Download Resumes - James Ogburn

Dr. James J. Ogburn
Asst. Prof. of Composition and Theory,
Schwob School of Music
Columbus State University
1705 Slade Drive
Columbus, GA 31901
[email protected]
(+1)509.415.8880
www.jamesogburn.com
EDUCATION
2006-9
Ph.D., Composition and Theory, University of Pittsburgh
Dissertation: “Conflicting Lines, Cohesive Structures: Multiple-Directed
Linearity in Witold Lutoslawski’s Third Symphony” & Proximate Spaces
for Piano and Chamber Orchestra, Dr. Mathew Rosenblum, Advisor
2004-6
M.A., Composition and Theory, University of Pittsburgh
Thesis: Fear of Entropy for Orchestra, Dr. Amy Williams, Advisor
2001-4
B.M., Composition and Theory, Central Washington University
Dr. Mark Polishook, Advisor
1992-5
B.A., Foreign Languages, Lewis and Clark College
ACADEMIC APPOINTMENTS
2015—
Asst. Prof. of Composition and Theory, Schwob School of Music of
Columbus State University (full-time)
Graduate Courses: Graduate Theory Seminar
Undergraduate Courses: Theory 1, 3, & 4, Instrumentation &
Transcription, Form and Analysis, Applied Composition, Composition
Seminar
2009—15
Lecturer/ Chair, Dept. of Composition and Theory, Mahidol University
College of Music (full-time)
Graduate Courses: Electro-Acoustic Composition, Analytical Music
Theory, Composition Seminar, Analysis of 20th-Century Music, Set
Theory Analysis, Counterpoint, Advanced Orchestration, Topics in Music
Theory History, Doctoral Dissertation Advisor, Masters Advisor.
Undergraduate Courses: Theory 1-4, Instrumentation/ Orchestration,
Advanced Orchestration, Form and Analysis, Species Counterpoint,
Private Composition, Composition Studio, Contemporary Ensemble,
History of Twentieth-Century Music
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2009
Composition Studio Instructor, Carnegie Mellon University Pre-College
Program (part-time)
Applied lesson instructor for Pre-College composition students.
2005-8
Teaching Fellow/ Assistant, University of Pittsburgh (part-time)
Undergraduate Courses: Fundamentals of Western Music, Class Piano,
Special Seminar – Composition 2 “Major Trends of the TwentiethCentury,” Musicianship/ Ear Training; Courses Assisted: Music Theory 1-4
(Recitations), Electronic Music, University of Pittsburgh Symphony
Orchestra (Asst. Cond.)
OTHER EXPERIENCE
2013-14
Composer-in-Residence, Thailand Philharmonic Orchestra (TPO) Season
9
Commission of five works (Gudni Emilsson [2], Jeffery Meyer, and
Claude Villaret, conds.)
2011—
Principal Researcher, TPO
Research and composition of regular season program notes (30 per
season)
2004
McNair Teaching Assistant, Central Washington University (part-time)
Undergraduate Course: Counterpoint 1
1995-01
Recreation Therapist, Rebekah Children’s Services, Gilroy, CA
Responsibilities: Daily organization and implementation of physical,
therapeutic, creative, and intellectual activities for severely emotionally
disturbed children between the ages of six and seventeen; public relations
and community outreach.
AREAS OF INTEREST
Composition – Chamber and Orchestral Music
Music Theory – Specializing in music of the post-tonal period
Conducting – Specializing in Contemporary Music
MEMBERSHIP
2006-9
Society Of Composers Incorporated (SCI)
Founding Member – University of Pittsburgh Student Chapter
2002-4
Society Of Composers Incorporated (SCI)
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Founding Member/ Student Chapter President – CWU
SERVICE TO COMMUNITY
2017
Adjudicator, Newly Published Music Competition, National Flute
Association
Competition for newly published works; served on a committee of three
to select a winner.
2017
Project Director, Dave Eggar Residency
Featuring a cello masterclass, composition reading session, & concert, in
collaboration with Schwob performance faculty.
2016
Creator/ Designer - B.A., Composition Concentration
Created a new program within the B.A. degree of the Schwob School of
Music, with composition as the primary focus..
2016
Creator/ Designer – Composition Certificate
Created a certificate program available to all majors of the Schwob
School of Music, with composition as the primary focus..
