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PARADOX: THEME AND SEMIOTIC VARIATIONS* Michael Shapiro
PARADOX: THEME AND SEMIOTIC VARIATIONS* Michael Shapiro

... 6.178,  180).  He  frankly  admitted  the  'difficulty  of  the  arithmetician  who  is  awkward  in  finding  an  appropriate  expression   of  that  which  Achilles  does  without  the  least  embarrassment'.  Apparently,  the  difficulties ...
No Slide Title
No Slide Title

... choice of object case in finite clauses prove significant in da-infinitive constructions ...
1 Models and Scientific Representations or: Who is Afraid of
1 Models and Scientific Representations or: Who is Afraid of

... picture  of  Ives  Klein’s  Blue  might  represent  the  strongly  monochromatic  painting  through   slight  variations  in  shade.    In  many  contexts  it  will  be  understood  by  the  users  of  the   representation  that  the  v ...
File
File

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GEMNOTES: A REALTIME MUSIC NOTATION SYSTEM FOR PURE
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... The Gemnotes system translates a text-based score language (figure 3) into rendered notation elements on a stave. One of the design goals of the Gemnotes system was to keep the text-based score language as simple as possible. There are a number of commlands that set the bar (and time signature if di ...
Conceptualism and Non-Conceptualism in Kant`s Theory
Conceptualism and Non-Conceptualism in Kant`s Theory

... world (refer to or describe objects and events) by means of mental states whose content, at least in part, is not determined by any conceptual (discursive) representation. Thus, it is argued that there may be a perfectly determined perception of an object even if the subject of perception does not h ...
Essential properties of language, or why language is not a
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Words to Life The semiotic quest of Bogdan Bogdanov (1940
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... Symbolic Notation Codes All musical notation is symbolic, but many sets of symbols have been developed to represent sound. They do not all represent the same features of sound. It seems unlikely that any of them represents all features of sound, because sound has an undetermined number of parameters ...
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Vocabulary Guide - Heath Vocal Music

... Timbre - tone quality Interval - the distance between two notes in regards to pitch 2nd - step; neighbor notes 3rd - skip; from line to line or space to space Unison - all voice parts singing the same pitches ...
HARMONIC CONSONANCE: A THEORETIC AND COGNITIVE
HARMONIC CONSONANCE: A THEORETIC AND COGNITIVE

... interaction between the harmonics of two notes. An other interpretation of the relationship between two spectral series can be found in Schaeffer (1977) and Terhardt (1982). This approach has also been used by Costère (1962) as an harmonic theory. The whole background of an investigation on musical ...
here
here

... However, the corpuscles did not have color, taste, smell, sound, or warmth. These other qualities were explained as the effects of the corpuscles on our sensory organs. For example, heat is just the motion of corpuscles, but this motion causes us to experience the sensation of warmth. ...
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... of ‘successor’, etc. And maybe it is just the same for concepts of cows, bachelors, assassins, and so on. One problem with the approach as a general solution is that any pattern of connections in the head can always license an interpretation of the states in terms of simply a numerical function. Thi ...
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...  Instrumental music can convey the objects and contents of emotions, if it is heard in the context of titles or programmes. ‘The pretension, however, to describe by musical means the “feeling” which the falling snow… excites in us is simply ludicrous.’ (Hanslick) ...
Semantic Ambiguity and Underspecification
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... of "situated inference" hypothesis (h la Barwise 1989), and hold that environmental conditions of some form will fix the content of the underspecified representations. That is, if the inference engine is sensitive to its external environment, the proper content for the underspecified representation ...
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... where m is the machine precision, which is defined as the largest number  for which 1 +  = 1 in a given representation (e.g., float or double). Note that the machine precision m is not the smallest floating-point number that can be represented. The former depends on the number of bits in the man ...
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... What is the difference between rhythm and beat? What are the values of quarter, eighth, sixteenth notes, dotted quarter note, half notes, and quarter rests? What are pitch and melody? What are the different ways we can use our voices? What is meter? What is the pentatonic scale? What are phrases in ...
WP1-Semiotics
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...  Plato and Aristotle both explored the relationship between signs and the world, and Augustine considered the nature of the sign within a conventional system. More recently, Umberto Eco, in his Semiotics and philosophy of language, has argued that semiotic theories are implicit in the work of most, ...
Ideas Clear
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...  Descartes spoke of clarity as a criterion of truth, and rendered the concept of clarity as something with which we are familiar.  This is the 1st grade of clarity  of course Descartes realized that our ideas must also be distinct (i.e., there's nothing unclear about them)  Leibniz improved on t ...
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Lecture 2: Re-thinking Representation: Meaning
Lecture 2: Re-thinking Representation: Meaning

... They emphasize that image schemas are preconceptual not conceptual They ground the different senses of polysemous items in image-schemas, so suggesting that linguistic meaning is at base pre-conceptual They avoid the term Representation They derive abstract meanings from embodied, experiential, pre- ...
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Representation (arts)



Representation is the use of signs that stand in for and take the place of something else. It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations.For many philosophers, both ancient and modern, man is regarded as the ""representational animal"" or homo symbolicum, the creature whose distinct character is the creation and the manipulation of signs – things that ""stand for"" or ""take the place of"" something else.Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says ""representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners"".The term 'representation' carries a range of meanings and interpretations. In literary theory, 'representation' is commonly defined in three ways. To look like or resembleTo stand in for something or someoneTo present a second time; to re-presentRepresentation began with early literary theory in the ideas of Plato and Aristotle, and has evolved into a significant component of language, Saussurian and communication studies.
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