The Bohlen-Pierce Clarinet An Introduction to Acoustics and Playing
... In addition to the Bohlen-Pierce chromatic scale with its 13 steps, various models of diatonic modes in Bohlen-Pierce and their inherent chords have been worked on.2 Applying the scale to a clarinet makes the use of the equally tempered version necessary. At least, one is used to wind instruments be ...
... In addition to the Bohlen-Pierce chromatic scale with its 13 steps, various models of diatonic modes in Bohlen-Pierce and their inherent chords have been worked on.2 Applying the scale to a clarinet makes the use of the equally tempered version necessary. At least, one is used to wind instruments be ...
6. Michael Tippett Concerto for double string orchestra: movement I
... The instrumentation of the Concerto for two antiphonally opposed yet equally balanced string orchestras had few precedents. Similar string orchestra works from the early years of the twentieth century by Elgar and by Vaughan Williams, and subsequent works by Warlock, Bliss and Britten, had establish ...
... The instrumentation of the Concerto for two antiphonally opposed yet equally balanced string orchestras had few precedents. Similar string orchestra works from the early years of the twentieth century by Elgar and by Vaughan Williams, and subsequent works by Warlock, Bliss and Britten, had establish ...
File - Paul Sarasien
... rules of the exposition of a sonata. The primary theme is not very long and stays in the same key, ending in a cadence. The transition changes to the secondary key, and the secondary theme closes in a perfect authentic cadence in the secondary key. It is slightly odd that the secondary key goes bet ...
... rules of the exposition of a sonata. The primary theme is not very long and stays in the same key, ending in a cadence. The transition changes to the secondary key, and the secondary theme closes in a perfect authentic cadence in the secondary key. It is slightly odd that the secondary key goes bet ...
24. Debussy Pour le piano: Sarabande Introduction and Performance circumstances
... Performing Forces and their Handling Sarabande, for solo piano, does not depend for its effect on any virtuosity or display. Marguerite Long, a pupil of Debussy, noted that the composer ‘himself played [the piece] as no one [else] could ever have done, with those marvellous successions of chords sus ...
... Performing Forces and their Handling Sarabande, for solo piano, does not depend for its effect on any virtuosity or display. Marguerite Long, a pupil of Debussy, noted that the composer ‘himself played [the piece] as no one [else] could ever have done, with those marvellous successions of chords sus ...
a database for persian music - School of Electronic Engineering and
... Dastgàh. It may be in duple, triple, or quadruple time, and it draws its melody from some of the important Gusheh of the piece. Chàhàrmezrab is a solo piece with a fast tempo, and is usually based on the melody immediately preceding it. The third instrumental form is the Reng, which is a simple danc ...
... Dastgàh. It may be in duple, triple, or quadruple time, and it draws its melody from some of the important Gusheh of the piece. Chàhàrmezrab is a solo piece with a fast tempo, and is usually based on the melody immediately preceding it. The third instrumental form is the Reng, which is a simple danc ...
Sample Copy of Level 1
... The G major scale descending (going down) Notice that it consists of the G and D major tetrachords. 1. Write the note names for all open strings, then write the note names in the circles on the G and D strings for the G major scale. ...
... The G major scale descending (going down) Notice that it consists of the G and D major tetrachords. 1. Write the note names for all open strings, then write the note names in the circles on the G and D strings for the G major scale. ...
A Composition Project: an Original 12
... throughout most of the piece. I say that it is more of a translation because of the triplet motion, which is comparable to the running sixteenth motion in Bach’s fugue. When you compare tonal pieces versus some 12-tone pieces, the structure of lines is completely different. 12-tone pieces are often ...
... throughout most of the piece. I say that it is more of a translation because of the triplet motion, which is comparable to the running sixteenth motion in Bach’s fugue. When you compare tonal pieces versus some 12-tone pieces, the structure of lines is completely different. 12-tone pieces are often ...
