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The Lincolnshire Poacher
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copyright
music.
A:3
Trad. English
Arranged by Hywel Davies
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an examiner for ABRSM. His interests are very wide,
up an examiner colleague who had fallen ill during an examining trip after eating a ‘moody’ prawn omelette. The composer has written: ‘Imagine
a rather sinister, beady-eyed prawn, at a medium swing tempo, and the character of the piece should emerge.’
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a tempo
©
112014 by The Associated Board of the Royal Schools of Music
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This piece is a modern piano arrangement of a traditional English song expressing a poacher’s delight in his illicit activity. The song was first
published in the late 18th century, and the first verse and refrain read:
When I was bound apprentice, in famous Lincolnshire,
Full well I served my master for more than seven year,
Till I took up to poaching, as you shall quickly hear;
Oh! ’tis my delight on a shining night in the season of the year.
Note that the first two left-hand notes are part of the melody, as shown by the dotted lines in bb. 2 and 14. This arrangement builds up to a pause
chord at the start of the refrain (b. 12). Slowing down at b. 17 might suggest the poacher being more stealthy as the gamekeeper approaches, and
then managing to escape after the pause in b. 18.
© 2014 by The Associated Board of the Royal School of Music
AB 3730
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music.
11
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HWV 494
G. F. Handel
(1685–1759)
Allegro [h = c.84]
16
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This is one of Handel’s earliest keyboard pieces, composed around 1705 when he was only 20 and living in the north German city of Hamburg.
There he played violin, and later harpsichord, in the Hamburg Opera. At that time, too, he composed keyboard pieces, arias, cantatas, and his
first opera, Almira.
Impertinence is written in the style of a bourrée, a lively French dance in duple time. Like much French keyboard music of the time, it is a
character-piece with a fanciful title. The impudent behaviour, referred to by the title, might be reflected in the style of performance. In this
edition, the tempo mark, and all slurs, staccatos and dynamics are editorial suggestions only. The staccatos in b. 7 (except that of the trilled note,
for which see the realization above the stave) might be played as crotchet plus crotchet rest.
Source: MS copy, London, British Library, R.M.18.b.8.
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© 1991 by The Associated Board of the Royal Schools of Music
Adapted
from Baroque Keyboard Pieces, Book I, edited by Richard Jones (ABRSM)
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This is one of Handel’s earliest keyboard pieces, composed around 1705 when he was only 20 and living in the north German city of Hamburg.
There he played violin, and later harpsichord, in the Hamburg Opera. At that time, too, he composed keyboard pieces, arias, cantatas, and his
first opera, Almira.
Impertinence is written in the style of a bourrée, a lively French dance in duple time. Like much French keyboard music of the time, it is a
character-piece with a fanciful title. The impudent behaviour, referred to by the title, might be reflected in the style of performance. In this
edition, the tempo mark, and all slurs, staccatos and dynamics are editorial suggestions only. The staccatos in b. 7 (except that of the trilled note,
for which see the realization above the stave) might be played as crotchet plus crotchet rest.
Source: MS copy, London, British Library, R.M.18.b.8.
© 1991 by The Associated Board of the Royal Schools of Music
Adapted from Baroque Keyboard Pieces, Book I, edited by Richard Jones (ABRSM)
AB 3731
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Moody Prawn Blues
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It is
illegal
to make
unauthorized
copies of this
copyright
It is
music.
illegal
to make
unauthorized
copies of this
Franklyn
Gellnick
copyright
(born 1968)
music.
10
C:1
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Franklyn Gellnick was educated in Canterbury, gaining a PhD at the University of Kent in 1998. He is active as a pianist and organist, and also as
an examiner for ABRSM. His interests are very wide, ranging from Gregorian chant to jazz harmony. Moody Prawn Blues was composed to cheer
up an examiner colleague who had fallen ill during an examining trip after eating a ‘moody’ prawn omelette. The composer has written: ‘Imagine
a rather sinister, beady-eyed prawn, at a medium swing tempo, and the character of the piece should emerge.’
© 2014 by The Associated Board of the Royal Schools of Music
AB 3732
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Franklyn Gellnick was educated in Canterbury, gaining a PhD at the University of Kent in 1998. He is active as a pianist and organist, and also as
an examiner for ABRSM. His interests are very wide, ranging from Gregorian chant to jazz harmony. Moody Prawn Blues was composed to cheer
up an examiner colleague who had fallen ill during an examining trip after eating a ‘moody’ prawn omelette. The composer has written: ‘Imagine
a rather sinister, beady-eyed prawn, at a medium swing tempo, and the character of the piece should emerge.’
Franklyn
Gellnick was educated in Canterbury, gaining a PhD at the University of Kent in 1998. He is active as a pianist and organist, and also as
© 2014 by The Associated Board of the Royal Schools of Music
an examiner for ABRSM. His interests are very wide, ranging from Gregorian chant to jazz harmony. Moody Prawn Blues was composed to cheer
up an examiner colleague who had fallen ill during an examining tripAB
after
eating a ‘moody’ prawn omelette. The composer has written: ‘Imagine
3732
a rather sinister, beady-eyed prawn, at a medium swing tempo, and the character of the piece should emerge.’
© 2014 by The Associated Board of the Royal Schools of Music
AB 3732