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Transcript
VEDIC MYTHOLOGY
VEDIC MYTHOLOGY
Abhinav Prasad
ABHIJEET PUBLICATIONS
New Delhi-110002
ABHIJEET PUBLICATIONS
4658-A, 1st Floor, Ambika Bhawan
21 Ansari Road, Daryaganj
New Delhi-110002
Phone: 011-23259444, 65698474
E-Mail: [email protected]
VEDIC MYTHOLOGY
First Published 2012
© Author
ISBN: 978-93-81136-84-3
[All rights reserved. No part of this publication may be reproduced,
copied, stored in a retrieval system or transmitted or used in any
form or by any means, whether electronic, mechanical, photo
copying, recording or otherwise, without the prior permission of
the publisher, except for a brief quotations in critical articles or
reviews.]
PRINTED AT INDIA
Published by J.K. Singh for Abhijeet Publications, New Delhi110002, Laser Typeset by Piyush Computers, New Delhi and
Printed at Asian Offset, Delhi.
PREFACE
The Vedas are the main scriptural texts of Hinduism, also
known as the Sanatana Dharma, and are a large corpus of
texts originating in Ancient India. The Vedas, regarded as
Aaruti (“that which is heard”), form part of an oral tradition
in the form of an ancient teacher-disciple tradition. As per
Hindu tradition the Vedas were ‘revealed’ to the Rishis referred
to in the texts, not composed or written by them. Even though
many historians have tried to affix dates to the Vedas there
is as yet no common consensus as there is for the scriptures
of other religions. The Vedas are arguably the oldest surviving
scriptures in the world. The Vedanta and Mimamsa schools of
Hindu philosophy assert that the Vedas are apaurusheya
(“unauthored”), that is, they have neither human nor divine
origin, and are eternal in naturo. As per Hindu tradition, the
sage Vedavyasa divided the Vedas into Rig-Veda, Yajur-Veda,
Sama-Veda and Atharva-Veda at the beginning of the Kali
Yuga.
The element of nature-worship is a marked feature in most
of the hymns, with are invocations of different deities. The
value of the great collection as presenting the earliest record
of the mythology of an Indo-European people is apparent.
Several of the gods go back to the time of Indo-Iranian unity,
e.g. Yama (the Avestan Yima), Soma (haoma), Mitra (the later
Persian Mithra). Some of the divinities, especially the higher
ones, still exhibit the attributes which enable us to trace their
origin to the personification of natural phenomena. Thus Indra
personified thunder, Agni fire, Varuna the sea, Surya the sun,
Ushas the dawn, the Maruts the storm, and others were of a
somewhat similar character. Indra was the favourite god of the
Vedic Aryans; almost one fourth of all the hymns in the Rig-
Veda are addressed to him and they are among the best in the
collection. Next to Indra stands Agni. Many hymns are in
honour of Soma. Other gods invoked are the two Ashins,
somewhat resembling the Diocsuri of ancient Greece, the terrible
Rudra, Parjanya the rain-god, Vayu the wind-god, Surya the
sun-god, Pushan the protector of roads and stray kine. Prayers
are also addressed to groups of divinities like the Adityas and
the Vishve Devas (all the gods). Only a few hymns sing the
praise of Vishnu and of Shiva in his earlier form as Rudra,
though these two deities became later the chief gods of the
Hindu pantheon. Goddesses play a small part, only Ushas, the
goddess of dawn, has some twenty hymns in her honour; these
poems are of exceptional literary merit.
—Author
Contents
Preface
1. Vedic Mythology: An Overview
1
2. Recent Indian Views of Modern Writers
13
3. Analysis of Vedic Mythology
45
4. Essence of the Rig Veda, Yajurveda,
Samveda and Atharvaveda
57
5. Composers of the Rigveda
168
6. Geography of the Rigveda
183
7. Development of the Vedic Mytholgy
245
Bibliography
251
Index
254
VEDIC MYTHOLOGY:
AN OVERVIEW
The Sanskrit word veda means “know ledge” , more
particularly “sacred book” . In its widest sense the term
designates not only the sacred texts, but also the voluminous
theological and philosophical literature attached thereto, the
Brahmanas, Aranyakas, Upanishads, and Sutras. But usually
the term veda applies only to the four collections (Samhitas)
of hymns and prayers composed for different ritualistic purposes:
the Rig-Veda, Sama-Veda, Yajur-Veda, and Atharva-Veda. Of
these only the first three were originally regarded as canonical;
the fourth attained to this position after a long struggle. Though
differences exist in the language of the four Vedas, still there
is such agreement on cardinal points as against later Sanskrit
that the term Vedic, which is in common use for the oldest form
of the language of India, is amply justified. The Vedas are the
main scriptural texts of Hinduism, also known as the Sanatana
Dharma, and are a large corpus of texts originating in Ancient
India. The Vedas, regarded as Aaruti (“that which is heard”),
form part of an oral tradition in the form of an ancient teacherdisciple tradition. As per Hindu tradition the Vedas were
‘revealed’ to the Rishis referred to in the texts, not composed
or written by them. Even though many historians have tried
to affix dates to the Vedas there is as yet no common consensus
as there is for the scriptures of other religions. The Vedas are
arguably the oldest surviving scriptures in the world. The
Vedanta and Mimamsa schools of Hindu philosophy assert that
the Vedas are apaurusheya (“unauthored”), that is, they have
2
Vedic Mythology
neither human nor divine origin, and are eternal in nature. As
per Hindu tradition, the sage Vedavyasa divided the Vedas into
Rig-Veda, Yajur-Veda, Sama-Veda and Atharva-Veda at the
beginning of the Kali Yuga.
