Survey
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project
VI. Scales & Consonance Dr. Bill Pezzaglia Incomplete Rough Draft Updated April 23, 2012 1 2 Outline A. B. C. D. Musical Scales & Intervals Consonance & Dissonance The Harmonic Series References 3 A. Musical Scales 1. Three Basic Scales 2. Labeling Notes 3. Musical Intervals 1. Three Basic Scales (a) Chromatic Scale: Octave is divided into 12 semitone steps (halfsteps) (b) Diatonic Scale (white keys) 7 notes (c) Pentatonic Scale (black keys) 5 notes 4 1b Diatonic Scales You can build more (7 note) scales by starting on any of the white keys. Classic “greek” names: Soldiers should only listed to Dorian or Phrygian scales (Plato) 5 2. Labeling the Notes (a) Boethian Notation: white keys are labeled “A”, “B”, “C” through “G”. (b) Sharps & Flats: black keys are notated by # or “b” (c) Octave Numbering: C2 is octave above C1 6 2b Sharps and Flats • In modern tuning, D#=Eb, they are “enharmonic keys”, i.e. equivalent sounds. 7 8 2. The Piano • • • 88 Keys (36 black, 52 white) Start at A0 (27.5 Hz), end at C8 (4186 Hz) Range: 7 octaves (plus 3 notes) 3. Musical Intervals • Label White Keys 1 through 7 1 2 3 4 5 6 7 • • • • • • • CD CE CF CG CA CB CC M2 M3 P4 P5 M6 M7 P8 Major 2nd (Dissonant) Major 3rd Perfect 4th Perfect 5th Major 6th Major 7th Octave (Consonant) Demonstration Link: http://www.music.sc.edu/fs/bain/atmi02/partch/index.html 9 C.1. Harmonic Modes 10 • Daniel Bernoulli (1728?) shows string can vibrate in different modes, which are multiples of fundamental frequency (called “Harmonics” by Sauveur) n=1 f1 n=2 f2=2f1 n=3 f3=3f1 n=4 f4=4f1 n=5 f5=5f1 C.2. Harmonic Series The musical notes of harmonic series Reference: http://www.music.sc.edu/fs/bain/atmi02/hs/index-audio.html Sound: http://www.music.sc.edu/fs/bain/atmi02/hs/playback/partials/hs1-12-c.mov 11 C.3. Pythagorean Ratios • Musical Intervals can be expressed as pure mathematical ratios. • Lower numbers sound more consonant • Bigger numbers sound more dissonant • • • • • • • CD CE CF CG CA CB CC M2 M3 P4 P5 M6 M7 P8 Major 2nd Major 3rd Perfect 4th Perfect 5th Major 6th Major 7th Octave 8:9 4:5 3:4 2:3 3:5 8:15 1:2 12 13 D. References • • • http://en.wikipedia.org/wiki/Consonance_and_dissonance http://www.tunesmithy.connectfree.co.uk/musical_note_intervals.htm Bugle Demo of harmonics: http://www.philtulga.com/harmonics.html