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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
DRAMATIC PERFORMANCE / THEATRE
Early works
Miscellaneous
Early works
Bharat Muni (Attr.). Natya Shastra. Ancient Sanskrit treatise on drama.
(c. 200 BC-200 AD).
_____. The Natyasastra Ascribed to Bharata-Muni. Trans. Manomohan
Ghosh, M.A., Ph.D. (Bibliotheca Indica: A Collection of Oriental
Works; work no. 272, issue 1559). Calcutta: Asiatic Society of
Bengal, 1951.*
_____. Natya Shastra. Trans. Manomohan Ghosh. 1951. Internet
Archive.
http://archive.org/details/NatyaShastra
2013
Wilde, Oscar. "The Truth of Masks." In Wilde, Intentions. 1891. First
published under a different title in The Nineteenth Century (May
1885).
_____. "The Truth of Masks." The Works of Oscar Wilde. Ed. B.
Foreman. London: Collins, 1948. 1060-1104.
_____. "The Truth of Masks: A Note on Illusion." In The Works of
Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins,
1938. 1957. 999-1017.*
_____. "The Truth of Masks: A Note on Illusion." In Complete Works
of Oscar Wilde. London: Collins, 1966. 1060-78.*
_____. "La verdad de las máscaras (apuntes sobre la ilusión)." In
Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna.
Madrid: Aguilar, 1943. 1986. 1009-28.* Rpt.. Santillana-Aguilar,
2003. 1.695-714.*
_____. "La verdad de las máscaras (un estudio sobre la ilusión)." In
Wilde, El crítico como artista: Ensayos. (Colección Austral).
Madrid: Espasa-Calpe, 1968. 103-34.*
_____. "La verdad de las máscaras." In Ensayos. Artículos. Trans. Julio
Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3).
Barcelona: Orbis, 1986. 168-200.*
Miscellaneous
Aebischer, Pascale, Edward J. Esche and Nigel Wheal, eds. Remaking
Shakespeare: Performance Across Media, Genres and Cultures.
(Palgrave Shakespeare Studies). Basingstoke: Palgrave
Macmillan, 2003.
Allsopp, Ric. "Performance Writing." PAJ: A Journal of Performance
and Art 21.1 (1999): 76-80.
Álvarez, Inma, et al., eds. Expression in the Performing Arts.
Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.*
http://www.c-s-p.org/flyers/Expression-in-the-Performing-Arts14438-1953-0.htm
2011
Auslander, Philip. Liveness: Performance in a Mediatized Culture.
London: Routledge, 1999.
Banham, Martin, ed. The Cambridge Guide to Theatre. 2nd ed.
Cambridge: Cambridge UP, 1995.
Barnett, David. "When Is a Play Not a Drama? Two Examples of
Postdramatic Theatre Texts." New Theatre Quarterly 24.1
(2008): 14-23.
Baugh, Christopher. Theatre, Performance and Technology.
Basingstoke: Palgrave Macmillan, 2005.
Ben-Tovim, Ruth. "Writing for Performance: Three Contrasting
Approaches." In Writing Live: An Investigation into the
Relationship beween Writing and Live Art. Ed. John Deeney.
London: New Playwrights Trust, 1998. 51-83.
Benamou, Michel, and Charles Caramello, eds. Performance in
Postmodern Culture. Madison (WI): Coda, 1977.
Bentley, Eric. "Enactment." In Perspectives on Drama. Ed. J. L.
Calderwood and H. E. Toliver. New York: Oxford UP, 1968.
425-41.*
Berger, Harry, Jr. "Bodies and Texts." Representations 17 (1987).
Bicât, Tina, and Chris Baldwin. Devised and Collaborative Theatre: A
Practical Guide. Marlborough: Crowood, 2002.
Birringer, Johannes. Theatre, Theory, Postmodernism. Bloomington:
Indiana UP, 1991.
Blau, Herbert. "Precipitations of Theater: Words, Presence, Time Out
of Mind." New Literary History 12.1 (Autumn 1980).
Brook, Peter. The Empty Space. London: MacGibbon and Kee, 1968.
_____. The Empty Space. New York, 1969.
_____. The Empty Space. Harmondsworth: Penguin, 1973.
_____. El espacio vacío: Arte y técnica del teatro. Ediciones de
Bolsillo.