2016
Project Director, Ingrid Stölzel Residency
Featuring a masterclass, individual composition lessons, & concert, in
collaboration with Schwob performance faculty.
2016
Guest Conductor, Ricardo Zohn-Muldoon Residency
Conducted Rocio del Canto, in collaboration with Schwob performance
faculty and students.
2016
Project Director, Composers Competition, IDRS Annual Conference 2016
As part of the International Double Reed Society Conference 2016, the
Composers Competition invited composers to submit chamber concerto
works featuring double reeds. Three finalists were selected to join the
festival. Finalist works received a performance by a featured performer
guest of IDRS 2016, accompanied by the resident ensemble of professional
musicians, which I conducted.
2016
Host, Guest Artist, Girolamo Deraco, Composer
Featuring a masterclass & individual composition lessons.
2016
Host, Guest Artist, Rodrigo Vila, Saxophone
Featuring a masterclass & concert.
2016
Project Director, Composition Workshop & Concert, Featuring ALIA
Musica Pittsburgh
Invited AMP to present a Composition masterclass, guest lecture, “reading
session” workshop for student composers and performers, masterclasses
for the performance studios, and a public concert featuring AMP’s
repertoire and a newly commissioned work by myself.
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2009-15
Founder, Artistic Director, Conductor: Enclave Ensemble
Biannual concerts which have featured regional (& world*) premiere
performances of works by Joan Tower, Chen Yi, Zhou Long, Nancy
Galbraith*, Eric Moe, Roger W. Petersen*, Oscar Escudero*, Miyhun Woo,
Ioannis Angelakis, Tetsuya Yamamoto, Matthew Heap*, Federico Garcia de
Castro, Ivan Jimenez, Kerrith Livengood, Mark Fromm, and many more.
2007-9
Founding Member, Assistant Conductor: ALIA MUSICA Pittsburgh
Establishment of a contemporary music ensemble to feature works of
local composers alongside standards of the repertoire, also included
concert performances, community outreach, and rehearsal assistance
AWARDS, FELLOWSHIPS, AND OTHER HONORS
2016
Faculty Development Grant, Columbus State University, Columbus, GA,
USA
2015
Third Prize Winner, The American Prize, Danbury, CT, USA
Orchestral Composition/ Professional Division: Concerto for Accordion
and Orchestra
2014
Finalist, The American Prize, Celebrating Excellence in the Arts,
Danbury, CT, USA
Orchestral Composition/ Professional Division: Concerto for Cello and
Orchestra, “Singularity”
2013
Finalist, ALIA Musica Pittsburgh/ Pittsburgh New Music Ensemble
Commission Competition, Pittsburgh, PA, USA
Centric for ensemble
2009-10
Faculty Research Grant, MUCM: “Linear strands and large-scale form in
the piano music of Gyorgy Ligeti”
2009
Finalist, Pittsburgh Chamber Music Society/
Commission Project, Pittsburgh, PA, USA
2008-9
Andrew Mellon Pre-Doctoral Fellowship, University of Pittsburgh
2004-5
K. Leroy Irvis Fellowship, University of Pittsburgh
2003
Intl. Presentation Scholarship, Dean of Arts & Humanities of Central
Washington University
2002-3
Mcnair Scholarship, Central Washington University
Orion String Quartet
MAJOR COMMITTEES
2017–
Member, Marketing, Recruitment and Audition Committee, Schwob
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School of Music, Columbus State University
Plan marketing, recruitment, and auditions for SSOM.
2016–
Member, ELI Committee, Schwob School of Music, Columbus State
University
Plan changes to ELI intensive courseplan for international students;
discuss remedies for the loss of funding for this additional year through
the scholarship resources.
2016–
Chair, COA Grants Committee, Columbus State University
Discuss and recommend applications for University Grant within the
College of the Arts of Columbus State University
2016–
Member, Music Technology Committee, Schwob School of Music,
Columbus State University
Discuss and direct policy on technology needs and curriculum for music
technology at the Schwob School of Music
2016–
Member, Intellectual Property Committee, Columbus State University
Discuss and direct policy on intellectual property and copyright for
employees of Columbus State University
2016–
Member, Sustainability Committee, Columbus State University
Discuss and direct issues concerning environmental sustainability at
Columbus State University
2015–
Member Curriculum Committee, Schwob School of Music, Columbus
State University
Discuss and adapt issues of curriculum for undergraduate and graduate
students of the Schwob School of Music
2010-15
Chair, Composition Audition Committee, Mahidol University College of
Music
Oversight/ implementation of departmental entrance exams and auditions
2010-15
Member, Academic Committee, Mahidol University College of Music
Department
curriculum.
