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Film Review
Camera Angles
• Camera angles are a tool in the
filmmaker's bag of tricks that can express
what is being conveyed more effectively.
• Camera angles can help to make
characters look larger and more
intimidating, or smaller and less
Above Eye Level
• Camera is looking up
• Subjects look large
• A person looks more
powerful, and an object
looks larger or more
• This effect is used to
make politicians
more imposing. (That's
why in live situations,
they like to speak from a
stage behind a raised
Eye Level
• Camera is at the eyelevel of the subject
• The subject looks
even with, or equal to
the viewer
• The angle makes the
viewer feel equal to
subject and may even
cause the viewer to
identify with the
Below Eye Level
• Camera is looking down
• The subject appears to
be small
• The angle creates the
impression of weakness
in the subject
• People shot from above
eye level look naturally
subservient or dominated.
• Though we might think of film as an essentially visual
experience, we really cannot afford to underestimate the
importance of film sound. A meaningful sound track is
often as complicated as the
image on the screen. The entire sound track is
comprised of three essential ingredients:
• the human voice
• sound effects
• music
• These three tracks must be mixed and balanced so as
to produce the necessary emphases which in turn create
desired effects. Topics which essentially refer to the
three previously mentioned tracks are discussed below.
The Human Voice - Dialogue
• Dialogue makes a character appear as an
individual or a real person rather than the
imaginary creation of a story teller
• When voice texture fits the performer's body
language and gestures, a whole and very
realistic persona emerges. The viewer sees not
an actor working at his craft, but another human
being struggling with life.
• Some characters speak a lot, while others do
not. If the film is done well, the dialogue will
enhance how the viewer interprets the character.
Sound Effects
• Synchronous sounds are those sounds
which are synchronized or matched with
what is viewed.
– For example: If the film portrays a character
playing the piano, the sounds of the piano are
Sound Effects
• Synchronous sounds contribute to the
realism of film and also help to create a
particular atmosphere.
– For example: The “click” of a door being opened may
simply serve to convince the audience that the image
portrayed is real, and the audience-may only
subconsciously note the expected sound. However, if
the “click” of an opening door is part of an ominous
action such as a burglary, the sound mixer may call
attention to the “click” with an increase in volume; this
helps to engage the audience in a moment of
Sound Effects
• Asynchronous sound effects are not matched
with a visible source of the sound on screen.
Such sounds are included so as to provide an
appropriate emotional nuance, and they may
also add to the realism of the film.
– For example: A film maker might opt to include the
background sound of an ambulance's siren while the
foreground sound and image portrays an arguing
couple. The asynchronous ambulance siren
underscores the psychic injury incurred in the
argument; at the same time the noise of the siren
adds to the realism of the film by acknowledging the
film's (avowed) city setting.
• Background music is used to add emotion and
rhythm to a film. Usually not meant to be
noticeable, it often provides a tone or an
emotional attitude toward the story and/or the
characters depicted. In addition, background
music often foreshadows a change in mood. For
example, scary music may be used in film to
indicate an approaching (but not yet visible)
menace or disaster.
• Background music may aid viewer
understanding by linking scenes. For
example, a particular musical
theme associated with an individual
character or situation may be repeated at
various points in a film in order to remind
the audience of salient motifs or ideas.
• A screenplay is a written plan for a film or
television program. It can be an original work or
adapted from existing works such as novels.
• The major components of a screenplay are
action and dialogue, with the “action” being
“what we see happening” and “dialogue” being
“what we hear” (what the characters say).
• When characters are first introduced in a
screenplay they may also be described visually
so casting directors will have an idea of who
they will need to cast for each part.
Tips on Film Viewing
• Make sure you pick a film that’s not “fluffy” – it’s
a lot harder to do a film review on a movie that is
only supposed to be viewed for pure enjoyment
• Have a second viewing if possible
• Evaluate production values – does it look glossy
and expensive or low budget and amateurish?
• Maintain objectivity – don’t prejudge based on
what other people have said about the film
• Overall quality – view the film as a whole
realizing that it is composed of the sum of all its
parts. Some parts may be great but the film must
hold together and be meaningful in its entirety