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Chapter One Introduction to Quarter
Chapter One Introduction to Quarter

... Wyschnegradsky, the most progressive. Chapter 6 extends Richard Cohn’s “parsimonious trichord” by applying the transformational approach of neoRiemannian theory to chords derived from a quarter-tone scale developed by Wyschnegradsky.2 One obstacle to overcome when analyzing microtonal music is that ...
Walker Percy and the Magic of Naming
Walker Percy and the Magic of Naming

... thing he acts like anything but an organism in an environment. Yet he no longer has the means of understanding the traditional Judeo-Christian teaching that the “something more” is a soul somehow locked in the organism like a ghost in a machine. What is he then? He has not the faintest idea…. When m ...
Intentional Inexistence and Phenomenal Intentionality
Intentional Inexistence and Phenomenal Intentionality

... generally perceiving something;1 considering something, contemplating something, and generally thinking about something; wanting something, trying to do something, and generally willing something. Beyond our activities, there are also inked and mouthed linguistic expressions, pictures and traffic si ...
Chapter on object oriented programming
Chapter on object oriented programming

... Common Lisp can be quite overwhelming, especially when one tries to learn it directly from a concise reference such as Steele (1990) . Therefore this chapter takes a step by step approach with many small examples, which are constructed for the sake of clarity. The exposé of constructs is divided int ...
A Model of Musical Motifs
A Model of Musical Motifs

... system Strasheela [Anders, 2007].2 Users define a set of motifs (by features characterising their identity), and a set of variations on these motifs. Rules on motific identity and variation can be applied. For example, a rule may constrain that a certain phrase consists of variations of the same mot ...
A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer
A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer

... process, along with its obvious but necessary conjunctions, provide an effective path of communication to convey both extramusical and intramusical information to its audience, given the so-called “abstract” nature of music? Can a composer articulate meaning by making a deliberate compositional deci ...
Presentation: PPT file, 8.8Mb
Presentation: PPT file, 8.8Mb

... • Evidence from children’s untutored representations of music suggests that sophisticated inter-domain mapping between sound and shape occurs early and intuitively • This view is reinforced by blind children’s representations of changing pitch – which are also sophisticated, and exist in the absence ...
Problems in Applying Peirce to Social Sciences
Problems in Applying Peirce to Social Sciences

... philosophers, who take inspiration from Peirce while considering modernity, maintain that though we have been modern, this was not any foredoomed cultural fate. An alternative has been available all the time during the course of modernity, and Peirce’s philosophy is one example of it. This is the le ...
Applying Peirce to Social Studies – Some Do`s and Don`ts
Applying Peirce to Social Studies – Some Do`s and Don`ts

... philosophers, who take inspiration from Peirce while considering modernity, maintain that though we have been modern, this was not any foredoomed cultural fate. An alternative has been available all the time during the course of modernity, and Peirce’s philosophy is one example of it. This is the le ...
Existential Semiotics and Cultural Psychology
Existential Semiotics and Cultural Psychology

... During the transcendental journey, the world may have in the meantime developed into a new direction. Subject does not return at home but to a quite different world from that which he left. As far as we take Dasein as a collective entity, which consists of subjects and objects, of Others, we encounte ...
Aalborg Universitet Automatic Phrase Continuation from Guitar and Bass guitar Melodies
Aalborg Universitet Automatic Phrase Continuation from Guitar and Bass guitar Melodies

... solely on the stylistic aspect of music. Moreover, the availability of different MIDI instruments for melody and percussion also makes these approaches feasible. However, it must be noted that, at the same time, the flexibility of such systems is also very limited to only these MIDI instruments. The ...
Mitrovic - Unitec Research Bank
Mitrovic - Unitec Research Bank

... polemics, often deriving from his critics’ misunderstandings of some of his central claims. This does not make it easy to attempt a review of his latest book. The task is made even harder by the fact that the book is wider in its philosophical perspective than, for instance, his Narrative Logic or H ...
Pointing and Representing – Three Options
Pointing and Representing – Three Options

... precursor for linguistic communication) it is a communicative mode that fully depends on sharing the same visual space (Liszkowski, 2010). Through pointing, infants can direct the attention of others towards an object of their choice. Thus, it seems that infants take some other beings to be potentia ...
Full Text - Discovery Publication
Full Text - Discovery Publication

