Download press release chichester festival theatre announces festival 2016

PRESS RELEASE
CHICHESTER FESTIVAL THEATRE ANNOUNCES FESTIVAL 2016 SEASON
Jonathan Church and Alan Finch announce the Chichester Festival Theatre 2016 season –
the last under their leadership as Artistic Director and Executive Director.

Chichester’s Festival 2016 includes two musicals, two new plays and four epic
dramas

Hugh Bonneville returns to the stage in Ibsen’s AN ENEMY OF THE PEOPLE,
directed by Howard Davies

Joseph Fiennes plays Lawrence of Arabia in ROSS by Terence Rattigan,
directed by Adrian Noble

Two British musicals:
 Rachel Kavanaugh directs a new stage version of HALF A SIXPENCE with
book by Julian Fellowes and new music and lyrics by George Stiles and
Anthony Drewe, alongside original songs by David Heneker
 Patricia Hodge and Steven Pacey lead the cast in the world premiere of
TRAVELS WITH MY AUNT, based on Graham Greene’s novel, book by Ron
Cowen and Daniel Lipman, music by George Stiles and lyrics by Anthony
Drewe, directed by Christopher Luscombe

Two new plays premiere in the Minerva Theatre:
 FRACKED! Or: Please Don’t Use the F-Word by Alistair Beaton, featuring
James Bolam and Anne Reid
 FIRST LIGHT by Mark Hayhurst

Bertie Carvel makes his directorial debut with a revival of John Galsworthy’s
STRIFE

The highly acclaimed National Theatre production of THIS HOUSE by James
Graham is again directed by Jeremy Herrin

The Royal Shakespeare Company’s ‘theatrical tour-de-force’ pairing of LOVE’S
LABOUR’S LOST and MUCH ADO ABOUT NOTHING celebrates Shakespeare’s
400th anniversary

Chichester Festival Youth Theatre presents PETER PAN in the Festival Theatre
for Christmas, directed by Dale Rooks
Festival 2016 marks Artistic Director Jonathan Church and Executive Director Alan Finch’s
final season at Chichester Festival Theatre. Since assuming leadership in 2005, they have
produced over 100 productions including 24 new plays, winning over 40 awards and more
than doubling audience numbers.
Two highlights of Festival 2015 will be seen in London this year: Jonathan Kent’s staging of
Young Chekhov transfers to the National Theatre from July, and Michael Morpurgo’s
Running Wild receives its London premiere at Regent’s Park Open Air Theatre in May.
Guys and Dolls, originally produced in Festival 2014, will extend its West End life by
transferring from the Savoy to the Phoenix Theatre in March and will simultaneously tour the
UK. Jonathan Church’s hit 2011 production of Singin’ in the Rain tours South Africa and
Australia. The Olivier Award-winning Goodnight Mister Tom completes another London
season this week and tours the UK again until May 2016 with the Children’s Touring
Partnership. David Hare’s The Judas Kiss, with Rupert Everett as Oscar Wilde, is copresented by CFT in Toronto and New York.
The Festival 2016 season sees the Chichester Festival debuts of directors Bertie Carvel,
Christopher Luscombe, Jonathan Munby and Adrian Noble, while welcoming back
Howard Davies, Jeremy Herrin, Rachel Kavanaugh and Richard Wilson. The acting
company is led by Edward Bennett, James Bolam, Hugh Bonneville, Julian Glover,
Patricia Hodge, Steven Pacey and Anne Reid.
Artistic Director Jonathan Church says: ‘If our final season has one theme it is the always
urgent question of power: who has it, and who wants it. Whether the social dramas of Ibsen
and Galsworthy or the dark comedy of Alistair Beaton’s new play FRACKED!, the pernicious
effects of war in Mark Hayhurst’s new drama First Light and Rattigan’s classic Ross or the
political upheavals of This House, these plays explore a century of power shifts and
struggles. The lighter side of the search for fulfilment is explored in our two joyous musicals,
Travels with My Aunt and Half A Sixpence.