2011
Chair
committee
for
oversight
and
development
of
Designer, Thailand International Music Examination Committee
Creation of standardized exam for audition to music programs in
Thailand.
2009-11
Chair, Theory Entrance Examination, Mahidol University College of
Music
Design and implementation of standardized entrance exams for music
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theory.
2009-12
Member, M.M. and D.M. Curriculum Committees Mahidol University
College of Music
Design of curriculum, which was later approved by the Ministry of
Education of the Royal Thai Government.
PROFESSIONAL GROWTH AND DEVELOPMENT
2016
USF New Music Festival 2016, Tampa, FL, USA
Selection for performance/ participation – Allusions to Past Mistakes for
solo bass clarinet
2014
Residency, Conservatori Superior de les Illes Balears, Mallorca, ES
Masterclass and Performance – Transgression/ Regression for orchestra
2014
Yogyakarta Contemporary Music Festival, Yogyakarta, Java, ID
Selection for performance/ participation – Complements and Collisions for
oboe and piano
2014
4th Jean-Marie Londeix International Saxophone Competition, Bangkok
Jury (three rounds) during two weeks of competition, featuring fifty
competitors from around the world, with five other jury members.
2014
10th Thailand International Composition Festival Competition, Bangkok
Jury, first round: Selection of competition finalists (6), with five other
jury members.
2013
3rd Biennial Goethe Institute: Young Composers of Southeast Asia
Competition and Workshop, Bangkok
Jury (two rounds), master lecture, & workshop
2013
8th Siam Cement Group, Young Thai Artist Award (Music), Bangkok
Final Round: Selection of winner with two other jury members.
2012-15
Project Director, Siam Cement Group, Young Thai Artist Award
(SCGYTA), Music Category, Bangkok
Coordination of guidelines for submission, facilities, selection of jury
members, & adjudication guidelines for a nationwide composition
competition.
2012-15
Founder/ Artistic Director, Mahidol University Composition Prize and
Workshop
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Creation and oversight of an annual, internal competition and workshop
(featuring a guest resident composer) for current students of the MUCM
Composition Studio.
2011-15
Program Manager, Eighth, Ninth, Tenth, & Eleventh
International Composition Festivals (TICF), Bangkok
Thailand
Chief organizer, in collaboration with the Artistic Director, Narong
Prangcharoen, for all aspects of an international festival. Featured
composers and performers during my tenure have included: Augusta
Read Thomas, Bernard Rands, Federico Garcia de Castro, Ken Ueno,
Zhou Long, Xiaogang Ye, Eric Moe, Chen Yi, Bright Sheng, Kee Yong
Chong, Norbert Palej, Antonio Celso Ribeiro, Amy Williams, Zygmunt
Krauze, Paul Patterson, Chinary Ung, Strike! Ensemble, New York New
Music Ensemble, Tetris Quartet, Duo Amrein/ Henneberger, Luisa Sello,
Alvin Wong, Delta David Gier, & Jeffery Meyer.
2011
6th Siam Cement Group, Young Thai Artist Award (Music), Bangkok, TH
Final Round: Selection of winner with two other jury members.
2010
12th Thailand International Wind Ensemble Competition, Bangkok, TH
Small Ensembles Competition: Selection of competition finalists (ten) &
winners (three), with three other jury members.
2010
5th Siam Cement Group, Young Thai Artist Award (Music), Bangkok, TH
Chair and jury, first round: Oversight and selection of competition
finalists (6), with five other jury members.