THE RIG-VEDA
Rig-Veda were published by Max Muller, “Rig-Veda-Samhita
with the Commentary of Sayancharya” (6 vols., London, 184974; 2nd ed., 4 vols., 1890-95); “The Hymns of the Rig-Veda in
the Samhita and Pada Texts” (2nd ed., 2 vols., London, 1877);
Aufrecht, “Samhita Text”, in Roman characters (2nd ed., Bonn,
1877); selections in Lanman’s “Sanskrit Reader” (Boston, 1884);
Bothlingk, “Sanskrit-Chrestomathie” (3rd ed., Leipzig, 1897);
Windisch, “Zwolf Hymnen des Rig-Veda” , with Sayana’s
commentary (Leipzig, 1883).
Translations were made into: English verse by Griffith (2
vols., Benares, 1896-97); selections in prose by Max Muller in
“Sacred Books of the East”, XXXII (Oxford, 1891); continued
by O ldenburg, ibidem, XLVI (1897); Germ an verse by
Grassmann (2 vols., Leipzig, 1876-77); German prose by Ludwig
(6 vols., Prague, 1876-88). On the Rig-Veda in general see:
Kaegi, “The Rig-Veda”, tr. Arrowsmith (Boston, 1886); Odenberg,
“R ig-V eda” , books I-Vi in “G ottinger G esellschaft der
Wissenschaften”, new series, XI (Berlin, 1909). The Rig-Veda
(‘Veda of verses” ; from ric, or before sonants rig, “laudatory
stanza”) is the oldest and most important of these collections.
In its present form it contains 1028 hymns (including eleven
supplementary ones in the eighth book), arranged in ten
mandalas (cycles), or books, which vary in extent, only the first
and tenth being approximately equal. The poems themselves
are of different authorship and date from widely different
periods. The actual date of these ancient scriptures is a nebulous
topic. Yet, the description of an extremely cold climate leads
some to believe that the Vedas are close to 20,000 years old,
but there are some modern scholars who think that the number
is exaggerated and should be about 5000. No matter what the
age, it is the belief by many these texts were and are the oldest
in the world. They express philosophies, realities and truths
Vedic Mythology: An Ovei'view
3
about life. The texts themselves show that the collection is the
result of the work of generations of poets, extending over many
centuries. Books II to VII inclusive are each the work of a single
poet, or ri'-shi (seer), and his descendants; hence they are aptly
called “family books”. Book III is attributed to the family of
Vishvamitra, IV to that of Vamadeva, V to that of Vasishtha.
The hymns in books I and X are all composed by different
families. The ninth consists exclusively of hymns addressed to
Soma, the deified plant, the juice of which was used for the
Soma sacrifice. Books II to VII are the oldest, and book X the
most recent, in point of origin hi joe Hymns to the same deity
are usually grouped together. Thus, approximately 500 hymns
are addressed to two gods alone: Indra, the god of lightning and
storms, and Agni, the god of fire. The term god is actually false,
the “gods” (devas) being only highly elevated prophets, angels,
or phenomenons. The Vedas clearly state that there is only one
God, the same as Jews, Muslims, Christians belief alike. One
Vedic missionary is the Arya Samaj, its churches are located
all over the world, especially in India, the USA, and can teach
those who search the Vedas. The element of nature-worship is
a marked feature in most of the hymns, with are invocations
of different deities.
The value of the great collection as presenting the earliest
record of the mythology of an Indo-European people is apparent.
Several of the gods go back to the time of Indo-Iranian unity,
e.g. Yama (the Avestan Yima), Soma (haoma), Mitra (the later
Persian Mithra). Some of the divinities, especially the higher
ones, still exhibit the attributes which enable us to trace their
origin to the personification of natural phenomena. Thus Indra
personified thunder, Agni fire, Varuna the sea, Surya the sun,
Ushas the dawn, the Maruts the storm, and others were of a
somewhat similar character. Indra was the favourite god of the
Vedic Aryans; almost one fourth of all the hymns in the RigVeda are addressed to him and they are among the best in the
collection. Next to Indra stands Agni. Many hymns are in
honour of Soma. Other gods invoked are the two Ashins,
somewhat resembling the Diocsuri of ancient Greece, the terrible
Rudra, Parjanya the rain-god, Vayu the wind-god, Surya the
Vedic Mythology
Publisher : Abhijeet Publications ISBN : 9789381136843
Author : Abhinav Prasad
Type the URL : http://www.kopykitab.com/product/9127
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