Download Chu Chin Chow - Finborough Theatre

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Citric Acid Productions in association with Neil McPherson for the Finborough Theatre presents as part of
Celebrating British Music Theatre series
CHU CHIN CHOW
Music by Frederic Norton. Book and Lyrics by Oscar Asche.
Directed by Alex Sutton. Musical Direction by Leigh Thompson.
Cast: Adèle Anderson. Camilla Bard. Will Barratt. Esther Biddle. Sarah Jo Carter. Alan Cox. Alex Dower. Edward Handol.
Victoria Kruger. Hannah Richmond. David John Watton.
The multi-award-winning Finborough Theatre continues its Celebrating British Music Theatre series with a semi-staged
score-in-hand production of one of the West End’s most successful musical hits of all time – the spectacular 1916 operetta
Chu Chin Chow, playing for five Sunday and Monday performances from 14 July 2008, with new orchestrations, rescored for
piano, trumpet, saxophone, clarinet, flute, violin and cello. Opening at the height of the First World War in August 1916, Chu
Chin Chow swiftly became a favourite of soldiers on leave, running for almost five years and a total of 2235 performances – a
West End record which it held until Salad Days forty years later.
Based on the tale of Ali Baba and the Forty Thieves, Chu Chin Chow is set in the magnificent Eastern palace of the wealthy
merchant Kasim Baba who is preparing to give a lavish banquet for a wealthy Chinese merchant, Chu Chin Chow, who is on
his way from China. However, bandit leader Abu Hasan arrives at Kasim's palace in disguise as Chu Chin Chow, who his gang
has recently robbed and murdered, as part of a dastardly plot to steal Kasim Baba’s riches. Meanwhile Kasim Baba’s brother,
Ali Baba, discovers the secret of Abu Hasan’s secret cave of treasure and its password "Open Sesame"…
Chu Chin Chow brings together Egyptian, Javanese, Arabic and Chinese costumes, perilous quests, murder and treachery,
forbidden lovers, high slapstick comedy, and some of the best known songs of the period including Any Time’s Kissing Time,
The Cobbler’s Song, We Are The Robbers of the Wood and I Built a Fairy Palace in the Sky.
Composer Frederic Norton (1869-1946). Originally trained as a singer and actor, his first stage show was The Water
Maidens. in 1911, he provided additional music for Offenbach's Orpheus in the Underworld at His Majesty's Theatre which
then landed him the job of composing Chu Chin Chow, his most successful score.
Librettist Oscar Asche (1871-1936) was born in Australia. He became Actor-Manager of His Majesty's Theatre in 1907 where
he directed his own versions of Shakespeare, before producing, directing, writing and starring in Chu Chin Chow.
Adèle Anderson is best known as a member of the acclaimed cabaret group Fascinating Aida and co-writes much of their
material with founder member Dillie Keane. Fascinating Aida have played in more than 100 theatres in the UK and Eire, with
London seasons at the Donmar Warehouse, Lyric Hammersmith, Piccadilly, Vaudeville, Garrick, Apollo and Comedy theatres
and the Theatre Royal, Haymarket. They have toured Australia three times, including a month at the Sydney Opera House,
and also played New Zealand, San Francisco, New York, Berlin, Watamu (Kenya) and Singapore. They have made numerous
television appearances and radio recordings, released seven CDs, two videos, an autobiography and a songbook. They have
been nominated for the Perrier Award, the Olivier Award (three times) and the New York Drama Desk Award. Her other
theatre includes The Phantom Of The Opera (National Tour), Salad Days (National Tour) and Die Fledermaus (European
Chamber Opera).
Alan Cox’s credits include Passion Play (Goodman Theatre New York), Trance (Bush Theatre), Translations (Manhattan
Theatre Club), The Flu Season (Gate Theatre), The Earthly Paradise (Almeida Theatre), Strangers on a Train (National Tour),
The Lady's Not for Burning (Chichester Theatre), The Importance Of Being Earnest (Theatre Royal Haymarket), An Enemy Of
The People and The Seagull (National Theatre), and many productions for The Royal Shakespeare Company. Film credits
include The Speed of Thought, Not Only But Always, The Waterfalls of Slunj, Justice, Weight, Cor Blimey, Ladies In Lavender,
The Auteur Theory, Mrs Dalloway, An Awfully Big Adventure, Death Of A School Boy, Young Sherlock Holmes and TV credits
include MI High, Custer, Housewife 49, Mrs David, Dinosaur Hunters, The Odyssey and Midsomer Murders .
Camilla Bard played Esmeralda in Notre Dame De Paris in the West End, and Schwartz It All About in Edinburgh.
Will Barratt’s West End credits include Bamatabois and Courfeyrac in Les Miserables, and Lead Tenor in The Producers.
Esther Biddle’s credits include Mack and Mabel (Criterion Theatre), Beauty and the Beast (New Wolsey Theatre), Martin
Guerre (Watermill, Newbury) and Gaslight (Queen's Theatre, Hornchurch).