2009
American Composers Orchestra/Penn Presents New Music Reading &
Lab, Cliff Colnot, Cond., U. of PA, Philadelphia, PA USA
Selection for performance/ participation – Proximate Spaces for piano and
chamber orchestra
2007
June in Buffalo, red fish blue fish percussion ensemble, Buffalo, NY,
USA
Selection for performance/ participation – Lamarck was a Mutant for
percussion duo
2007
U3 Festival – Student Reading Session, Daniel Meyer, cond., Pittsburgh
Symphony Orchestra, Pittsburgh, PA, USA
Selection for public reading – Fear of Entropy for Orchestra
2004
National Student Conference, Society of Composers Inc., University of
Iowa, Iowa City, IA, USA
Selection for performance – Quod Tantos Iuvat for two violins
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PROFESSIONAL ACTIVITIES - PUBLICATIONS
2014
“Composer’s Corner V: The Composer in Exile”
Music Journal, 20:5 (November 2014)
2014
“Composer’s Corner IV: Work in progress – Concerto for Accordion and
Orchestra”
Music Journal, 19:11 (May 2014)
2014
“Composer’s Corner III: Horse or artist?”
Music Journal, 19:8 (March 2014)
2014
“Composer’s Corner II: Crafting one’s voice”
Music Journal, 19:6 (February 2014)
2013
“Composer’s Corner I: The composer’s identity within the historical
narrative”
Music Journal, 19:4 (December 2013)
2013
“CD Review: Hard Fairy, Wisuwat Pruksavanich”
Music Journal, 18:2 (August 2013)
2012
Thailand Philharmonic Orchestra, Faces of Love (Recording – MUCM
Studios)
Featuring A Picture in Einstein’s Hand for orchestra, Wschodni Wiatr for
orchestra, and Complements and Collisions for oboe and orchestra
2012
Mahidol Wind Symphony, Winds of Salaya (Recording – 407 Studios)
Featuring Elegy for wind ensemble
2012
“Event Review: Thailand International Composition Festival 2012”
Music Journal, 17:3 (September 2012)
2008
ALIA MUSICA Pittsburgh, Premiere (Recording – Woolslayer Traveling
Studios)
Featuring Centric for chamber ensemble
PROFESSIONAL ACTIVITIES - PAPERS
2016
University of Pittsburgh, Department of Music, Pittsburgh, PA
Guest Artist Lecture: “Against the Anti-Kitsch, or: How I learned to
stop worrying and love the audience”
2016
USF New Music Festival 2016, Tampa, FL, USA
Mini-Lecture: “Instinct & Control”
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2015
Hochschule für Musik, Lübeck, DE
Master Lecture: “Instinct & Control,” Masterclass
2014
Composers’ Studio, Central Washingon University, Ellensburg, WA, USA
Master Lecture: “Instinct & Control,” Masterclass
2012
Composers’ Forum – Carnegie Mellon University, Pittsburgh, PA, USA
Master Lecture: “Interval Pairing”
2012
Eighth Annual TICF – Mahidol University College of Music, Bangkok, TH
Panel M.C. – “Extended Techniques in Performance”
2009
Music Theory Society of the Mid-Atlantic, Seventh Annual Meeting,
George Mason University, Fairfax, VA, USA
Paper presentation – “Conflicting Lines, Cohesive Structures”
2009
Grad Expo, University of Pittsburgh, Pittsburgh, PA, USA
Paper presentation – “Conflicting Lines, Cohesive Structures”
2008
Grad Expo, University of Pittsburgh, Pittsburgh, PA, USA
Panel Pres. – “Words and Voices:
Cycle”
PROFESSIONAL
PERFORMANCES
2013
Collaborative Composition of a Song
ACTIVITIES
Guest Conductor, Ninth Annual
“Celebrations,” 13 July 2013
–
TICF,
CONDUCTING
Final
Concert,
TPO:
Conduct Arabesque by Zygmunt Krauze, Zygmunt Krauze, pno.
