THE SOGO bÓ THEATRE OF MALI
... The myth surrounding the creation of the puppets is handed down by way of tradition, from one generation to the next: One day, Toboji Centa, a Bozo fisherman, was abducted by the genies of the bush. One of them introduced him to the art of puppetry. On returning to his village located on the banks o ...
... The myth surrounding the creation of the puppets is handed down by way of tradition, from one generation to the next: One day, Toboji Centa, a Bozo fisherman, was abducted by the genies of the bush. One of them introduced him to the art of puppetry. On returning to his village located on the banks o ...
annex 4 - National Arts Council
... History of The Finger Players The Founding Years (1996- 1998) The Finger Players first started out as children division specializing in traditional Chinese hand puppetry under the Theatre Practice. The late drama doyen, Kuo Pao Kun, enrolled the key original members comprising of Tan Beng Tian and O ...
... History of The Finger Players The Founding Years (1996- 1998) The Finger Players first started out as children division specializing in traditional Chinese hand puppetry under the Theatre Practice. The late drama doyen, Kuo Pao Kun, enrolled the key original members comprising of Tan Beng Tian and O ...
Hamlet`s Last Act: Artist`s Statement
... Craig’s personal connections to wayang kulit. I did not know, for example, that he had his own collection of Indonesian shadow puppets, or that he had edited The Mask under the pseudonym, “John Semar”— which I can only assume is a nod to Semar, the clown character in Javanese wayang kulit. I suppose ...
... Craig’s personal connections to wayang kulit. I did not know, for example, that he had his own collection of Indonesian shadow puppets, or that he had edited The Mask under the pseudonym, “John Semar”— which I can only assume is a nod to Semar, the clown character in Javanese wayang kulit. I suppose ...
A COMPARATIVE STUDY OF THE TOLPAVAKOOTHU AND THE
... in South India and Bali provides illustration of significant similarities and differences (see Photos 1 and 2). While this examination will not solve the riddles of what was probably a process of multiple transmissions that moved from different centers in India through sea lanes to island Southeast ...
... in South India and Bali provides illustration of significant similarities and differences (see Photos 1 and 2). While this examination will not solve the riddles of what was probably a process of multiple transmissions that moved from different centers in India through sea lanes to island Southeast ...
Of Shadows and Shadow Theatre
... one or several actors at a certain place and at a certain time. These actors intend to tell a story with or without words, with or without scenery, with or without images but with one single goal, viz that of inciting one or several emotions in the audience and where necessary showing sensitivity ...
... one or several actors at a certain place and at a certain time. These actors intend to tell a story with or without words, with or without scenery, with or without images but with one single goal, viz that of inciting one or several emotions in the audience and where necessary showing sensitivity ...
The Sicilian puppet theatre
... The Sicilian puppets, born in the mid nineteenth century, are a particular type of puppet. Differently from the Italian ones made of wood and fabric they have a metal armour enriched with carvings, arabesques and embossings and the wire, which commanded the right hand of the puppet was replaced by a ...
... The Sicilian puppets, born in the mid nineteenth century, are a particular type of puppet. Differently from the Italian ones made of wood and fabric they have a metal armour enriched with carvings, arabesques and embossings and the wire, which commanded the right hand of the puppet was replaced by a ...
the "walter broggini`s company"
... Alain Roussel and one on “The puppeteer-actor and the animated object” with Philippe Genty, both of which were held at the Institut International de la Marionette in Charleville-Mézieres (France). Over the years the Company has followed its own original theatrical vision, pursuing an experimental dr ...
... Alain Roussel and one on “The puppeteer-actor and the animated object” with Philippe Genty, both of which were held at the Institut International de la Marionette in Charleville-Mézieres (France). Over the years the Company has followed its own original theatrical vision, pursuing an experimental dr ...
Yoruba Storytelling - Ben
... 5 – Fierce competitions between villages – secret methods!! Beijing Opera/Peking Opera - AC 1 – form of traditional Chinese theatre 2 – combines music, vocal, mime, dance, acrobatics 3 – symbolic and suggestive vs. realistic 4 – before 1930 kids would be hand-picked and trained for 7 years. 5 – acti ...
... 5 – Fierce competitions between villages – secret methods!! Beijing Opera/Peking Opera - AC 1 – form of traditional Chinese theatre 2 – combines music, vocal, mime, dance, acrobatics 3 – symbolic and suggestive vs. realistic 4 – before 1930 kids would be hand-picked and trained for 7 years. 5 – acti ...
Kevin Griffiths - Kevin the Puppetician
... Working with teenage refugees producing films inspired by the artist Roni Horn. ...
... Working with teenage refugees producing films inspired by the artist Roni Horn. ...
Review - Full Hands - El Heraldo de Aragón - 30
... traditional figures (Polichinela, the Devil, the policeman…). But Rumbau does not limit himself to a masterly presentation in this worthy tradition; as well as that, he converts the puppet theatre into a toybox of dreams, with the addition of the ancestral magic of light and shadow puppets. A new fa ...
... traditional figures (Polichinela, the Devil, the policeman…). But Rumbau does not limit himself to a masterly presentation in this worthy tradition; as well as that, he converts the puppet theatre into a toybox of dreams, with the addition of the ancestral magic of light and shadow puppets. A new fa ...
Shadow play
Shadow play or also known as shadow puppetry is an ancient form of storytelling and entertainment which uses flat articulated figures (shadow puppets) to create cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.Shadow play is popular in various cultures; currently there are more than 20 countries known to have shadow show troupes. Shadow play is an old tradition and it has a long history in Southeast Asia; especially in Indonesia, Malaysia, Thailand and Cambodia. It is also considered as an ancient art in other parts of Asia such as in China, India and Nepal. It is also known in the West from Turkey, Greece to France. It is a popular form of entertainment for both children and adults in many countries around the world.