Juggling Agendas: Circus in Ethiopia
... trampolines were some of the elements that composed their performance. I involved myself in active „participant observation‟ in daily training sessions. During rehearsals, observation was crucial to understanding the performance process. Excerpts from my fieldwork diary (written in italics), offer s ...
... trampolines were some of the elements that composed their performance. I involved myself in active „participant observation‟ in daily training sessions. During rehearsals, observation was crucial to understanding the performance process. Excerpts from my fieldwork diary (written in italics), offer s ...
Chapter Title: acting and not-acting Book Title: A Formalist Theatre
... "method" acting-at least as it is taught in this country-is the use of whatever real feelings and emotions the actor has while playing the role. (Indeed, this became a joke; no matter what unusual or uncomfortable physical urges or psychological needs or problems the actor had, he or she was advised ...
... "method" acting-at least as it is taught in this country-is the use of whatever real feelings and emotions the actor has while playing the role. (Indeed, this became a joke; no matter what unusual or uncomfortable physical urges or psychological needs or problems the actor had, he or she was advised ...
Artist`s Bios - Circus Flora
... arts to build character and expand community has brought about ground-breaking and bridge-building programs like Circus Salaam Shalom which connected Jewish and Muslim children, Far East Meets Midwest which combined Asian and Midwestern arts and artists and Peace Through Pyramids, an ongoing collabo ...
... arts to build character and expand community has brought about ground-breaking and bridge-building programs like Circus Salaam Shalom which connected Jewish and Muslim children, Far East Meets Midwest which combined Asian and Midwestern arts and artists and Peace Through Pyramids, an ongoing collabo ...
theatre safety committee
... Everyone involved - Manager, Designer, Choreographer, Director and Performer - has a duty of care to minimise and contain the risk involved. Whenever a rake is to be used a formal assessment of the risks associated with its use must be undertaken. The risk assessment should be carried out at every s ...
... Everyone involved - Manager, Designer, Choreographer, Director and Performer - has a duty of care to minimise and contain the risk involved. Whenever a rake is to be used a formal assessment of the risks associated with its use must be undertaken. The risk assessment should be carried out at every s ...
Life? It`s A Circus! Teacher Resource Pack
... featured in these, usually family-‐run, circuses are generally consistent from circus to circus, with acrobatics, balance, juggling and clowning being the central skillsets featured, along with horsemanship, ...
... featured in these, usually family-‐run, circuses are generally consistent from circus to circus, with acrobatics, balance, juggling and clowning being the central skillsets featured, along with horsemanship, ...
Making Opera Work: Bricolage and the
... an everyday museum or archive of the company’s past and present productions. The entire department is a glory-hole of props, plaster casts, parts, flags, weapons (securely stored) and curiosities. They rest on shelving, lean propped against the wall, or hang suspended from the ceiling. It is a works ...
... an everyday museum or archive of the company’s past and present productions. The entire department is a glory-hole of props, plaster casts, parts, flags, weapons (securely stored) and curiosities. They rest on shelving, lean propped against the wall, or hang suspended from the ceiling. It is a works ...
XIII
... of how important casting would be to the miniseries. As a man searching for his identity, caught in a web of deception and betrayal, the character of XIII is difficult to describe. He knows internally that he’s “a good guy” but he is repeatedly told he’s a killer—“a bad guy.” Actor Stephen Dorff, wh ...
... of how important casting would be to the miniseries. As a man searching for his identity, caught in a web of deception and betrayal, the character of XIII is difficult to describe. He knows internally that he’s “a good guy” but he is repeatedly told he’s a killer—“a bad guy.” Actor Stephen Dorff, wh ...
The Advent of Sound in Indian Cinema
... There is an interesting story that records the rivalry between Krishna and Madan. Krishna Movietone (Nearly all the film companies changed to their name to ‘Movietone’) had planned to produce Shirin Farhad, but Madan Theatres immediately announced their plans to make their own Shirin Farhad. This pr ...
... There is an interesting story that records the rivalry between Krishna and Madan. Krishna Movietone (Nearly all the film companies changed to their name to ‘Movietone’) had planned to produce Shirin Farhad, but Madan Theatres immediately announced their plans to make their own Shirin Farhad. This pr ...
Commedia Dell`arte
... same period were the Desiosi, formed in 1595, to which Tristano Martinelli (c. 1557–1630), the famous Arlecchino, belonged; the Comici Confidènti, active from 1574 to 1621; and the Uniti, under Drusiano Martinelli and his wife, Angelica, a company first mentioned in 1574. ...
... same period were the Desiosi, formed in 1595, to which Tristano Martinelli (c. 1557–1630), the famous Arlecchino, belonged; the Comici Confidènti, active from 1574 to 1621; and the Uniti, under Drusiano Martinelli and his wife, Angelica, a company first mentioned in 1574. ...
How to be a Good Audience Member
... lights (the lights that help you see around you) go down, the excitement level goes up! Theatres are designed so that the voices and music of the performers can be heard. But this also means that any sound in the audience (that’s you!)— whispering, crunching your papers, talking, wiggling—can be hea ...
... lights (the lights that help you see around you) go down, the excitement level goes up! Theatres are designed so that the voices and music of the performers can be heard. But this also means that any sound in the audience (that’s you!)— whispering, crunching your papers, talking, wiggling—can be hea ...
attached - Khandallah Arts Theatre
... 8pm and Sundays 2pm – 5pm. Whenever possible, the rehearsal schedule will try to allow younger performers to leave early. Performances are Thursday July 20th – Saturday July 29th: evenings first Thursday and both Fridays and Saturdays; matinees both Saturdays and first Sunday. ...
... 8pm and Sundays 2pm – 5pm. Whenever possible, the rehearsal schedule will try to allow younger performers to leave early. Performances are Thursday July 20th – Saturday July 29th: evenings first Thursday and both Fridays and Saturdays; matinees both Saturdays and first Sunday. ...
Theatre Arts
... • “Warning” – means to get ready for a performance – Backstage– the stage manager will tell actors and technicians “---- minutes” until they get to “2 minutes, places”. This tells all the performers to go where they need to be at the beginning of the show. – In the theater – the lights dimmer or fli ...
... • “Warning” – means to get ready for a performance – Backstage– the stage manager will tell actors and technicians “---- minutes” until they get to “2 minutes, places”. This tells all the performers to go where they need to be at the beginning of the show. – In the theater – the lights dimmer or fli ...
Stunt performer
A stunt performer, often referred to as a stuntman, or daredevil, is someone who performs dangerous stunts, often as a career. The French word that describes it is cascadeur; and it is used as-is in other languages (e.g., in Greek, it is called κασκαντέρ)