... whether the signs of the melody through the techniques of repetition, variation, contrast, sequence, unison and interval can be analyzed and interpreted in accordance with the theory of three trichotomies of Peirce? This question refers to the triadic semiotics system and expanded to semiotics three ...
The Importance of Being Earnest: Scepticism and the Limits of
The Importance of Being Earnest: Scepticism and the Limits of

... background, not so much because they are felt to be less urgent, but rather because they come to be concealed from the reader’s immediate view by logically subsequent issues and theories, sometimes only apparently more pressing. In Peirce’s case, which interests us here most, the concealing feature ...
Scientific Representation and Empiricist Structuralism: Essay
Scientific Representation and Empiricist Structuralism: Essay

... to say that we have the experience of seeing a … paramecium image. In ordinary language the correct report is that we have the experience of seeing a … paramecium. As long as ordinary discourse is not filtered through some theory it does not imply that those are objects.” (110) But scientific discou ...
MiLa - mhong.me
MiLa - mhong.me

... around with the tool (some did). They spoke of the natural sceneries being aesthetically pleasing, and even “soothing… therapeutic.” One participant spoke of being left feeling “powerful” because hands could generate sounds without the assistance of mechanical actions. These results look very promis ...
Symbolic Music Representations
Symbolic Music Representations

... Chord Progressions and Harmony Sequences of chords are called chord progressions. Certain progressions are more common than others and also indicate the key of a piece. Frequently chords are constructed from subsets of notes from a particular scale. The root of the scale is called the tonic and def ...
06PosNeg
06PosNeg

... Sign is determined by examining the high-order bit. Negating a number twice results in the original number. Addition is correctly computed by directly adding the bits. Compute X-Y by computing X+(-Y) using negation of Y. Represents values in range -(2(n-1)) to +(2(n-1)-1) Only one representation for ...
THE HISTORICAL BACKGROUND TO LOCKE`S ACCOUNT OF
THE HISTORICAL BACKGROUND TO LOCKE`S ACCOUNT OF

... Interjections are of the first type : they express an affective state or an emotion actually felt by the speaker. Incidentally it may be remarked that ancient grammarians ascribed the same feature to the moods o f the verb, which in their opinion have regard to stances or inclinations that belong to ...
Teaching Solfege Through Anchored Media
Teaching Solfege Through Anchored Media

... Dr. Sewell April 14,2012 ...
Music Vocabulary Master List
Music Vocabulary Master List

... the end all sing together from the beginning from the beginning to the coda symbol then directly to the closing passage from the beginning and continue to the fine marking from the sign ...
Chapter 1: The Basics Microtonal Notation
Chapter 1: The Basics Microtonal Notation

... For two concise summaries of past and present microtonal composers and their work, see: Bob Gilmore, ‘The Climate Since Harry Partch’, Contemporary Music Review, ‘Microtones and Microtonalities’ 2003, Vol. 22, Parts 1 and 2, pp. 15-34, and Daniel James Wolf, ‘Alternative Tunings, Alternative Tonalit ...
Nicholas Rescher University of Pittsburgh “Peirce`s Epistemic
Nicholas Rescher University of Pittsburgh “Peirce`s Epistemic

... REALITY AND ITS APPEARANCE ...
Signs in Thoracic Imaging
Signs in Thoracic Imaging

... • Normally central part of diaphragm is lost due to apposition of heart • Air interposed between the heart and diaphragm results in gas-tissue interface • Seen on chest radiographs • Characteristic of pneumomediastinum ...
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Representation (arts)



Representation is the use of signs that stand in for and take the place of something else. It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations.For many philosophers, both ancient and modern, man is regarded as the ""representational animal"" or homo symbolicum, the creature whose distinct character is the creation and the manipulation of signs – things that ""stand for"" or ""take the place of"" something else.Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says ""representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners"".The term 'representation' carries a range of meanings and interpretations. In literary theory, 'representation' is commonly defined in three ways. To look like or resembleTo stand in for something or someoneTo present a second time; to re-presentRepresentation began with early literary theory in the ideas of Plato and Aristotle, and has evolved into a significant component of language, Saussurian and communication studies.
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