‘Over the past 10 years we have welcomed directors and actors of the finest calibre, many
making their Chichester debuts, and this season is no exception. It’s fitting to end the year
once again with a new production from our brilliant Youth Theatre and the promise of a
future generation.’
Executive Director Alan Finch adds: ‘Festival 2015 saw us break new records with over £6
million in box office sales. Our commitment to developing new audiences continues with
Festival 2016. Once again, over 10,000 tickets will be available at £10 in the Festival
Theatre and our £8.50 ticket scheme for 16 to 25 year olds is re-launched with a new name,
Prologue.’
FESTIVAL 2016 PRODUCTIONS – APRIL TO OCTOBER 2016
TRAVELS WITH MY AUNT
A new musical based on the novel by Graham Greene
Book by Ron Cowen and Daniel Lipman
Music by George Stiles Lyrics by Anthony Drewe
Directed by Christopher Luscombe
18 April – 4 June, Minerva Theatre
Press night: Tuesday 26 April
Retired bank manager Henry Pulling is happy alone with his dahlias until he meets his
decidedly bohemian Aunt Augusta who, having rattled the family skeletons, persuades the
reluctant Henry to flee to Europe. He finds himself in a luxurious whirl through Paris and
Istanbul and on to South America; but alongside the romance and first-class thrills, there’s a
lot Henry doesn’t know about his aunt – particularly why she has so many grateful men
dotted around the globe.
Based on Graham Greene’s celebrated novel, this new musical has a book by Emmy
Award-winning writers Ron Cowen and Daniel Lipman and a score by the Olivier Awardwinning team of George Stiles and Anthony Drewe (Mary Poppins, Honk! and, later in
Festival 2016, Half A Sixpence), all of whom previously collaborated on the musical Betty
Blue Eyes.
Patricia Hodge plays Aunt Augusta. Her long association with Chichester encompasses
The Mitford Girls, As You Like It and Calendar Girls; her recent television credits include
several series of Miranda.
Steven Pacey plays Henry; his previous Chichester appearances include Kent in King Lear;
and in the West End, By Jeeves, The Admirable Crichton and Phantom of the Opera.
The cast also includes Stephanie Bron, Jack Chissick, Michael Duke, Nicholas Duncan,
Sarah Earnshaw, Rachel Grundy, Hugh Maynard, Abiola Ogunbiyi, Jonathan Dryden Taylor,
Sebastien Torkia and Jack Wilcox.
Director Christopher Luscombe’s RSC productions of Love’s Labour’s Lost and Much Ado
About Nothing will be seen later in Festival 2016. His many credits include Dandy Dick with
Patricia Hodge, Spamalot and The Rocky Horror Show; his production of Nell Gwynn for
Shakespeare’s Globe has just transferred to the West End.
TRAVELS WITH MY AUNT is designed by Colin Falconer with choreography by Ewan
Jones, orchestrations by Nicholas Skilbeck, musical direction by Mark Aspinall, lighting by
Tim Mitchell and sound by Paul Groothuis.
AN ENEMY OF THE PEOPLE by Henrik Ibsen
In a version by Christopher Hampton
Directed by Howard Davies
22 April – 21 May, Festival Theatre
Press night: Wednesday 4 May
Dr Stockmann has made a shocking scientific discovery about the standards of sanitation at
the popular local baths, which he insists must close immediately to rid them of pollution. But
what about the impact on tourism and commerce, and the town’s reputation? His brother, the
Mayor, has one drastic response. The local tradespeople and property owners have another.
Does the liberal press dare to print the facts Dr Stockmann has uncovered and let the public
make up their own minds?
Ibsen’s play is a searing examination of the intricate workings of power and influence, and
an investigation into who holds real authority in society.
Hugh Bonneville returns to the stage to play Dr Stockmann. Known to a worldwide TV and
film audience for the multi-award-winning Downton Abbey, Twenty Twelve, W1A and
Paddington, he last appeared at Chichester in The Handyman (1996). His earlier roles for
the National Theatre included the title role in Shaw’s The Devil’s Disciple and, for the RSC,
Laertes to Kenneth Branagh’s Hamlet.
