read more…
... the raga. He was said to be very careful with the prayoga-s he used in any alapana, eschewing as he did, those that did not feature in the composition to follow, however attractive. He included phrases from classical compositions to make the alapana more wholesome and interesting. His renditions of ...
... the raga. He was said to be very careful with the prayoga-s he used in any alapana, eschewing as he did, those that did not feature in the composition to follow, however attractive. He included phrases from classical compositions to make the alapana more wholesome and interesting. His renditions of ...
Chords and Ragas based on the Melodic minor scale
... choosing three alternate notes starting from each note position. The chord notes are listed below the chord names. ...
... choosing three alternate notes starting from each note position. The chord notes are listed below the chord names. ...
08_chapter - ii
... by eminent musicians including trinities. Dr. Durga briefly presents the use of the raga in other cultures. She also gives a minute analysis of the use of the phrases and notes while mohana scale is played or sung as follows: ""The music of East Asia and South Asia profusely use the pentatonic scale ...
... by eminent musicians including trinities. Dr. Durga briefly presents the use of the raga in other cultures. She also gives a minute analysis of the use of the phrases and notes while mohana scale is played or sung as follows: ""The music of East Asia and South Asia profusely use the pentatonic scale ...
Melody In Carnatic Music
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
classification of indian classical vocal styles from
... Both styles are grounded in the melodic and rhythmic framework of raga and tala. While the repertoire of commonly performed ragas is different in the two styles, they share the basic scale structure, the use of ragaspecific phrase motifs and ornamentation. In both styles due importance is accorded t ...
... Both styles are grounded in the melodic and rhythmic framework of raga and tala. While the repertoire of commonly performed ragas is different in the two styles, they share the basic scale structure, the use of ragaspecific phrase motifs and ornamentation. In both styles due importance is accorded t ...
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA
... tanpura. In this case, however, all the notes are produced together, and hence merge to create a different effect. The swaramandal (a group or assembly of notes) is a kind of a mini harp, which is used by some musicians to provide the reference. This is a multi-stringed hand-held instrument, where t ...
... tanpura. In this case, however, all the notes are produced together, and hence merge to create a different effect. The swaramandal (a group or assembly of notes) is a kind of a mini harp, which is used by some musicians to provide the reference. This is a multi-stringed hand-held instrument, where t ...
Archiving Hindustani music at the Samvaad Foundation Hindustani
... We have been having successful monthly guided listening sessions (with varying guides) in collaboration with institutes like the music faculty of University of Bombay, the SNDT university of Bombay, The Lalit Kala Kendra of Pune, the Madhya Pradesh Government and SPICMACAY, to name a few. Interestin ...
... We have been having successful monthly guided listening sessions (with varying guides) in collaboration with institutes like the music faculty of University of Bombay, the SNDT university of Bombay, The Lalit Kala Kendra of Pune, the Madhya Pradesh Government and SPICMACAY, to name a few. Interestin ...
World Music
... modal, something else? Do you think it is improvised or fixed? Is it written down? ...
... modal, something else? Do you think it is improvised or fixed? Is it written down? ...
Indian Music - The Matheson Trust
... longer exists in its own right, and music is a compromise between melodic freedom and harmonic necessity. To hear the music of India as Indians hear it one must recover the sense of a pure intonation and must forget all implied harmonies. It is just like the effort which we have to make when for the ...
... longer exists in its own right, and music is a compromise between melodic freedom and harmonic necessity. To hear the music of India as Indians hear it one must recover the sense of a pure intonation and must forget all implied harmonies. It is just like the effort which we have to make when for the ...
Sarod Glossary - WordPress.com
... Pakhawaj: also sometimes called `mridanga’ in Hindustani music. Double headed barrel shaped drum used for solo performance and accompaniment to dhrupad and been. Raga: one of the central concepts of Indian music. Melodic form consisting of particular scale notes, affording distinct possibilities for ...
... Pakhawaj: also sometimes called `mridanga’ in Hindustani music. Double headed barrel shaped drum used for solo performance and accompaniment to dhrupad and been. Raga: one of the central concepts of Indian music. Melodic form consisting of particular scale notes, affording distinct possibilities for ...
A Statistical Analysis of Raga Ahir Bhairav
... defining phrase or a characteristic pattern for a raga describing its movement. For example, {Pa Ma Ga Ma Ga} is a tell-tale sign of raga Bihag. 2 In Western music, a piece of music is in a certain key, i.e., it uses the notes of a particular major or minor scale. The harmonies and counterpoint 3 de ...