_____. The Open Door: Thoughts on Acting and Theatre. 1993.
_____. La puerta abierta: Reflexiones sobre la interpretación y el
teatro. Trans. Gema Moral Bartolomé. Sant Llorenç d'Hortons
(Barcelona): Alba Editorial, 1994. 2nd ed. 1996. 3rd ed. 1997.
4th ed. 1999. 5th ed. 2002. 6th ed. 2004. 7th ed. 2007. 8th ed.
2010.*
Brown, John Russell. Effective Theatre. London, 1969.
Byrne, M. St Clare. "Dramatic Intention and Theatrical Realization." In
The Triple Bond. Ed. Joseph G. Price. U of Pennsylvania, 1975.
30-49.
Cameron, Kenneth, and Theodore J. C. Hoffman. The Theatrical
Response. London, 1969.
Carlson, Marvin. Performance: A Critical Introduction. London:
Routledge, 1996.
Cassou, Jean. "XXII. Les Arts du spectacle." In Cassou, Panorama des
Arts Plastiques Contemporains. Paris: Gallimard, 1960. 378410.*
Causey, Matthew. "The Aesthetics of Disappearance and the Politics of
Visibility in the Performance of Technology." Gramma/Gramma
10 (2002): 59-72.*
_____. "Postorganic Performance: The Appearance of Theater in
Virtual Spaces." In Cyberspace Textuality: Computer Technology
and Literary Theory. Ed. Marie-Laure Ryan. Bloomington:
Indiana UP, 1999. 182-201.
_____. "La performance post-orgánica: la apariencia del teatro en los
espacios virtuales." Trans. Óscar Jiménez. In Literatura y
cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros,
2004. 297-325.*
Deeney, John. Writing Live: An Investigation into the Relationship
beween Writing and Live Art. Ed. John Deeney. London: New
Playwrights Trust, 1998. 9-50.
Derrida, Jacques. "Le théâtre de la cruauté et la clôture de la
représentation." In Derrida, L'Ecriture et la différence. Paris:
Seuil, 1967. 341-68.*
Elam, Keir. The Semiotics of Theatre and Drama. 2nd ed. (New
Accents). London: Routledge, 2002.* (Available in electronic
edition).
Etchells, Tim. "Diverse Assembly: Some Trends in Recent
Performance." In Contemporary British Theatre. Ed. T. Shank.
Basingstoke: Macmillan, 1994. 107-22.
_____. Certain Fragments: Contemporary Performance and Forced
Entertainment. London: Routledge, 1999.
Fernald, John. The Play Produced. Deane.
Fortier, Mark. Theory / Theatre: An Introduction. London: Routledge,
1997.
_____. Theory/Theatre: An Introduction. London: Routledge, 1997.
2nd ed. 2012.
_____. Theory/Theatre: An Introduction. 3rd ed. London: Routledge,
2016.*
Freeman, John. New Performance / New Writing. Houndmills: Palgrave
Macmillan, 2007.
_____. Blood, Sweat and Theory: Research Through Practice in
Performance. Faringdon: Libri Publishing, forthcoming 2010.
Frisch, Max. "On the Nature of the Theatre." (Performance). In
Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver.
New York: Oxford UP, 1968. 442-53.*
García Landa, José Ángel. "El mundo social como presentación y representación." In García Landa, Vanity Fea 19 October 2009.*
(Goffman).
http://vanityfea.blogspot.com/2009/10/el-mundo-social-comopresentacion-y-re.html
2009
_____. "Actuaciones." In García Landa, Vanity Fea 21 October 2009.*
http://vanityfea.blogspot.com/2009/10/actuaciones.html
2009
_____. "Actuaciones: Notas sobre el primer capítulo de The
Presentation of Self in Everyday Life, de Erving Goffman."
Ibercampus (Vanity Fea) 28 Oct. 2009.*
http://www.ibercampus.es/articulos.asp?idarticulo=11296
2009
_____. "Drama and Theatre." In García Landa, Vanity Fea 20 Sept.
2012.*
http://vanityfea.blogspot.com.es/2012/09/drama-and-theatre.html
2012
Gerould, Daniel, ed. Theatre/Theory/Theatre: The Major Critical Texts
from Aristotle and Zeami to Soyinka and Havel. Applause Books,
2003.
