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Sampling in Music
How Do We Sample?
Music Copyright
•
Music has two separate copyrights:
–
1. Composition (1831)
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2. Sound recording (federal protection, 1972)
•
Both these rights are typically transferred to
record labels or publishers (corporations)
•
These rights can be transferred through
mergers and acquisitions
•
Melody and lyrics are protectable as
compositions; not RHYTHM!!! Not drums
Pay and Permission


A work with a sample is usually a derivative
work
Master use license


Obtain from record label and/or recording artist or
whoever owns the “master” recording copyright

Remix clause in most recording contracts (moral?)

Up front ad hoc fee and running royalties
Mechanical license (compulsory license)


Obtain from publisher/composer/songwriter
They collect a % of publishing royalties (25%-100%)
on new work; running royalty: called “mechanicals”,
Who Gets Paid?
•
Record labels who own the master recording
•
Recording artists get a % (50%, but
contractual): must have “recouped”
advance...points=royalty rate. 20pts=20%
•
Publishers who own the publishing
•
Songwriters who get publishing royalties
(usually a 50-50 split, or songwriter sees 75%)
•
Anybody who is, under law, an “author” gets $
•
Non-authors who contribute don't see any
money (i.e. session musicians: Clyde
McLeod
•
Suzanne Vega
•
Clyde Stubblefield
•
George Clinton
•
“Walk This Way”
•
“The Takeover” and Alan Lomax
PROs and Trade Organizations

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RIAA: protect IP, lobby, research, certification
for recording industry Big 3
MPAA: protect IP, lobby, research, film rating for
film for Big 6 studios
ASCAP: collect performance license fees;
royalties
BMI: collect performance license fees; royalties
SESAC: collect performance license fees;
royalties
SoundExchange: PRO for performance and
Different Uses?

Transformation or transformative use: adds to
the original work in a way; a progression or leap
forward that benefits public


Derivative: translation, adaptation, etc.


Create new meaning or new expression
Uses an original work w/out building upon it
Transformative uses are likely “fairer” uses in
court because they directly critique/build upon
the sampled work instead of using it verbatim
Defenses?



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Fair Use: P&C, Nature, Qual/Quant, Harm
De minimis: copying is so small is doesn't
warrant a fair use analysis
You can't say “I tried to license,” “they didn't
respond,” etc. LICENSE or its infringement
“Lay audience”: would members of an audience
of regular people recognize the original work in
the new work.
Interpolation

Pay compulsory mechanical, perform/record
song, and sample performance
Grand Upright v. Warner (1991)
VS
Grand Upright Cont'd
•
“Everybody else is doing it”
•
“We asked and they never responded”
•
Rule: In favor of O'Sullivan
•
“Thou shall not steal”
•
Sig: Unauthorized sampling is infringement;
could punish under 17 USC 506 (criminal, not
just civil)
Campbell v. Acuff-Rose (1994)
VS
Campbell Cont'd
•
Supreme Court
•
Ruling: in favor of 2 Live Crew, parody of
“white bred original”
•
Sig: Commercial parody can be fair use
Bridgeport v. Dimension (2005)






Sample Troll, Catalog Company
"Get a license or do not sample.
We do not see this as stifling
creativity in any significant way."
Sig: Eliminates de minimis
Bright-line test=any unlicensed
sample is an infringement
$4M from Ready to Die (2006)
Good Copy, Bad Copy
Sample Troll
Newton v. Diamond (2003)
•
1992, “Pass the Mic”
sampled James Newton's
“Choir”
•
Beastie Boys licensed the
sound recording, but not
underlying composition (3
notes / 6 seconds)
•
Newtown sold the rights to
his performance of the
composition, but kept rights
to composition
De Minimis
•
“The law does not concern itself with trifles”
–
Not enough used to warrant infringement
•
A possible defense for defendant
•
A possible claim by plaintiff
•
–
Didn't change it enough
–
Transformation was minimal
Not a defense for sound recordings anymore;
can work with compositions
Lay Audience Test
•
Would a group of regular people hear and
know the original in the new containing the
sample?
•
Industries use musicologists to determine this
$ampling's Value
•
Sampling gave way to a cottage industry:
sample clearance
–
•
Essentially, a third party company the obtains
licenses and permissions on recordings and
publishing
Revenue generated???
–
Sample clearance
–
Revitalizing careers of old artists
–
Establishing, or re-establishing market for
original
Compulsory Sample License
???