MP3103_02_Gjerdingen 192..204
... opening bars of Haydn’s string quartet Op. 20, no. 5 (Hob. III:35; see Figure 2), where the composer lays out a stock 18th-century “opening gambit” (Gjerdingen, 2007, Chapter 6). The stock melody, aurally highlighted by long tones on the downbeats of each measure, ascends the first three steps of th ...
... opening bars of Haydn’s string quartet Op. 20, no. 5 (Hob. III:35; see Figure 2), where the composer lays out a stock 18th-century “opening gambit” (Gjerdingen, 2007, Chapter 6). The stock melody, aurally highlighted by long tones on the downbeats of each measure, ascends the first three steps of th ...
Pavane `The image of melancholy` and Galliard `Ecce quam bonum
... Holborne’s Pavane and Galliard (published by him in 1599) are ‘consort music’, a popular form of domestic instrumental music-making in England at the time. The word ‘consort’ probably corresponds with the Italian term ‘concerto’ and the French word ‘concert’, both of which originally implied an ense ...
... Holborne’s Pavane and Galliard (published by him in 1599) are ‘consort music’, a popular form of domestic instrumental music-making in England at the time. The word ‘consort’ probably corresponds with the Italian term ‘concerto’ and the French word ‘concert’, both of which originally implied an ense ...
Intervals 4
... describing the interval. One way is to simply say the interval plus an octave. Generally, this is sufficient; however, at times it may be more appropriate to describe the actual interval. Figure 1 Labeling the compound interval is actually very simple. I prefer to start with the analyzing the interv ...
... describing the interval. One way is to simply say the interval plus an octave. Generally, this is sufficient; however, at times it may be more appropriate to describe the actual interval. Figure 1 Labeling the compound interval is actually very simple. I prefer to start with the analyzing the interv ...
PDF - UNT Digital Library
... may, however, have a "root representative" which is the tone which proceeds by the smallest step to the root of the resolution interval. 7 Hindemith8 insists that the conventional theory of harmony is far too limited in its system for the determination and interpretation of chords. ...
... may, however, have a "root representative" which is the tone which proceeds by the smallest step to the root of the resolution interval. 7 Hindemith8 insists that the conventional theory of harmony is far too limited in its system for the determination and interpretation of chords. ...
Music Of India
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
Morton Feldman and Abstract Expressionism
... Understanding whether or not this is truly a process of radical negation may be easier if we looked at two of Feldman’s works from 1963, namely Piano Piece (for Philip Guston) and Vertical Thoughts 4, both of which consist of a sequence of aggregates with variable tempo ( • = 66-88) [18]. The only t ...
... Understanding whether or not this is truly a process of radical negation may be easier if we looked at two of Feldman’s works from 1963, namely Piano Piece (for Philip Guston) and Vertical Thoughts 4, both of which consist of a sequence of aggregates with variable tempo ( • = 66-88) [18]. The only t ...
Half Steps - funmusiccoimages.com
... What note is a whole step higher than A? ______ What note is a whole step lower than E? ______ What note is a whole step higher than B? ______ What note is a whole step lower than G sharp? ______ Circle the whole steps in this melody: ...
... What note is a whole step higher than A? ______ What note is a whole step lower than E? ______ What note is a whole step higher than B? ______ What note is a whole step lower than G sharp? ______ Circle the whole steps in this melody: ...
Click www.ondix.com to visit our student-to
... special place that was only superseded by the human voice. It was the most popular instrument of its time, and its repertoire was enormous. A larger form was developed called the archlute. It gave rise to the theorbo, which is simply described as a large lute of the baroque period, and to the chitar ...
... special place that was only superseded by the human voice. It was the most popular instrument of its time, and its repertoire was enormous. A larger form was developed called the archlute. It gave rise to the theorbo, which is simply described as a large lute of the baroque period, and to the chitar ...
Whole tone scale
... simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole tone scales do not give a strong impression of the tonic or tonality. The composer Olivier Messiaen called the whole tone scale his first mode of limited transposition. The composer and music the ...
... simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole tone scales do not give a strong impression of the tonic or tonality. The composer Olivier Messiaen called the whole tone scale his first mode of limited transposition. The composer and music the ...
Oboe Miscellany
... Bb when A is fingered and to sound C when B is fingered. There is also the Barret side key operated by RH finger 1, which acts as a trill for A/Bb and B/C when the thumb-plate is kept depressed. The simplest suitable covering system for thumb-plate Oboes is: I perforated plate, II ring, III uncovere ...
... Bb when A is fingered and to sound C when B is fingered. There is also the Barret side key operated by RH finger 1, which acts as a trill for A/Bb and B/C when the thumb-plate is kept depressed. The simplest suitable covering system for thumb-plate Oboes is: I perforated plate, II ring, III uncovere ...
Keyboard In Western Style
... Keyboard or piano have the same keys so, these lessons are for both instruments. Many websites claim to have courses that you can purchase that will teach you how to "play piano by ear" or "learn the chord method", this book contains the same information as those courses and what's best is explained ...
... Keyboard or piano have the same keys so, these lessons are for both instruments. Many websites claim to have courses that you can purchase that will teach you how to "play piano by ear" or "learn the chord method", this book contains the same information as those courses and what's best is explained ...
Coming to Terms with Persichetti`s Pageant
... positioned to give us a slow-paced essay in such counterpoint as might have been written during the sixteenth century: this is very archaic-sounding music (note: the hornist’s last note must be held into the clarinet entrance, as written). Although the horn solo suggests B as tonic (and until confr ...
... positioned to give us a slow-paced essay in such counterpoint as might have been written during the sixteenth century: this is very archaic-sounding music (note: the hornist’s last note must be held into the clarinet entrance, as written). Although the horn solo suggests B as tonic (and until confr ...
an analytical conductor`s guide to the satb a cappella works of arvo
... Because of these dissonances, it is typical for a choral conductor to ask his choir to sing this music with a relaxed straight tone to ensure good intonation. A brief discussion of straight-tone singing is included in Chapter 5. While it is expected that text will play at least a small role in shapi ...
... Because of these dissonances, it is typical for a choral conductor to ask his choir to sing this music with a relaxed straight tone to ensure good intonation. A brief discussion of straight-tone singing is included in Chapter 5. While it is expected that text will play at least a small role in shapi ...
Debussy - Nuages notes
... nocturnes, arabesques. His forms, too, tend to be a series of waves, whose principal themes recede into the background and continue as ostinatos while other versions of themselves or new material is superimposed. Although the thematic content of even large-scale works is fairly limited, alterations ...
... nocturnes, arabesques. His forms, too, tend to be a series of waves, whose principal themes recede into the background and continue as ostinatos while other versions of themselves or new material is superimposed. Although the thematic content of even large-scale works is fairly limited, alterations ...
[physics.pop-ph] 17 Sep 2012
... picking up the rules from the day they are born, perhaps even before, by hearing it all around them. Very young children can tell whether a tune or harmony is right or not. One of the joys of listening to music is a general familiarity with the way it is put together: to know roughly what to expect, ...
... picking up the rules from the day they are born, perhaps even before, by hearing it all around them. Very young children can tell whether a tune or harmony is right or not. One of the joys of listening to music is a general familiarity with the way it is put together: to know roughly what to expect, ...
Keyboard FUNdamentals
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
Below: Music for Low Flutes
... A Small Sonata for a Large Flute is a well constructed composition that explores register, timbres, dynamic shadings, and lyricism of a flute twice the length and size of the C Flute. The first movement begins with a syncopated folk-like melody which is transformed through meter and register changes ...
... A Small Sonata for a Large Flute is a well constructed composition that explores register, timbres, dynamic shadings, and lyricism of a flute twice the length and size of the C Flute. The first movement begins with a syncopated folk-like melody which is transformed through meter and register changes ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.