. PGA – The programmable-gain amplifier provides input gains of 1, 2, 4, 5, 8, 10, 16, or 20 when configured for differential measurements and gain of 1 when configured for single-ended measurements. The PGA gain is automatically calculat ...
Mixing console
In audio, a mixing console, or audio mixer, also called a mixing desk, audio production console, soundboard or simply mixer, is an electronic device for combining (also called ""mixing""), routing, and changing the level, timbre and/or dynamics of audio signals. A mixer can mix analog or digital signals, depending on the type of mixer. The modified signals (voltages or digital samples) are summed to produce the combined output signals.Mixing consoles are used in many applications, including recording studios, public address systems, sound reinforcement systems, broadcasting, television, and film post-production. A typical, simple application combines signals from two microphones (each used by vocalists singing a duet, perhaps) into an amplifier that drives one set of speakers simultaneously. In live performances, the signal from the mixer usually goes directly to an amplifier (unless the mixer has a built in power amplifier or is connected to powered speakers). A nightclub stage's mixer may have 24 channels for mixing the signals from a rock or pop rhythm section and a vocalist. A mixing console for a large concert may have 48 channels. A mixing console in a professional recording studio may have as many as 72 channels.In practice, mixers do more than simply mix. They can provide phantom power for capacitor microphones; pan control; filtering and equalization; routing facilities; and monitoring facilities, whereby one of a number of sources can be routed to loudspeakers for listening, often without affecting the mixer's main output.Among the highest quality bootleg recordings of live performances are so-called soundboard recordings sourced from the mixer output.