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Autism, Learning, and Music Nicole Hoppe 30 April 2016 Introduction Within the last century, Autism and Autism Spectrum Disorders (ASD) have been on the rise. Most of this can be due to better understanding of the disorder and more accurate diagnoses, but the Center for Disease Control and Prevention has shared that the prevalence rate is 1 in 68 persons, an increase from 1 in 150 and 1 in 88 not too long ago (Schwartsberg & Silverman 2013). The most prominent symptoms are the deficits seen in communication and social skills. Since these children do not participate as much in either social or non-social activities, there is a reduction in their opportunity to learn and be engaged in a task (Simpson, Keen, Lamb, & Janeen, 2013). First defined by Leo Kanner (1943) and Hans Asperger (1944), autism is a neurodevelopmental disorder typically diagnosed in children about two to five years of age, depending on their rate of development, and is a life-long disorder. Its name is derived from the Greek word “autos” meaning “self,” as social isolation was a main determining factor in early diagnoses. “Autism is a behaviorally defined disorder, characterized by qualitative impairments in social communication, social interaction, and social imagination, with a restricted range of interests and often stereotyped repetitive behaviors and mannerisms” (Baird, Cass, & Slonims, 2003). Diagnosis of ASD is a highly individualized task since the levels of severity and ability vary from person to person. Many scientists have tried to figure out a cause for the disorder as well as why there is so much variance between cases. In the 1950s, the idea of the “refrigerator mother” was common. People thought that if a mother was not loving or warm enough towards her child, the child would experience negative effects (disorders such as ASD or schizophrenia). Today we realize that while parental care is important, there is much more at play. “[Symptoms] may include communication delays, repeating words or phrases, unresponsiveness to verbal cues, social difficulties, oversensitivity (sound, light, etc.), resistance to change, lack of direct eye contact, odd or unusual repetitive play, and self-stimulation. Children may display some or all of these symptoms” (Hourigan & Hourigan, 2009). Most commonly noticed behaviors that lead to a diagnosis are social isolation and repetitive/reduced language, however all these symptoms fall along a continuum. “What makes autism different is the great variation in presentation, the wide range of skills and deficits, and the high rate of associated behavioral, mental health, and often subtle learning problems” (Baird, Cass, & Slonims, 2003). Asperger’s syndrome falls on the higher end of the functioning continuum and is characterized by autistic symptoms but no language barrier. Behavioral and language impairments can interfere with learning, especially at critical ages in youth for reading and writing. On top of impaired social development skills, this can have a heavy impact on the child at school. Along with behavior, autistic individuals also experience emotional deficits. Alexithymia, the inability to cognitively label one’s emotions, is a common feature seen in autism as well as other disorders such as post-traumatic stress disorder (PTSD), major depressive disorder (MDD), panic disorder, and substance abuse. There are two types of alexithymia: Type I is a failure to experience or describe emotion while Type II is an ability to experience emotions, but an inability to name or discriminate emotions (Allen & Heaton, 2010). Due to an inability to experience or cognitively appraise emotions, listening to music is a different experience for autistic persons because they listen to the properties of the music (timbre, rhythm, pitch, etc.) instead of how they feel when they listen to it. Learning & Music During development, there are two crucial times for which the brain is highly sensitive to external factors, prenatal development and adolescence (puberty). During these times the brain goes through a natural “pruning” process. Neurons are constantly making connections as the child is developing and learning, and the brain will make many more pathways than it actually needs. As the child grows, the pathways that are not used are essentially eliminated to make the connections that are frequently used more efficient. One theory for autism is that the brain fails to go through a normal pruning process (Hill & Firth, 2003). While brain scans do not show too many differences between autistic brains and normal brains (besides areas that light up during tasks, suggestive of the process used within the brain), there are cellular differences that scientists have noted. The neurons seem to be of a slightly reduced size and densely packed in the limbic system (an area critic for emotional and social behavior due to reward mechanisms). The cerebellum, a major filter of information going to the brain and responsible for certain aspects of attention and movement, is another structure suggestive of playing a role in autism due to overstimulation of the brain (which in turn can cause behavioral outbursts or repetitive behavior to occur). Evidence for the pruning theory may also reside in cognitive function. Topdown processing is the way in which we use our thoughts (cognitive capabilities) to appropriately label information that has been brought to one’s attention. Using context clues one can define what a certain stimulus could be. Bottom-up processing starts with the stimulus and is identified based on past knowledge. During the pruning process, top-down processes are not pruned, but the bottom-up approach was developed and pruned normally. Top-down processing relies on feedback mechanisms, and because this takes more time it may miss the initial pruning process, leaving neural networks behind that aren’t necessary. This could also help explain the sensory overload that autistic children experience. If they can register a stimulus (bottom-up processing) but not cognitively label that stimulus effectively, (top-down processing) it is an added stressor on the brain and therefore the child. Another noted deficit is the child’s inability to acquire “theory of mind,” the ability to understand that you yourself possess ideas and beliefs but that other people do too. A fault in theory of mind could be the reason that communication is difficult for autistic children. They essentially have a “mentalizing failure” in which they have no intuitive ability to comprehend the mental state of