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Kurt Atterberg Wikipedia KURT ATTERBERG (1887-1974 Sweden) had a distinctly unusual career. An electrical engineer by profession, he was a member of the respected Swedish Patent Office, whilst also having considerable influence on musical life in Stockholm and indeed throughout Sweden, as conductor, composer and journalist. Accordingly he frequently received honours and rewards for his work. His compositions breathe the spirit of tradition spanning Grieg to Sibelius. Though respected within his own country, his retrospectiveness has meant that Atterberg has remained almost unknown in the outside world. His is the music of a "Swedish, second-generation, late romantic".! The Suite for Violin, Viola and String Orchestra op. 19 no. 1, composed in 1917 is a typical example of his extensive compositional legacy. It was based on incidental music written for Maeterlinck's play Sister Beatrice and is the third of his nine works in this genre. In essence a double concerto for string orchestra, the composer sees it in the continuing tradition of orchestral suites taken up and further developed in the 19th century by Edvard Grieg amongst others. It is better for the listener not to make comparisons with contemporaries such as Schöberg, Bartok or Stravinsky, but rather with Max Reger or Hans Pfitzner, those composers who continued, uninterrupted, the late romantic tradition.! Accepting this approach, there is much delight to be found in the many subtleties of this music: the heartfelt, lyrical melancholy of both the opening Prelude and following Pantomim, and the gently brooding "Nordic waltz" of Vision.! ! ! ! SHEVA 91! ! ! ! ! ! ! ! Suite for Violin, Viola and Strings!