Howard Davies directed the lauded production of For Services Rendered for Festival 2015;
he has received numerous Olivier, Evening Standard and Critics’ Circle Awards for his many
productions for the RSC, the National Theatre, in the West End and on Broadway.
AN ENEMY OF THE PEOPLE will be designed by Tim Hatley, with lighting by Mark
Henderson, music by Dominic Muldowney and sound by Mike Walker.
ROSS by Terence Rattigan
Directed by Adrian Noble
3 – 25 June, Festival Theatre
Press night: Thursday 9 June
Arrogant, flippant, withdrawn and with a talent for self-concealment, Aircraftman Ross seems
an odd recruit for the Royal Air Force. Behind the false name is an enigma, a man who
started as a civilian in the Map Office in 1914. Despite never receiving an official
commission, he went on to mastermind some of the most audacious military victories in the
history of the British Army, including the 1916 Arab Revolt against the Turks. These victories
earned him an enduring and romantic nom de guerre: Lawrence of Arabia.
Terence Rattigan’s 1960 play is an epic and probing drama which reveals the deeply
conflicted Englishman behind the heroic legend.
Joseph Fiennes returns to Chichester to play T.E. Lawrence, following his appearance as
Cyrano de Bergerac in 2009. His many films include Shakespeare in Love, Elizabeth, Enemy
at the Gates and Luther; his theatre work also includes Love’s Labour’s Lost (National
Theatre), and Troilus and Cressida, The Herbal Bed and As You Like It (RSC).
Brought up in Chichester, Adrian Noble makes his Festival debut. He was Artistic Director
of the RSC 1990-2003; recent productions include The Importance of Being Earnest and
Chitty Chitty Bang Bang in the West End, and co-directing Kate Bush’s recent concert series
Before the Dawn.
ROSS is designed by William Dudley, with lighting by Paul Pyant, music by Mia Soteriou and
sound by Paul Groothuis.
FIRST LIGHT
A new play by Mark Hayhurst
Directed by Jonathan Munby
10 June – 2 July, Minerva Theatre
Press night: Thursday 16 June
July 1916. Albert Ingham and Alfred Longshaw, two sharp and funny young soldiers from a
battalion of the Manchester Pals, are about to take part in one of the most savage assaults
in the history of human warfare, the Battle of the Somme. Overwhelmed by the sheer horror
of what they have already experienced, neither of them dare stare extinction in the face
again. So, when they are ordered to return to the blood-soaked front line, they take their
fragile destiny in their own hands. But becoming a deserter takes more courage than they
ever knew they had.
Mark Hayhurst’s new play exposes the impact of the First World War on soldiers and their
families, and follows his acclaimed Chichester debut with Taken at Midnight which
transferred to the West End last year.
Jonathan Munby makes his Festival debut at Chichester, having recently directed The
Merchant of Venice (Shakespeare’s Globe) and Wendy and Peter Pan (RSC).
FIRST LIGHT is designed by Paul Wills, with lighting by Tim Mitchell, music by Alex
Baranowski, sound by Fergus O’Hare and movement by Danny McGrath.
FRACKED!
Or: Please don’t use the F-Word
A new play by Alistair Beaton
Directed by Richard Wilson
8 July – 6 August, Minerva Theatre
Press night: Friday 15 July
Deerland Energy’s plans to drill for shale gas in the pretty village of Fenstock are going well,
supported by distinguished scientists working in university departments funded by the
energy companies. At local level, the chair of the Planning Committee seems open to
lucrative offers. The only slight snag is a ragged band of protestors, reluctantly led by retired
academic Elizabeth Blackwood. Surely she’s just another ‘mad old biddy’, as she’s
characterised by Deerland’s ruthless PR guru?
This new black comedy by political satirist Alistair Beaton takes a timely look at the
conflicted core of planetary energy and earthly power. His television work includes the
BAFTA-nominated The Trial of Tony Blair; his plays include Feelgood in the West End and
the revised version of The Resistible Rise of Arturo Ui for Chichester in 2012.
James Bolam’s previous Chichester appearances include Semi-Detached and How to
Succeed in Business; his innumerable screen credits include, most recently, New Tricks.