Gottlieb, Vera. "Theatre Today—The 'New Realities'." Contemporary
Theatre Review 13.2 (2003): 5-14.
Gould, John. "X. Tragedia – (2) La representación de la tragedia." In
Historia de la Literatura Clásica (Cambridge University), I:
Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox.
Madrid: Gredos, 1990. 293-313.*
Govan, Emma, Kate Normington and Helen Nicholson. Making a
Performance. London: Routledge, 2007.
Graham, Scott, and Steven Hoggett. The Frantic Assembly Book of
Devising Theatre. London: Routledge, 2009.
Gramma/Gramma 10 (2002): "Theatres in the Age of New
Technologies." Ed. Elizabeth Sakellaridou and Savas Patsalidis.
Aristotle U of Thessaloniki.
Granville-Barker, Harley. On Dramatic Method. 1931.
Gross, Roger. Understanding Playscripts. Bowling Green (OH), 1974.
Hagen, Uta. A Challenge for the Actor. New York: Scribner, 1991.
Hays, Michael. The Public and Performance: Essays in the History of
French and German Theater 1871-1900.
Heddon, Dee, and Jane Milling. Devising Performance: A Critical
History. Houndmills: Palgrave Macmillan, 2006.
Hilton, Julian. Performance. London: Macmillan, 1988.
Holderness, Graham. "Production, Reproduction, Performance:
Marxism, History, Theatre." In Uses of History. Ed. Francis
Barker, Peter Hulme, and Margaret Iversen. Manchester UP,
1991. 153-78.*
Hubert, Judd D. "Metatheater and Performance." In Hubert,
Metatheater: The Example of Shakespeare. Lincoln: U of
Nebraska P, 1991. 1-14.*
Hymes, Dell. "Breakthrough into Performance." In Folklore:
Communication and Performance. Ed. Dan Ben-Amos and
Kenneth Goldstein. The Hague: Mouton, 1975. 9-74.
Kaye, Nick. Postmodernism and Performance. (New Directions in
Theatre series). Basingstoke: Macmillan, 1994.
Kershaw, Baz. The Politics of Performance: Radical Theatre as
Cultural Intervention. London: Routledge, 1992.
Kubiak, Anthony. Agitated States: Performance in the American
Theatre of Cruelty. Ann Arbor: Michigan UP, 2002.
Langellier, Kristin M. "'You're Marked': Breast Cancer, Tattoo, and the
Narrative Performance of Identity." In Narrative and Identity:
Studies in Autobiography, Self and Culture. Ed. Jens Brockmeier
and Donal Carbaugh. Amsterdam and Philadelphia: John
Benjamins, 2001. 145-84.*
Lehmann, Hans-Thies. Postdramatic theatre. Abingdon: Routledge,
2006.
Ley, Graham. "'Discursive Embodiment': The Theatre as Adaptation."
Journal of Adaptation in Film and Performance 2.3 (2009): 2019.
Ley, Graham, and Jane Milling. Performance and Theory from
Stanislavski to Boal. Houndmills: Macmillan, 2000.
Lovink, Geert. "Surveillance, Performance, Self-Surveillance:
Interview with Jill Magid." Online PDF. 2004.
Luckhurst, Mary. Dramaturgy: A Revolution in Theatre. Cambridge:
Cambridge UP, 2006.
McDougall, Gordon. "Theatrical Truth: The Dialogue between
Audience and Performance." Studies in Theatre and Performance
22.2 (2002): 107-17.
Meisel, Martin. How Plays Work: Reading and Performance. Oxford:
Oxford UP, 2007.
Meyrick, Julian. "Cut and Paste: The Nature of Dramaturgical
Development in the Theatre." Theatre Research International
31.1 (2006): 270-82.
Middleton, Irene Jane. "Audience Communities: Early Modern Desire
in Post-1956 British Performance." Diss. Emory U, 2010.
https://etd.library.emory.edu/view/record/pid/emory%3A7s373
Morgan, Margery. Drama, Plays, Theatre and Performance. Harlow:
Longman, 1987.
Normington, Katie. Medieval English Drama: Performance and
Spectatorship. Cambridge: Polity Press, 2009.
Oddey, Alison. Devising Theatre: A Practical and Theoretical
Handbook. London: Routledge, 1996.
Oliva, César, and Francisco Torres. Historia básica del arte escénico.
Madrid: Cátedra, 1990.