2013
Guest Conductor, Ninth Annual TICF, 13 July 2013
Conduct Finalist works of TICF 2013 Composition Competition
2011
Guest Conductor, Thailand Brass and Percussion Festival, Old Pros
Trombone Choir, 18 June 2011
Works by Eric Ewazen, Roger Petersen, and James Ogburn
2011
Guest Conductor, TubaMania Festival, E-Tan Quartet, feat. Steve Rosse
and Matthew Van Emerick, 24 March 2011
Works by Houston Dunleavy and Eric Ewazen
2006-7
Assistant Conductor: University of Pittsburgh Symphony Orchestra
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Concert performances and rehearsal assistance for an undergraduate
student orchestra
2007
Guest Conductor, University of Pittsburgh Graduate Composers’ Recital,
IonSound Project, 23 April 2007
Works by Benjamin Harris, Erika Kudisch, and James Ogburn
2005
Guest Conductor, University Of Pittsburgh, Chamber Orchestra, 4 April
2005
Works by Stravinsky, Roger Zahab, and James Ogburn
2004
Guest Conductor, Central Washington University Orchestra, Season
Finale, 8 May
Work by James Ogburn
2004
Guest Conductor, Central Washington University Chorale, 15 May 2004
Work by John Durham
PROFESSIONAL
ACTIVITIES
PERFORMANCES, LARGE ENSEMBLE
2016
–
COMPOSITION
Complements and Collisions (b) for soprano saxophone & orchestra
(2016)
Columbus State Philharmonic, 4 December 2016, Joe Girard, sax, Paul
Hostetter, cond.
2015
Escaping for orchestra (2015)
Commissioned and premiered by Gudni Emilsson and TPO, 17&18 July
2015, Gudni Emilsson cond., as part of the TPO Tenth Season
2014
Transgression/ Regression for orchestra (2014)
Commissioned and premiered by Claude Villaret and TPO, 5&6
September 2014, Claude Villaret, cond., as part of the TPO Ninth
Season, Performed by the Orquesta del Conservatorio Superior de las
Islas Baleares (ES) 24 October 2014, Alfredo Oyaguez Montero, cond.
2014
Three Pictures of Europe for orchestra (2014)
Commissioned and premiered by Gudni Emilsson and TPO, 8&9August
2014, Gudni Emilsson, cond., as part of the TPO Ninth Season
2014
Epiphoneme for orchestra (2014)
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Commissioned and premiered by Gudni Emilsson and TPO, 4&5 July
2014, Gudni Emilsson, cond., as part of the TPO Ninth Season
2014
Concerto for Accordion and Orchestra (2014)
Premiered by TPO, 6 & 7 June 2014, Heidi Luosujärvi, accd., Claude
Villaret, cond.
2013
Centric for orchestra (2013)
Premiered by TPO, 17&18 January 2014, Dr. Jeffery Meyer, cond.
2013
Concerto for Cello and Orchestra “Singularity” (2013)
Commissioned by Dave Eggar, premiered by TPO, 13 July 2013, Dr.
Bright Sheng, cond., Alvin Wong, Vc.
2012
A Picture in Einstein’s Hand for orchestra (2012)
Commissioned and premiered by Gudni Emilsson and TPO, 4&5 May
2012, as part of the TPO Eighth Season, available on the commercial CD
“Faces of Love,” Performed by the Karoly Vary Symphony Orchestra
(CZ) 12 March 2013, Gudni Emilsson, cond.
2011
Wschodni Wiatr for orchestra (2004-11)
Premiered by the Central Washington University Orchestra 8 May, 2004,
Premiere of the revision by TPO 10&11 June 2011, available on the
commercial CD “Faces of Love”
2011
Complements and Collisions for oboe and orchestra (2011)
Commissioned and premiered by Amy Galbraith Ogburn and TPO, 18
August 2011, as part of the Inaugural Asian Double Reed Association
Conference, available on the commercial CD “Faces of Love”
2010
Elegy for wind symphony (2010)
Commissioned by Chris Hughes and the Mahidol University Wind
Symphony and premiered 23 December, 2010, available on the
commercial CD “Winds of Salaya”
2008
Proximate Spaces for piano and chamber orchestra (2007-8)
Commissioned by Matthew Gillespie and ALIA MUSICA Pittsburgh,
premiered by that ensemble 1 April, 2008, James Ogburn, cond.,
Matthew Gillespie, piano
2006
Fear of Entropy for orchestra (2005-6)
Public Reading by the Pittsburgh Symphony Orchestra, Daniel Myer,
cond., 23 April, 2006 as part of the U3 Festival
2005
Solomon Conflicted for SSAATTBB choir (2004)
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String orchestra version premiered by the University of Pittsburgh
Chamber Orchestra in April, 2005
PROFESSIONAL
ACTIVITIES
–
PERFORMANCES, CHAMBER ENSEMBLE
2016
COMPOSITION
3 Bills for soprano and ensemble (2016)
Commissioned by ALIA Musica Pittsburgh, Federico Garcia De-Castro,
cond. and premiered 19 February 2016, with Michelle Murphy DeBruyn,
coprano.
