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A two-week module for Chinese Classical theatre - East
A two-week module for Chinese Classical theatre - East

... claims to have a method to reshrink them once she’s done fighting in the Ming version.) How does she deal with her hardships? What does she do at the end of the story? (e.g. in the Ming version she returns to an arranged marriage – to a man who has just passed the civil service exam. In the Modern v ...
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AH.CI.2Ad2B2pC2p2Dp2Ep3Ed.EARLYAMERDRAMA.8
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Membership application form
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... comedy before it dawns on them that what they’re watching — in its subliminal sweep and symmetry — is close to epic poetry. Set in a house where residents rarely stay for more than a week or two, the play is suffused with a sense of transience — of people coming, going and briefly brushing against o ...
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PDF
PDF

... Richard, pushed an intruding audience member off the stage injuring him on the “spikes” that separated the stage from the pit. Meredith was later charged with assault, tried, and ordered to pay damages. If this occasion was the first test of whether a decorous theatrical public could be assembled, t ...
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Medieval theatre



Medieval theatre refers to the theatre in the period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand-year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrosvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions. The most famous examples of Medieval plays are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays and the N-Town Plays, as well as the morality play, Everyman.Due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance, there are few surviving sources on Medieval drama of the Early and High Medieval periods. However, by the late period, drama and theatre began to become more secularized and a larger number of records survive documenting plays and performances.
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