Peterson, Eric E., and Kristin M. Langellier. "The Performance Turn in
Narrative Studies." In Narrative: State of the Art. Ed. Michael
Bamberg. Amsterdam and Philadelphia: John Benjamins, 2007.
205-13.* Rpt. of Narrative Inquiry 16.1 (2006).
Phelan, Peggy. "Feminist Theory, Post-Structuralism, and
Performance." Drama Review 32 (1988).
_____. Unmarked: The Politics of Performance. London: Routledge,
1993.
Poirier, Richard. The Performing Self. New York: Oxford UP, 1971.
Richardson, Brian. "Endings in Drama and Performance: A Theoretical
Model." In Current Trends in Narratology. Ed. Greta Olson.
Berlin and New York: De Gruyter, 2011. 181-99.*
Saltz, David Z. "Performing Arts." In A Companion to Digital
Humanities. Ed. Susan Schreibman, Ray Siemens, and John
Unsworth, eds. Malden (MA): Blackwell, 2004. 121-31.*
Schechner, Richard. "News, Sex, and Performance Theory." In
Innovation/Renovation: New Perspectives on the Humanities. Ed.
Ihab Hassan and Sally Hassan. Madison (WI): U of Wisconsin P,
1983.
_____. Performance Theory. Rev. ed. New York: Routledge, 1988.
_____. "Performance and Ritual." Encyclopedia of Religion. Thomson
Gale, 2005.*
http://www.encyclopedia.com/article-1G23424502396/performance-and-ritual.html
2016
Shaughnessy, Robert. Representing Shakespeare: England, History,
and the RSC. Hemel Hempstead: Harvester Wheatsheaf, 1994.
Stanislavski, Konstantin. Creating a Role. Trans. E. R. Hapgood.
London, 1968.
_____. Building a Character. New York: Theatre Arts Books.
_____. (Constantin Stanislavski). La construcción del personaje.
Trans. Bernardo Fernández. (El Libro de Bolsillo, 573). Madrid:
Alianza, 1975. 1980. 1984. 1985.*
_____. Stanislavski on the Art of the Stage. Ed. D. Magarshack.
London, 1967.
Steiger, Nina. "'Absolute Immediacy': A Conversation with Scott
Graham." Contemporary Theatre Review 16.3 (2006): 312-17.
Striff, Erin. "Introduction: Locating Performance Studies." In
Performance Studies. Ed. Erin Striff. Basingstoke: Palgrave
Macmillan, 2003. 1-13.
Styan, J. L. The Elements of Drama. Cambridge: Cambridge UP,
1960.* (Part I: The Dramatic Score; Part II: Orchestration; Part
III: Values).
_____. Restoration Comedy in Performance. Cambridge: Cambridge
UP, 1986.*
_____, ed. The English Stage: A History of Drama and Performance.
Cambridge: Cambridge UP, 1996.*
Thompson, Marvin, and Ruth Thompson, eds. Shakespeare and the
Sense of Performance: Essays in the Tradition of Performance
Criticism in Honor of Bernard Beckerman. London: Associated
UPs, 1989.
Thomson, Peter. Shakespeare's Theatre. (Performance). London:
Routledge, 1992.
Totzeva, Sophia. "Realizing Theatrical Potential: The Dramatic Text in
Performance and Translation." In The Practices of Literary
Translation: Constraints and Creativity. Ed. Jean Boase-Beier
and Michael Holman. Manchester: St Jerome, 1998. 81-90.*
Trussler, Simon. The Cambridge Illustrated History of British Theatre.
Cambridge: Cambridge UP, 1994. pbk 2000.*
Turner, Cathy. "Gettin the 'Now' into the Written Text (and Viceversa):
Developing Dramaturgies of Process." Performance Research
14.1 (2009): 106-14.
Turner, Cathy, and Synne K. Behrndt. Dramaturgy and Performance.
Houndmills: Palgrave Macmillan, 2007. 2008.
Ugawu, Catherine, ed. Let's Get It On: The Politics of Black
Performance. London: ICA Publications, 1995.
Vanden Heuvel, Michael. Performing Drama / Dramatizing
Performance: Alternative Theater and the Dramatic Text. Ann
Arbor: U of Michigan P, 1991.*
Versteele, Jeroen. "Performance and Cognitive Narratology." Image
(&) Narrative 9 (2004).