... defining phrase or a characteristic pattern for a raga describing its movement. For example, {Pa Ma Ga Ma Ga} is a tell-tale sign of raga Bihag. 2 In Western music, a piece of music is in a certain key, i.e., it uses the notes of a particular major or minor scale. The harmonies and counterpoint 3 de ...
The Voice In (And Of) Indian Classical Music: Carving Out a Tradition
... and emphases. Although ragas correlate with certain parent scales (also referred to as thaats or me/as) the concept of raga transcends simple scale structure. While many ragas may be classified under one scale, each individual raga is defined by its inherent movements and phrases rather than the not ...
... and emphases. Although ragas correlate with certain parent scales (also referred to as thaats or me/as) the concept of raga transcends simple scale structure. While many ragas may be classified under one scale, each individual raga is defined by its inherent movements and phrases rather than the not ...
Indian Classical Music
... • The tabla player plays a rhythm called a tala with a set number of beats. There are hundreds of talas, just like there are hundreds of ragas • The first beat of a tala is called the sam. All the performers in a group play together on each sam amd the whole piece always ends on a sam • Each tala is ...
... • The tabla player plays a rhythm called a tala with a set number of beats. There are hundreds of talas, just like there are hundreds of ragas • The first beat of a tala is called the sam. All the performers in a group play together on each sam amd the whole piece always ends on a sam • Each tala is ...
Raga and rasa - samuelmcclelland.com
... In Sanskrit ‘Raga’ literally means “colour” or “mood”; similar to rasa but involving specific musical rules or guide lines. This is kind of a grey area when it comes to differentiating between a few Sanskrit words that start with “ra”; like ranj, which means to colour with emotion. Raga, involves ma ...
... In Sanskrit ‘Raga’ literally means “colour” or “mood”; similar to rasa but involving specific musical rules or guide lines. This is kind of a grey area when it comes to differentiating between a few Sanskrit words that start with “ra”; like ranj, which means to colour with emotion. Raga, involves ma ...
Area of Study 4
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
Hindustani -Location: North Indian countries like Pakistan, Nepal
... in a singing style (known as gāyaki).[17] Like Hindustani music, Carnatic music rests on two main elements: rāga, the modes or melodic formulæ, and tāḷa, the rhythmic cycles. ...
... in a singing style (known as gāyaki).[17] Like Hindustani music, Carnatic music rests on two main elements: rāga, the modes or melodic formulæ, and tāḷa, the rhythmic cycles. ...
Music and Dance of North India
... Originally these pertained to dance and drama. Today there are no ragas representing anger, fear or disgust in music. Rasas are described using terms like devotion, peace, romance, tenderness, valor, playfulness, and compassion, which are represented in ragas. This music is considered to have the ab ...
... Originally these pertained to dance and drama. Today there are no ragas representing anger, fear or disgust in music. Rasas are described using terms like devotion, peace, romance, tenderness, valor, playfulness, and compassion, which are represented in ragas. This music is considered to have the ab ...
Presented - East
... Panchama, Dhaivata and Nishada. These are the seven kinds of the property that appertains to space. Sound inheres like the Supreme Being in all space though attached especially to drums and other instruments. Whatever sound is heard from drums small and large, and conchs, and clouds, and cars, and a ...
... Panchama, Dhaivata and Nishada. These are the seven kinds of the property that appertains to space. Sound inheres like the Supreme Being in all space though attached especially to drums and other instruments. Whatever sound is heard from drums small and large, and conchs, and clouds, and cars, and a ...
Music Of India
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
The Music-Culture as a World of Music
... hymns they were set to a special collection of tunes called the Samagana. • These in turn became the basis for secular musical compositions • The oldest treatise on the arts, the Natyasastra, links music as an adjunct to drama • The purpose of music (or artistic experience in general) is arouse the ...
... hymns they were set to a special collection of tunes called the Samagana. • These in turn became the basis for secular musical compositions • The oldest treatise on the arts, the Natyasastra, links music as an adjunct to drama • The purpose of music (or artistic experience in general) is arouse the ...
Indian Classical Music
... • 19th Cen. – Patronized instrumental virtuosity begins after predominantly vocal tradition (Druphad) Ex. Bin player Nyamat Khan 20th Cen. – Indian music goes global • Adaptation of the European violin, clarinet, and harmonium for classical music • Bollywood cinema music explodes enjoyed by the mass ...
... • 19th Cen. – Patronized instrumental virtuosity begins after predominantly vocal tradition (Druphad) Ex. Bin player Nyamat Khan 20th Cen. – Indian music goes global • Adaptation of the European violin, clarinet, and harmonium for classical music • Bollywood cinema music explodes enjoyed by the mass ...
Aspects of Raga in North Indian Classical Music
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...