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Infinitive Clause Syntax in the Gospels
Infinitive Clause Syntax in the Gospels

... view of the extensive inflectional system, or were there actually dominant and favorite syntactic patterns employed by native Greek speakers? Did speakers of Greek draw from the obviously finite number of orders for clausal units to correlate with the inflectional signals, or even more, to convey si ...
Toward an Aposynthesis of Topic Continuity and
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... 5 Rambow suggests that the order of entities in the position between Žnite and nonŽnite verbs in German (Mittelfeld) affects their salience. Gender in German is grammaticized, so Rambow constructs an example with two same-gender entities in Mittelfeld and uses an ambiguous pronoun in subsequent disc ...
The acquisition of a unification-based generalised categorial grammar
The acquisition of a unification-based generalised categorial grammar

... input from a corpus of spontaneous child-directed transcribed speech annotated with logical forms and sets the parameters based on this input. This framework is used as a basis to investigate several aspects of language acquisition. In this thesis I concentrate on the acquisition of subcategorisatio ...
Grammar: Part II - Parts of the Sentence
Grammar: Part II - Parts of the Sentence

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The Syntactic Flexibility of French Degree Adverbs
The Syntactic Flexibility of French Degree Adverbs

... Many degree words display the typical French adverb formation: they are derived from adjectives with the affix -ment, cf. (1a,c). Some of them are not so derived: beaucoup, peu, trop, plus, autant, très, etc., cf. (1b,d,e,f). However, the presence of the suffix -ment on an adjectival base is not nec ...
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prone - mthoyibi.files.wordpress
prone - mthoyibi.files.wordpress

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Minimalist Syntax Revisited
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Object Ellipsis as Topic Drop
Object Ellipsis as Topic Drop

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Rhythm`s role in the genitive construction choice in spoken
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... forming a lapse in rhythm. Our prediction, dictated by the Principle of Rhythmic Alternation, is that speakers will choose the more optimally rhythmic variant of the genitive—in (2), for example, the s-genitive. Our study differs from Anttila et al.’s (2010) in that their analysis of prosody in the ...
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Serbo-Croatian grammar

Serbo-Croatian is a South Slavic language that has, like most other Slavic languages, an extensive system of inflection. This article describes exclusively the grammar of the Shtokavian dialect, which is a part of the South Slavic dialect continuum and the basis for the Bosnian, Croatian, Montenegrin, and Serbian standard variants of Serbo-Croatian.Pronouns, nouns, adjectives, and some numerals decline (change the word ending to reflect case, i.e. grammatical category and function), whereas verbs conjugate for person and tense. As in all other Slavic languages, the basic word order is subject–verb–object (SVO); however, due to the use of declension to show sentence structure, word order is not as important as in languages that tend toward analyticity such as English or Chinese. Deviations from the standard SVO order are stylistically marked and may be employed to convey a particular emphasis, mood or overall tone, according to the intentions of the speaker or writer. Often, such deviations will sound literary, poetical, or archaic.Nouns have three grammatical genders, masculine, feminine and neuter, that correspond to a certain extent with the word ending, so that most nouns ending in -a are feminine, -o and -e neuter, and the rest mostly masculine with a small but important class of feminines. The grammatical gender of a noun affects the morphology of other parts of speech (adjectives, pronouns, and verbs) attached to it. Nouns are declined into seven cases: nominative, genitive, dative, accusative, vocative, locative, and instrumental.Verbs are divided into two broad classes according to their aspect, which can be either perfective (signifying a completed action) or imperfective (action is incomplete or repetitive). There are seven tenses, four of which (present, perfect, future I and II) are used in contemporary Serbo-Croatian, and the other three (aorist, imperfect and plusquamperfect) used much less frequently—the plusquamperfect is generally limited to written language and some more educated speakers, whereas the aorist and imperfect are considered stylistically marked and rather archaic. However, some non-standard dialects make considerable (and thus unmarked) use of those tenses.All Serbo-Croatian lexemes in this article are spelled in accented form in Latin alphabet, as well as in both accents (Ijekavian and Ekavian, with Ijekavian bracketed) where these differ (see Serbo-Croatian phonology.)
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