another person (Hill & Firth, 2003). To try to find a way around these communication blocks, researchers have developed alternatives. One method some classrooms utilize is called picture exchange communication system (PECS). A picture is paired up with a word, making it easier for the child to express an action or an object. “One of the characteristics of autism is severe disturbance in communication. In understanding this communication barrier, it is important to understand that children on the spectrum may comprehend much more than they can express verbally (or vice versa)” (Hourigan & Hourigan, 2009). With autism it is characteristic of the child to remember certain words or details when compared to actually remembering the main points of the story. This is known as weak central coherence. They have good focused attention but poor strategy when making connections between perceptual processes (Hill & Firth, 2003). Perceptual coherence is another term to describe misperceptions, but to a lesser degree as “people with autism were better able to make accurate judgements of illusions compared to normal of developmentally delayed controls” (Happe, 1999). There are other forms of coherence such as visuospatial-constructional and verbalsemantic. While autistic children are rather good at seeing the parts of a whole, they “do not make use of either semantic relations (same category vs assorted words) or grammatical relations (sentences vs word lists)” (Happe, 1999). Another method recently tested was called Social Stories. The idea is that stories are told from a third-person perspective and are about daily living activities and proper social behaviors. Going further into this idea, researchers were curious if telling the stories in a song could make them even more effective (Schwartzberg & Silverman, 2013). There was a routine schedule (important in maintaining with autistic children because change can lead to behavioral outbursts) in the classroom sessions. Some groups were sung the story while other groups were read the same story. The study gave results that showed a significant improvement of proper behaviors when music was involved compared to the control group. “Simple social etiquette can be difficult for a child with autism,” but “music can be a perfect setting for children on the spectrum to strengthen their social skills” (Hourigan & Hourigan, 2009). Music is ingrained in every single culture making it a prominent part of behavior and emotion. Effects due to music are “linked to ways which musical materials, biographical and situated couplings, and generic/stereotypes are associated with types of people, scenes, situations, and moods” (DeNora, 2007). Those who know nothing about music are able to form connections due to these factors. Other aspects of music however stand out to different people. “Musically naïve children with autism are significantly better than matched controls at learning labels (note names) for individual pitches” as well as having absolute (or perfect) pitch ability (Happe, 1999). In fact, a majority of the children studied when first observing autism (by both Kanner and Asperger) were proficient in music. Some could discriminate between an obscene amount of symphonies while others seems to be more musically talented than a “normally developing” child. One theory behind this ability to remember the sound of pieces has nothing to do with music. The fact that some autistics have more capacity for remembering details is reason to prove that they simply know more non-musical than musical aspects of a piece. It also supports the idea behind the incredible calendar calculations some autistics, particularly savants, are capable of since “statistical learning, the mechanism that enables individuals to extract and represent higherorder domain specific structures, from the stimuli to which they are exposed, has been widely implicated in music” (Heaton, 2009). Music is abundant with pattern and structure, making it a rewarding experience (also similar to calendar calculations). However music is different in the aspects of music (timbre, rhythm, pitch, etc.) are able to capture attention and the aspects used in various ways are capable of producing emotions (Heaton, 2009). It is important to note that “it would never be assumed that a typically developing child would develop musical skills without tuition and supported/extensive practice,” and the same can be said for autistic persons. While those with autism may be more sensitive to music, they do not necessarily understand music better than another child (Heaton, 2009). When doing musical studies that are two experimental strategies: The first is to “manipulate musical features” in order to control particular mechanisms of the piece and the second is to find pieces of music that fit within relevant characteristics being studied. As it is much easier to use the first method, that is the one most always often used (Juslin, Barradas, & Eerola, 2015). Manipulations can also occur in the form of environmental stimuli that could distract from or enhance a particular characteristic of music. Emotions are most often self-reported based on a scale defined by the researcher, so the more specific the procedures and design, the more validity and reliability a study will appear to have. In the future we can “expect music therapy to have a use in the opening and sustaining of third party relationships with (some) highly autistic people” (Graham, 2001). While at times it may be difficult to assess emotions with respect to music, the idea of using music as a learning tool to assist in encouraging proper social behaviors can potentially be an effective format for those with autism. References Allen, R. & Heaton, P. (2010). Autism, Music, and the Therapeutic Potential of Music in Alexithymia. Music Perception: An Interdisciplinary Journal, 27(4), 251-261. Baird, G., Cass, H., and Slonims, V. (2003). Diagnosis of Autism. BMJ: British Medical Journal, 327(7413), 488-493. Charman, T. (2003). Why is Joint Attention a Pivotal Skill in Autism? 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Effects of Music-Based Social Stories on Comprehension and Generalization of Social Skills in Children with Autism Spectrum Disorders: A Randomized Effectiveness Study. The Arts in Psychotherapy, 40, 331-337. Retrieved from http://ac.elscdn.com/S0197455613001238/ Simpson, K., Keen, D., & Lamb, J. (2013). The Use of Music to Engage Children with Autism in a Receptive Labelling Task. Research in Autism Spectrum Disorders, 7, 1489-1496. Retrieved from http://ac.elscdn.com/S1750946713001712/