Anne Reid, who plays Elizabeth, has a distinguished career in theatre, television and film,
including Last Tango in Halifax, Marchlands, The Mother and Song for Marion; her most
recent stage appearance was in Hedda Gabler at the Old Vic.
Richard Wilson is a former Associate Director of the Royal Court and currently an
Associate Director at Sheffield Theatres, where he is directing Richard Bean’s new play The
Nap. He is also well-known as an actor for the TV series Merlin and One Foot in the Grave.
The production will be designed by James Cotterill, with lighting by Johanna Town and
sound by Ian Dickinson.
HALF A SIXPENCE
Based on the H.G.Wells novel Kipps: The Story of a Simple Soul and the original musical by
Beverley Cross and David Heneker
Book by Julian Fellowes New music and lyrics by George Stiles and Anthony Drewe
Original songs by David Heneker
Co-Created by Cameron Mackintosh
Directed by Rachel Kavanaugh
14 July – 3 September, Festival Theatre
Press night: Tuesday 26 July
This new stage version of HALF A SIXPENCE, the musical adaptation of H.G. Wells’s novel
Kipps: The Story of a Simple Soul, is a completely fresh adaptation which reunites bookwriter Julian Fellowes (Oscar-winning screenwriter and creator of Downton Abbey) with
George Stiles and Anthony Drewe, the musical team that co-creator Cameron
Mackintosh first put together to create the hit stage adaptation of Mary Poppins with Disney.
The score is inspired by and features several of composer David Heneker’s exhilarating
songs from the original production, including Flash Bang Wallop, Money To Burn and Half A
Sixpence.
Arthur Kipps, an orphan and over-worked draper’s assistant at the turn of the last century,
unexpectedly inherits a fortune that propels him into high society. His childhood companion,
Ann Pornick, watches with dismay as Arthur is made over in a new image by the beautiful
and classy Helen Walsingham. Both young women undoubtedly love Arthur – but which of
them should he listen to? With the help of his friends, Arthur learns that if you want to have
the chance of living the right life, you need to make the right choices.
This will be director Rachel Kavanaugh’s sixth Chichester Festival production; her previous
work here includes Love Story and The Music Man, while for Regent’s Park Open Air
Theatre she has directed Seven Brides for Seven Brothers and The Sound of Music.
Andrew Wright’s award-winning choreography includes Guys and Dolls, Singin’ in the Rain
and Barnum for Chichester, and Mrs Henderson Presents in the West End.
HALF A SIXPENCE will be designed by Paul Brown, with choreography by Andrew Wright
and orchestrations by William David Brohn. The musical supervisor will be Stephen Brooker,
the co-musical supervisor and musical director will be Graham Hurman; with lighting by
Paule Constable and sound by Mick Potter.
STRIFE by John Galsworthy
Directed by Bertie Carvel
12 August – 10 September, Minerva Theatre
Press night: Thursday 18 August
1909, South Wales. The men of Trenartha Tinplate Works are on strike and the community
is close to breaking point. Fearing their plummeting share price, most of the company’s
board of directors are keen to reach a compromise but the Chairman, the elderly John
Anthony, is resolute. The men are behind their firebrand leader, Roberts, but the union has
withdrawn its support; how long before the men do too?
More than a hundred years after it was first performed, Galsworthy’s rarely staged play –
voted one of the National Theatre’s 100 most influential plays of the 20th century – offers a
strikingly balanced account of the political spectrum.
Julian Glover makes his Festival debut as John Anthony; recent work in his long career on
stage and screen includes HBO’s Game of Thrones, John of Gaunt in Richard II for the RSC
and The Scottsboro Boys at the Young Vic and in the West End.
Bertie Carvel makes his directorial debut at Chichester. As an actor, his recent roles include
The Hairy Ape (Old Vic), Bakkhai (Almeida), Jonathan Strange & Mr Norrell and Doctor
Foster (both BBC), and Matilda The Musical (RSC, West End and Broadway).
STRIFE will be designed by Robert Jones, with lighting by Rick Fisher.