Alex Dower’s credits include Wind in the Willows (National Tour), The Winter's Tale (National Theatre), Golden Boy (Yvonne
Arnaud Theatre), The Caretaker (Comedy Theatre), and Oktoberfest (Lyric Studio), and many television credits including
Holby City, Crisis Command, Casualty, EastEnders and Silent Witness, Is Harry on the Boat?, Night and Day, Home Farm
Twins and The Bill .
Edward Handoll has just finished playing Buddy Holly in Buddy at the Duchess Theatre.
118 Finborough Road, London SW10 9ED Telephone +44 (0)20 7244 7439 Fax +44 (0)20 7835 1853
www.finboroughtheatre.co.uk Artistic Director Neil McPherson
e-mail [email protected]
The Finborough Theatre is managed by The Steam Industry. Registered in England and Wales as a company limited by guarantee, no. 3448268.
Registered Charity no. 1071304. Registered address: 118 Finborough Road, London SW10 9ED. A member of the Independent Theatre Council.
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Victoria Kruger’s credits include A Model Girl (Greenwich Theatre) and television including Silent Witness, The
Indestructibles and Trial And Retribution (La Plante Productions).
Hannah Richmond’s credits include Strictly Gershwin (Royal Albert Hall), and Sweeney Todd (Royal Festival Hall).
Director Alex Sutton was Assistant Director on Our Miss Gibbs at the Finborough Theatre. He has directed The Crocodile
(Arcola Theatre), How to Live Forever (Trafalgar Studios), Dido and Aeneas (Saint Andrews Crypt, Holborn), Hello Dolly!
(Oratory Arts Centre), Pheadra's Love (Winston Theatre), and Macbeth (Young Vic Studio). As Assistant Director, he has
worked on La Traviata (Longborough Opera), Missing Persons (Trafalgar Studios) and Don Carlos (Stowe Opera). He also
worked with Martin Duncan on The Original Chinese Conjurer (Almeida Theatre and Aldeburgh Festival).
Musical Director Leigh Thompson trained at Bristol University and with the National Choir of Wales. He was Musical Director
in Residence at the Bristol Academy of Performing Arts where he conducted The Pajama Game and Cabaret. With Eyebrow
Productions, he has conducted Company, Assassins and Kiss of the Spiderwoman in Bristol and Edinburgh. Leigh was also the
Musical Director of the Holland America Line for four years.
Previous Celebrating British Music Theatre productions have included Florodora starring Olivier Award nominee Rosemary
Ashe, Lionel Monckton’s Our Miss Gibbs (both in their first professional London revival in nearly a century), The Maid of the
Mountains starring Anita Louise Combe, A “Gilbert and Sullivan" Double Bill, a unique double bill featuring a play and an
operetta, both receiving their first professional UK production in over a century – and written by Gilbert without Sullivan, and
Sullivan without Gilbert, and starring Myra Sands and Donald Maxwell; and Dame Ethel Smyth’s The Boatswain’s Mate starring
Sian Jones. All the productions have completely sold out and won much critical acclaim.
The Press on Florodora and Our Miss Gibbs
‘“Floro-adorable!” Jack Hughes, Rogues and Vagabonds
“Yes, it’s all rather silly. But, oh, so much fun.” Timothy Ramsden, Reviewsgate
“The delicious froth of The Finborough Gaieties - semi-staged performances of Edwardian musicals - has proved so popular
that…devotees were trekking in from Halifax and Birmingham.” Susannah Clapp, The Observer
“The big hit of 1899, lovingly revived in a concert version...The piece could hardly be better done.” Michael Billington, The
Guardian
PRESS NIGHT: MONDAY, 14 JULY 2008 AT 7.30PM
PHOTOCALL: By arrangement. Please email [email protected]
Finborough Theatre, The Finborough, 118 Finborough Road, London SW10 9ED
Box Office 0844 847 1652. Book online at www.finboroughtheatre.co.uk
Monday, 14 July; Sunday, 20 July and Monday, 21 July; Sunday, 27 July and Monday, 28 July 2008.
Performances at 7.30pm
Tickets £18, £14 concessions.
Performance Length: Approximately 2 hours.
PLEASE NOTE OUR NEW BOX OFFICE NUMBER 0844 847 1652
For more information, interviews and images, please contact
Neil McPherson on e-mail [email protected] or 07977 173135
Press releases and images are available to download from www.finboroughtheatre.co.uk
(Go to ‘Contact’ in the top right hand corner of the home page and follow the links)
118 Finborough Road, London SW10 9ED Telephone +44 (0)20 7244 7439 Fax +44 (0)20 7835 1853
www.finboroughtheatre.co.uk Artistic Director Neil McPherson
e-mail [email protected]
The Finborough Theatre is managed by The Steam Industry. Registered in England and Wales as a company limited by guarantee, no. 3448268.
Registered Charity no. 1071304. Registered address: 118 Finborough Road, London SW10 9ED. A member of the Independent Theatre Council.