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification
in Performance. Ann Arbor: U of Michigan P, 1994.
Williams, Raymond. Drama in Performance. Muller, 1954. (Greek and
Shakespearean drama).
_____. Drama in Performance. London, 1968.
Wilshire, Bruce. Role Playing and Identity: The Limits of Theatre as
Metaphor. Bloomington: Indiana UP, 1982.
Wilson, Edwin, and Alvin Goldfarb, eds. Living Theatre: A History of
Theatre. 6th ed. McGraw-Hill, 2011.
Worthen, William B. "Deeper Meanings and Theatrical Technique: The
Rhetoric of Performace Criticism." Shakespeare Quarterly 40
(1989): 441-55.
_____. "Deeper Meanings and Theatrical Technique: The Rhetoric of
Performance Criticism." In Shakespeare: An Anthology of
Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford:
Blackwell, 2003.*
Zatlin, Phyllis. Theatrical Transition and Film Adaptation: A
Practitioner's View. Clevedon: Multilingual Matters, 2005.
Anthologies
Gale, Maggie B., and John F. Deeney, eds. The Routledge Drama
Anthology and Sourcebook: From Modernism to Contemporary
Performance. London: Routledge, 2010.
Dictionaries and encyclopedias
Kennedy, D., ed. The Oxford Encyclopedia of Theatre and
Performance. Oxford: Oxford UP, 2003.
DVDs
Molinari, Cesare, and Renzo Guardenti, eds. Dionysos. (Archive of
theatrical iconology). DVD. Italy: Titivillus.
http://www.titivillus.it
Films
Stage Fright. Dir. Alfred Hitchcock. Written by Whitfield Cook, on a
story by Selwyn Jepson. Cast: Marlene Dietrich, Jane Wyman,
Michael Wilding, Richard Todd. Vistavision Technicolor. USA:
Metro Goldwyn Mayer, 1950.
_____, dir. Pánico en la escena. DVD. DVD. (Hitchcock Gold
Edition). Barcelona: RBA/WB, 2008.*
Internet resources
Theatre Database
http://www.theatredatabase.com/
2005-10-25
Journals
Contemporary Theatre Review 17.4 (2007).
Educational Theatre Journal 27 (1975).
Journal of Adaptation in Film and Performance 5.1 (2012).
Performance Research 14.1 (2009).
Performing Arts Journal no. 33/34 (vol. 11.3, 1989).
Playbill
http://www.playbill.com/
2006-06-10
Shakespeare Bulletin: A Journal of Performance Criticism and
Scholarship 14 (1996).
Studies in Theatre and Performance 27.3 (2007).
Text and Performance Quarterly 27.4 (2007).
Theater 10.2 (1979).
Theatre History Studies 10 (1990).
Theatre Ireland 29 (Autumn 1992).
Theatre Journal 39.1 (March 1987).
Theatre Notebook 42 (1988).
Theatre Research / Recherches Théâtrales 5.3 (1963).
Theatre Research International.
Ed. Claude Schumacher (U of Glasgow).
Vol. 22 (1997).
http://www.oup.co.uk/tri/
Theatre Topics 13.1 (2003).
Women and Performance 2.2 (1985).
Literature
Larra, Mariano José de. "Una primera representación." In Larra,
Artículos. Ed. Enrique Rubio. Madrid: Cátedra, 1992. 296-308.*
Fitzgerald, Penelope. At Freddie’s. Novel. 1985.
_____. At Freddie’s. London: HarperCollins-Flamingo.
Video
Boadella, Albert. "Interpretando la lengua." Lecture at the Universidad
de Comillas, 2012. YouTube (Centro Universitario CIESEComillas) 20 March 2012.*
http://youtu.be/er1o_W-eD9Y
2014
Bradley, Robert. "Introduction to Theatre and Drama Arts." In García
Landa, Vanity Fea 20 May 2014.*
http://vanityfea.blogspot.com.es/2014/05/introduction-to-theatreand-drama-arts.html
2014
Gómez, José Luis. "Breviario de teatro para espectadores activos."
Inaugural discourse at the Real Academia Española, 1 Dec. 2011.
Online video at YouTube (Canal de RAEinforma) 30 Jan. 2014.*
http://youtu.be/FNrz9qs0O34
2014
See also Directors; Actors; Staging.