THIS HOUSE by James Graham
Directed by Jeremy Herrin
The National Theatre production in association with Chichester Festival Theatre and
Headlong
23 September – 29 October, Minerva Theatre
Press night: Thursday 29 September
1974. The UK faces economic crisis and a hung parliament. It’s a period when votes in the
House of Commons are won or lost by one, when there are fist fights in the bars and when
sick MPs are carried through the lobby to register their vote. Set in the engine rooms of
Westminster, THIS HOUSE strips politics down to the practical realities of those behind the
scenes: the whips who roll up their sleeves and on occasion bend the rules to shepherd and
coerce a diverse chorus of MPs within the Mother of all Parliaments.
James Graham’s work includes The Vote at the Donmar Warehouse, broadcast live on
election night, and Coalition for Channel 4. THIS HOUSE had two sell-out runs at the
National, where it opened at the Cottesloe Theatre in 2012 before transferring to the Olivier,
and was broadcast internationally by NT Live.
Jeremy Herrin is Artistic Director of Headlong. He has previously directed Uncle Vanya,
Another Country and South Downs at Chichester; his stage work also includes Wolf Hall and
Bring Up The Bodies for the RSC in London and New York.
THIS HOUSE reunites the original NT creative team, with design by Rae Smith, lighting
design by Paule Constable, choreography by Scott Ambler, music by Stephen Warbeck and
sound design by Ian Dickinson.
LOVE’S LABOUR’S LOST and MUCH ADO ABOUT NOTHING or Love’s Labour’s Won
By William Shakespeare
The Royal Shakespeare Company productions in association with Chichester Festival
Theatre
Directed by Christopher Luscombe
24 September – 29 October, Festival Theatre
Press performances: Thursday 6 October at 2.00pm & 7.00pm
Shakespeare’s great romantic comedies LOVE’S LABOUR’S LOST and MUCH ADO
ABOUT NOTHING were first paired in an innovative doubling to great acclaim in Stratfordupon-Avon in 2014 and are now presented at Chichester in collaboration with the RSC. At
the end of Love’s Labour’s Lost two sparring lovers, Berowne and Rosalind, are separated;
at the start of Much Ado About Nothing (or Love’s Labour’s Won), two sparring lovers,
Benedick and Beatrice, meet again after a long absence. The productions are set either side
of the First World War: Love’s Labour’s Lost conjures up the carefree elegance of a pre-war
Edwardian summer, while in post-war Much Ado About Nothing, the world has changed
forever with the roaring ‘20s just around the corner.
Love’s Labour’s Lost
Summer 1914. In order to dedicate themselves to a life of study, the King and his friends
take an oath to avoid the company of women for three years. No sooner have they made
their idealistic pledge than the Princess of France and her ladies-in-waiting arrive, presenting
the men with a severe test of their high-minded resolve.
Shakespeare’s sparkling comedy mischievously suggests that the study of the opposite sex
is the highest of all academic endeavours. Only at the end of the play is the merriment
curtailed as the lovers agree to submit to a period apart, unaware that the world around them
is about to be utterly transformed by the war to end all wars.
Much Ado About Nothing or Love’s Labour’s Won
Winter 1918. A group of soldiers returns from the trenches. The world-weary Benedick and
his friend Claudio find themselves reacquainted with Beatrice and Hero. As memories of
conflict give way to a life of parties and masked balls, Claudio and Hero fall in love, while
Benedick and Beatrice reignite their own altogether more combative courtship.
Shakespeare’s comic romance (possibly known in his lifetime as Love’s Labour’s Won) plays
out amidst the brittle high spirits of a post-war house party, as youthful passions run riot,
lovers are deceived and happiness is threatened – before peace ultimately wins out.
A 22-strong ensemble company performs in both plays. Edward Bennett plays Berowne
and Benedick; his stage work includes The Rehearsal at Chichester, Photograph 51
(Michael Grandage Company, West End), and Hamlet and A Midsummer Night’s Dream for
the RSC.
The productions are designed by Simon Higlett with lighting by Oliver Fenwick, music by
Nigel Hess, sound by Jeremy Dunn and choreography by Jenny Arnold.