2013
Transgression/ Regression for ensemble (2013)
Commissioned by Ensemble Mosaik, Enno Poppe, cond. and premiered
15 December 2013, as part of the Young Composers of SE Asia
Competition and Workshop
2013
Dispers(i)on for saxophone quartet & Khan Baet (2012)
Commissioned by Siam Saxophone Quartet and premiered 23 May 2013,
as part of Beijing Modern Music Festival
2012
Gliese 581g for saxophone quintet (2012)
Commissioned by Siam Saxophone Quartet and Shyen Lee and
premiered 13 July 2012, as part of World Saxophone Congress XVI
2012
Pairings for string quartet (2007-12)
Premiered by Tetris Quartet 13 July 2012, as part of the Eighth Annual
Thailand International Composition Festival
2008
Inflections for clarinet, violin, and cello (2008)
Commissioned by Julieta Ugartemendia and premiered by herself and
IonSound Project, 4 April, 2008
2007
Centric for chamber ensemble (2007)
Commissioned and premiered by ALIA MUSICA Pittsburgh, 15 March,
2007
2007
Five Miniatures on Musical Time for ensemble (2005)
Premiered by IonSound Project 23 April, 2007
2005-6
Three Pictures of Europe for ensemble (2004-5)
Premiered by IonSound Project in February 2005; Public Reading by
Boston Modern Orchestra Project, 12 February, 2006
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2004
Shapeshifter for percussion quartet (2004)
Premiered by members of the Central Washington University Percussion
Ensemble in June, 2004
2003
Adolescence for woodwind quintet (2003)
Premiered by students of Central Washington University in May, 2003
2003
The Life Cycle of a Democracy for string quartet/ string quartet with
electronics (2003)
Premiered by students of Central Washington University in May, 2003;
Performed by the Krakow Academy Quartet in December, 2003
PROFESSIONAL
ACTIVITIES
PERFORMANCES, SOLO & DUO
2014
–
COMPOSITION
Tone Loss for percussion solo (2012)
Commissioned and premiered by Wannapha Yannavut,
Percussion Recital, University of Iowa, 4 January 2014
2013
Doctoral
Allusions to Past Mistakes for bass clarinet solo (2013)
Commissioned and premiered by Grzegorz Grzeszczyk, Guest Recital,
Gdansk Academy of Music (PL), 25 October 2013
2013
Backward, then Forward for viola solo (2012)
Commissioned and premiered, 1 March 2013, by Danny Keasler
2012
Back for flute solo (2012)
Commissioned and premiered by Luisa Sello, 5 November, 2012
2009
Complements and Collisions for oboe and piano (2009)
Commissioned and premiered by Amy Galbraith, 7 August, 2009
2008
Trust for violin and cello (2008)
Commissioned/ premiered by ALIA Musica Pittsburgh, August, 2008
2007
Lamarck was a Mutant for percussion duo (2005)
Premiered by red fish blue fish percussion ensemble at June in Buffalo
2007
2006
Dancing around Preparation for piano solo (2006)
Public reading session by Amy Williams in April, 2006
2005
“, returning” & “…leaving” for violin and piano (2001-2004)
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Premiered by Roger Zahab and Rob Frankenberry in April 2005
2004
Pure for flute solo (2004)
Commissioned and premiered by Clifford Dunn in June, 2004
2003-4
Quod Tantos Iuvat for two sopranos, two string instruments, or a
combination (2003)
Commissioned and premiered in May 2003 by Maria Aispuro, soprano
and James Henry, contratenor; Performed by students of the university
of Iowa at the National Student Conference of SCI in April, 2004
PROFESSIONAL
ACTIVITIES
–
PERFORMANCES, ELECTRO-ACOUSTIC
2007
COMPOSITION
Polish Pronunciations of Arabesque Mutations for violin and computer
(2007)
Commissioned and premiered by Roger Zahab in April, 2007
2007
Color Schemes for computer solo (2007)
Premiered in February 2007
2006
Genetically Remastered Pigs in an Antipathetic Blanket for multi-media
(2006)
Premiered in April 2006
2005
Ta-ka-ta-ka-ta for computer solo (2005)
Premiered in December 2005
2004
Purring for computer solo (2004)
Premiered in August 2004