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Nuevo Flamenco: Re-imagining Flamenco in Post
Nuevo Flamenco: Re-imagining Flamenco in Post

... Manuel de Falla and poet Federico García Lorca. They channelled all their arguments and the concern in restoring what they supposed was the ‘purest’ and most ‘authentic’ flamenco in the organisation of the Concurso Nacional de Cante Jondo (National Contest of Deep Song) that took place in Granada in ...
historical and analytical studies
historical and analytical studies

... Although neither thematic unit is present in its entirety, the material in voice 2 is a melodic sequence based on the opening motif of the subject, and voice 1 contains scalar passages reminiscent (although in contrary motion) of the countersubject. The final voice enters with the subject (in its o ...
Nota Bene-- J:\VEROLD\NB\DISS\TEST05.NB Job 1
Nota Bene-- J:\VEROLD\NB\DISS\TEST05.NB Job 1

... Ward, how unreliable a guide she will turn out to be. Indeed, the sharp differences in the way Ward and Poulton approach the works of Dowland formed my initial impression that I needed to sort out the problems of the sources. I am not disparaging the pioneering value of Poulton’s work (anyone famili ...
Bayou Boogie: the Americanization of Cajun music, 1928-1950
Bayou Boogie: the Americanization of Cajun music, 1928-1950

... aesthetically and relevant in a social interactional sense” (Narváez and Laba 1986: 2). In essence, many of Cajun music’s first recording artists occupied several positions along the folklore-popular culture continuum, as their records were thin transcriptions of folk performances. Folklore and pop ...
Bayou Boogie: The Americanization of Cajun Music, 1928
Bayou Boogie: The Americanization of Cajun Music, 1928

... aesthetically and relevant in a social interactional sense” (Narváez and Laba 1986: 2). In essence, many of Cajun music’s first recording artists occupied several positions along the folklore-popular culture continuum, as their records were thin transcriptions of folk performances. Folklore and pop ...
II C.     SHEET MUSIC
II C. SHEET MUSIC

... Before our modern area of recordings, radio, and television, entertainment was often “home grown.” Every middle-class family owned at least a piano, and usually all of the children received music instruction. For small dances and parties semiprofessional musicians could be hired to entertain. Often ...
Blues 1 Blues is the name given to both a musical form and a music
Blues 1 Blues is the name given to both a musical form and a music

... The basic 12-bar lyric framework of a blues composition is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature. The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers r ...
Elvis Presley: A Revolutionist
Elvis Presley: A Revolutionist

... listen to African American music. His popularity increased the opportunities for African Americans both inside and out of the industry which had a positive effect on racial relations, particularly in the South. Little Richard, who was a popular African American artist of the time, spoke very highly ...
Brazil is Samba - WesScholar
Brazil is Samba - WesScholar

... establish the concept that it was a society based upon racial equality by distinguishing itself from the racial discord that was present in the United States in the 1940s. This attempt to distinguish Brazil from the United States was reflected in the massive increase of Afro-Brazilian percussion in ...
Thesis (Wren_2015_02Thesis)
Thesis (Wren_2015_02Thesis)

... reveals the way that power inequalities have historically characterised many of the exchanges between the West and its Others. In the course of analysing the products of interculture, the discussion also examines the inherent problem of hybridity’s reception, given the different cultural frames of r ...
B. The Traditional Music of Karawitan
B. The Traditional Music of Karawitan

... characters, concepts and ways of expression which is synonymous with karawitan music expressed by using gamelan medium. During its development, as stated by Supanggah2, the term karawitan is now used to refer to a variety of various musical types that have the nature, character, concept, way of work ...
read more - Iso - Polifonia Shqiptare
read more - Iso - Polifonia Shqiptare

... Berat, Leskovik, etc. Other towns which have saze ensembles, although lying outside this cultural zone also participate in this event, as is the case with the Lela family of Tirana, etc. This festival has been held regularly in the town of Korçë since 1994, in cooperation with the local municipality ...
Using hip-hop as an empowerment tool for young adults
Using hip-hop as an empowerment tool for young adults

... Researchers gave each group two vignettes, the first of which detailed the story of a man who discovered that his girlfriend had kissed another man and responded violently to her and then to the other man as well. The researchers assessed participant responses to this vignette and found that “subjec ...
popular music and cultural identity in the cape verdean post
popular music and cultural identity in the cape verdean post

... and interpreting their recent popular musical developments. The primary shifts in contemporary Cape Verdean popular music addressed here index several broader recent transformations in Cape Verdean identity and culture globally. First is the increasing insertion of Cape Verdeans, their music, and th ...
University of Huddersfield Repository
University of Huddersfield Repository