Chichester Festival Youth Theatre presents
PETER PAN by J.M. Barrie
Directed by Dale Rooks
17 – 31 December, Festival Theatre
Press night: Tuesday 20 December
One thrilling evening, Peter Pan – the maverick boy who refuses to grow up – teaches
Wendy, John and Michael Darling how to fly and whisks them off to Never Land. There they
encounter a company of lost boys, mysterious mermaids, a gang of swashbuckling pirates
and their leader, the villainous Captain Hook.
With Chichester Festival Youth Theatre, director Dale Rooks has been presenting
captivating productions for over a decade, including the Christmas show in the Festival
Theatre. In 2015, CFYT received the UK Theatre Award for Best Show for Children and
Young People for Running Wild.
On Friday 30 December at 2pm, there will be a Relaxed Performance of PETER PAN,
especially suitable for groups and families with children on the autistic spectrum, sensory
and communication disorders or anyone who would benefit from a more relaxed theatre
environment.
Set design for PETER PAN will be by Simon Higlett with costumes by Ryan Dawson Laight,
lighting by James Whiteside and sound by Gregory Clarke.
FESTIVAL 2016 EVENTS
Talks, tours, performances and hands-on activities for all ages will provide extra insight to
Festival 2016. Highlights include a celebration of Shakespeare 400; a debate about fracking
and the future of our energy supplies with Alistair Beaton; an evening of songs and stories
with Anne Reid; a new play about Shakespeare’s leading actor Richard Burbage with Henry
Goodman; and a Q&A with outgoing Artistic Director and Executive Director Jonathan
Church and Alan Finch.
Events for 16 to 25 year olds include a conversation with Hugh Bonneville and an insight
into careers in theatre with Creative Choices. CFT’s Learning, Education and Participation
(LEAP) team again lead the Living Well with Dementia Festival; workshops for families
include Happy Tapping Feet, Sing A Song for Sixpence for 3 to 5 year olds, and
Shakespeare Fun for Families.
Ends
18 February 2016
BOOKING INFORMATION
Box Office 01243 781312
Online cft.org.uk
Prologue: £8.50 tickets for 16 – 25s
An allocation of £8.50 tickets is available for 16 to 25 year-olds for all productions throughout
Festival 2016. These are released one month before each production opens; sign up free at
cft.org.uk/prologue. Members also have access to a range of exclusive events.
Twitter @ChichesterFT #Festival2016
Facebook chichesterfestivaltheatre
Instagram ChichesterFT
YouTube ChichesterTheatre
Festival 2016 sponsors
Travels with My Aunt is sponsored by Genesis
An Enemy of the People is sponsored by Conquest Bespoke Furniture, Harwoods Group
and Jackson-Stops & Staff
Ross is sponsored by ITD Consultants, Oldham Seals Group and Wiley
First Light is sponsored by Hentys Corporate
FRACKED! is sponsored by Zero C
Half A Sixpence is sponsored by Covers Timber & Builders Merchant, Henry Adams,
Reynolds Fine Furniture and Seaward Properties
Strife is sponsored by Lancing College
This House is sponsored by Bishops Printers
Love’s Labour’s Lost and Much Ado About Nothing are sponsored by De’Longhi, Lancing
College and University of Chichester.
Festival 2016 press nights
Travels with My Aunt, Minerva Theatre
An Enemy of the People, Festival Theatre
Ross, Festival Theatre
First Light, Minerva Theatre
FRACKED!, Minerva Theatre
Half A Sixpence, Festival Theatre
Strife, Minerva Theatre
This House, Minerva Theatre
Love’s Labour’s Lost, Festival Theatre
Much Ado About Nothing, Festival Theatre
Peter Pan (CFYT), Festival Theatre
Tuesday 26 April, 7.00pm
Wednesday 4 May, 7.00pm
Thursday 9 June, 7.00pm
Thursday 16 June, 7.00pm
Friday 15 July, 7.00pm
Tuesday 26 July, 7.00pm
Thursday 18 August, 7.00pm
Thursday 29 September, 7.00pm
Thursday 6 October, 2.00pm
Thursday 6 October, 7.00pm
Tuesday 20 December, 7.00pm
For further information and images please contact Lucinda Morrison, Head of Press on
01243 812917 or [email protected]