The Ethical Significance of the Aesthetic Experience of Non
... presents. The second component is a “doing,” or an active contribution to one‟s own experience. Both, according to Dewey, are imperative for the development of our potential for refinement in lived experience, which grounds our ethical and social efficacy. If we elaborate on Dewey‟s view, it seems ...
... presents. The second component is a “doing,” or an active contribution to one‟s own experience. Both, according to Dewey, are imperative for the development of our potential for refinement in lived experience, which grounds our ethical and social efficacy. If we elaborate on Dewey‟s view, it seems ...
Recentering Musicology and the Philosophy of Music
... It might be thought that we should ask: what is musical experience? The trouble with this question is that experiences of music vary a great deal. Some music may remind me of a childhood event, for example. A slightly better question seems to be: what is the nature of the experience of music when we ...
... It might be thought that we should ask: what is musical experience? The trouble with this question is that experiences of music vary a great deal. Some music may remind me of a childhood event, for example. A slightly better question seems to be: what is the nature of the experience of music when we ...
The abuse of beauty Daedalus, Fall 2002 by Danto, Arthur C It is self
... rarely contested in philosophical aesthetics nor in artistic practice itself when Moore composed Principia Ethica. If anything, I think, Moore supposed the appreciation of natural beauty superior to the appreciation of artistic beauty, largely because "We do think that the emotional contemplation of ...
... rarely contested in philosophical aesthetics nor in artistic practice itself when Moore composed Principia Ethica. If anything, I think, Moore supposed the appreciation of natural beauty superior to the appreciation of artistic beauty, largely because "We do think that the emotional contemplation of ...
The Dogma of Post-Conceptual Art: The Role of the
... follow a Kantian line when says that, in the aesthetic relation, the cognitive discrimination of the object is accompanied by some satisfaction, or insatisfaction, according to which it is valued. From this point of view, any artwork may be aesthetic in the sense that it may be part of an aesthetic ...
... follow a Kantian line when says that, in the aesthetic relation, the cognitive discrimination of the object is accompanied by some satisfaction, or insatisfaction, according to which it is valued. From this point of view, any artwork may be aesthetic in the sense that it may be part of an aesthetic ...
Aesthetics as Philosophy of Experience
... and the Continental philosophers see philosophy more as a discussion of special problems. In the field of Aesthetics, however, the difference appears even more pronounced, and certainly more relevant than in other fields of research. For more than fifty years, between the 1950s and the early 2000s, Anal ...
... and the Continental philosophers see philosophy more as a discussion of special problems. In the field of Aesthetics, however, the difference appears even more pronounced, and certainly more relevant than in other fields of research. For more than fifty years, between the 1950s and the early 2000s, Anal ...
File
... might “see the world in a grain of sand | And heaven in a wild flower” (William Blake); we might see the oppression of the working classes “written” into the uniformity of industrial landscapes 2) Marx - “life is not determined by consciousness but consciousness by life.” Our aesthetics lives, at th ...
... might “see the world in a grain of sand | And heaven in a wild flower” (William Blake); we might see the oppression of the working classes “written” into the uniformity of industrial landscapes 2) Marx - “life is not determined by consciousness but consciousness by life.” Our aesthetics lives, at th ...
History and Moral Exempla in Enlightenment
... theory thus turns out to be very nearly indistinguishable from an aesthetic theory” (Stolnitz 1961, 131, 133). This seems to indicate that, whether or not Stolnitz is right about his analysis (and following Dickie a number of interpreters have pointed out its mistakes), his argument cannot be used t ...
... theory thus turns out to be very nearly indistinguishable from an aesthetic theory” (Stolnitz 1961, 131, 133). This seems to indicate that, whether or not Stolnitz is right about his analysis (and following Dickie a number of interpreters have pointed out its mistakes), his argument cannot be used t ...
Aesthetics
... Aesthetic judgments can often be very fine-grained and internally contradictory. Likewise aesthetic judgments seem often to be at least partly intellectual and interpretative. It is what a thing means or symbolizes for us that is often what we are judging. Modern aestheticians have asserted that wil ...
... Aesthetic judgments can often be very fine-grained and internally contradictory. Likewise aesthetic judgments seem often to be at least partly intellectual and interpretative. It is what a thing means or symbolizes for us that is often what we are judging. Modern aestheticians have asserted that wil ...
No Slide Title
... Darwinian theory of human aesthetic value is that beauty is promise of function in the environments in which humans evolved (i.e., of high likelihood of survival and reproductive success in the environments of human evolutionary history).” [Thornhill 1998, p. 544] Part of scientific aesthetics O ...
... Darwinian theory of human aesthetic value is that beauty is promise of function in the environments in which humans evolved (i.e., of high likelihood of survival and reproductive success in the environments of human evolutionary history).” [Thornhill 1998, p. 544] Part of scientific aesthetics O ...