ROMANTIC LITURGISTS - UGA Electronic Theses and Dissertations
... revenge on the Babylonians; without this stanza, hope and despair are somewhat more balanced within the text. Alkan takes the opposite approach: while the elegiac mood of the first section of Super flumina Babylonis is occasionally mitigated by peaceful thoughts of Zion, a sense of anger and vengean ...
... revenge on the Babylonians; without this stanza, hope and despair are somewhat more balanced within the text. Alkan takes the opposite approach: while the elegiac mood of the first section of Super flumina Babylonis is occasionally mitigated by peaceful thoughts of Zion, a sense of anger and vengean ...
Liszt and the issue of so called Gypsy music
... tunes coming mainly from verbunkos and csardases, as well as made use of songs included in various collections of printed music. Thus in his Hungarian Rhapsodies he referred also to some works by nineteenth-century Hungarian composers. One of the features of Rhapsodies recognized as representative f ...
... tunes coming mainly from verbunkos and csardases, as well as made use of songs included in various collections of printed music. Thus in his Hungarian Rhapsodies he referred also to some works by nineteenth-century Hungarian composers. One of the features of Rhapsodies recognized as representative f ...
Masterpieces of Western Music
... expected, the ritornello, which breaks into three parts, is introduced by the tutti (everyone). The concertino then enters, and we hear some wonderful examples of how Bach spins out his material using imitation and sequences; the texture of simultaneous, independent lines of music is called “counter ...
... expected, the ritornello, which breaks into three parts, is introduced by the tutti (everyone). The concertino then enters, and we hear some wonderful examples of how Bach spins out his material using imitation and sequences; the texture of simultaneous, independent lines of music is called “counter ...
Australian Chamber Orchestra – April 12, 2015 Visions fugitives, Op
... the impermanence of the music live: it’s played in the room – which is itself infinitely variable from one concert to another – and then it’s gone, soaked into the walls. Unlike recordings, it isn’t identical to the previous performance or the next one,” he wrote in a ...
... the impermanence of the music live: it’s played in the room – which is itself infinitely variable from one concert to another – and then it’s gone, soaked into the walls. Unlike recordings, it isn’t identical to the previous performance or the next one,” he wrote in a ...
Obj 29 - Scott County Schools
... Objective 29: The students will demonstrate understanding by examining music of the romanticism era ...
... Objective 29: The students will demonstrate understanding by examining music of the romanticism era ...
Dante Symphony
A Symphony to Dante's Divine Comedy, S.109, or simply the ""Dante Symphony"", is a program symphony composed by Franz Liszt. Written in the high romantic style, it is based on Dante Alighieri's journey through Hell and Purgatory, as depicted in The Divine Comedy. It was premiered in Dresden in November 1857, with Liszt himself conducting, and was unofficially dedicated to the composer's friend and future son-in-law Richard Wagner. The entire symphony takes approximately 45 minutes to perform.Some critics have argued that the Dante Symphony is not so much a symphony in the classical sense as it is two descriptive symphonic poems. Regardless, Dante consists of two movements, both in a loosely structured ternary form with little use of thematic transformation.