... This thesis will consider the impact of the 1996 recording project, Buena Vista Social Club on the construction of Cuban musical identity. I will present a wide spectrum of perspectives on Cuban music, using a large variety of source material in order to produce a balanced and informative document o ...
54 - Alkan Society
54 - Alkan Society

... anniversary comes up, his Alkan recording would certainly be one to reissue, though his discography was very extensive and it would be optimistic indeed to expect a complete series. Jan Hoare of the Liszt Society tells me that Ronald Smith has recently recorded an all- Liszt CD for APR, who reissue ...
Gyo¨ rgy Ligeti and the Aka Pygmies Project
Gyo¨ rgy Ligeti and the Aka Pygmies Project

... innovation had engendered musical styles that were irreducibly hybrid and pluralistic became standard. In György Ligeti’s lexicon, for example, the very idea of technical ISSN 0749-4467 (print)/ISSN 1477-2256 (online) ª 2006 Taylor & Francis DOI: 10.1080/07494460600726511 ...
L`Union Fait la Force: Acadian Music as a Cultural Symbol and
L`Union Fait la Force: Acadian Music as a Cultural Symbol and

... unsatisfactory citizens” (Griffiths 37). This identity, which allowed the Acadians to view themselves as a unique people as early as 1748, is something which has manifested itself in their music. This can be seen in a number of compositions, from the patriotic songs written in the late nineteenth ce ...
"Funk is its own reward" : an analysis of selected lyrics in popular
"Funk is its own reward" : an analysis of selected lyrics in popular

... portion of their history will be sorely missed. Musicologist Guthrie P. Ramsey, Jr. exposes the parameters now seen in African-American music in academia, "Music scholars now argue quite profitably that [Afi-ican-American] music is a dynamic social text, a meaningful cultural practice, a cultural tr ...
"You Got To Do The Thing With Soul": Sam Cooke and Soul Music in
"You Got To Do The Thing With Soul": Sam Cooke and Soul Music in

... intensity throughout the song, similar to ‘Wonderful,’ culminating in two open gritty words, ‘I’ and ‘woah’ of the last chorus (just like ‘my’ in the end of “Wonderful”). “Wonderful,” like so many gospel songs, reads as a religious text in musical context. “Wonderful” is a gospel hymn that Sam Cook ...
"You Got To Do The Thing With Soul": Sam Cooke and Soul Music in
"You Got To Do The Thing With Soul": Sam Cooke and Soul Music in

... intensity throughout the song, similar to ‘Wonderful,’ culminating in two open gritty words, ‘I’ and ‘woah’ of the last chorus (just like ‘my’ in the end of “Wonderful”). “Wonderful,” like so many gospel songs, reads as a religious text in musical context. “Wonderful” is a gospel hymn that Sam Cook ...
Sungura Music`s Development in Zimbabwe
Sungura Music`s Development in Zimbabwe

... music performance. Some prominent musicians accuse upcoming artistes of illegally copying their music, although the popular musicians themselves developed it by modeling on foreign popular musicians’ songs, which were on the local market and shows in Zimbabwe. By tracing the development of sungura f ...
Chord Progressions
Chord Progressions

... prominence of call-and-response patterns in the music and lyrics are indicative of the blues' West African pedigree. The blues has been a major influence on later American and Western popular music, finding expression in ragtime, jazz, bluegrass, rhythm and blues, rock and roll, hip-hop, and country ...
Representations of the Outsider in David Bowie`s Glam Period and
Representations of the Outsider in David Bowie`s Glam Period and

... music,   lyrics,   and   music   videos.   Within   the   meta-­‐genre   of   punk,   I   explore   the   genres   of   glam,   punk,   goth,   and   emo.   The   representation   of   the   Outsider   in   these   genres   destabilizes,  res ...
Clara Schumann - The Kapralova Society
Clara Schumann - The Kapralova Society

... sharing musical ideas, and sometimes quoted one another in their works.22 Several years later, in one of his letters to Clara, Robert wrote: "You complete me as a composer, as I do you. Every thought of yours comes from my soul, just as I have to thank you for all my music." 23 The most ambitious co ...
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Popular music

The term popular music belongs to any of a number of musical genres ""having wide appeal"" and typically distributed to large audiences through the music industry. It stands in contrast to both art music and traditional music, which are typically disseminated academically or orally to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as ""pop music"", the two terms are not interchangeable. Popular music is a generic term for music of all ages that appeals to popular tastes, whereas pop music usually refers to a specific musical genre.
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