08_chapter - ii
... janyaraga has a status equivalent to - or more than that of janaka ragas. It was widely used even before the modern classification of ragas which came into existence. The references from Chilappathikaram proves that Mohana was widely used during the period as early as the 2 nd century A.D. The phras ...
... janyaraga has a status equivalent to - or more than that of janaka ragas. It was widely used even before the modern classification of ragas which came into existence. The references from Chilappathikaram proves that Mohana was widely used during the period as early as the 2 nd century A.D. The phras ...
The Classical Indian Just Intonation Tuning System
... The 'Extended Helmholtz-Ellis JI Pitch Notation' used for this transcription of a tuning chart presented by P. Sambamurthy in 'South Indian Music' (Book IV) was devised by Marc Sabat and Wolfgang von Schweinitz. The accidentals e n v represent pitches tuned according to the series of pure fifths bas ...
... The 'Extended Helmholtz-Ellis JI Pitch Notation' used for this transcription of a tuning chart presented by P. Sambamurthy in 'South Indian Music' (Book IV) was devised by Marc Sabat and Wolfgang von Schweinitz. The accidentals e n v represent pitches tuned according to the series of pure fifths bas ...
Melody In Carnatic Music
... As I said in my introduction, Carnatic music is ruled by the Sanskrit saying, Srutir mata, layah pita meaning, Melody is mother, Rhythm is father. In the next few columns, I shall deal with the first part of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have defini ...
... As I said in my introduction, Carnatic music is ruled by the Sanskrit saying, Srutir mata, layah pita meaning, Melody is mother, Rhythm is father. In the next few columns, I shall deal with the first part of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have defini ...