Download HISTORICAL Originally composed 1910

HISTORICAL
Originally composed 1910-11, revised in 1947.
The 1947 revised version consisted of a smaller orchestra, obbligato snare
drum/timpani links between each scene and the removal of some of the more
difficult metric modulations from the first tableau.
Initially conceived as a Konzertstück. However, Diaghilev realised its theatrical
potential.
First performed on 13 June 1911 by Diaghilev’s Ballet Russes.
Composed in the same period as The Firebird and The Rite of Spring.
Lauded as one of the greatest ballets ever written in Europe. However, there was
heavier criticism in Russia due to the substantial use of Russian folk themes.
AESTHETIC
It is often thought that Petrushka is the perfect fusion of music, choreography
and design.
In the early 20th century, modernist writers promoted the idea of music being
pure, and therefore not being representative of anything beyond itself.
Stravinsky himself has claimed that the most important trait for a composer "is
his apprehension of the contour of the form, for the form is everything. He can
say nothing whatever about meanings" (Stravinsky 1962, p. 115)
Stravinsky warned that looking for meanings behind the music formed a
distraction from the musical experience itself.
ANALYSIS
Petrushka, 1ST tableau is characterized by its fragmented structure and
discontinuity, whilst still maintaining a satisfying sense of balanced form and
coherence.