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Skot Kremen Audio Designer 1185 Boylston St. Apartment 54 Boston, Ma 02215 Home Phone (617) 416-7955 Email [email protected] Web http://www.model-behavior.com/skot23 OBJECTIVE: To obtain a position in which I may apply my knowledge and schooling towards a company and its betterment EDUCATION 1992-1996 Philosophy, Northeastern University 1997-2001 Music Synthesis & Production, Berklee College of Music EMPLOYMENT 2003-2005 Digital Audio Technician, The Computer Loft The Computer Loft is an Apple Authorized repair center located in Allston, Ma, employed as a Digital Audio Expert. My duties consist of various troubleshooting and setup of hi-end audio systems. Listed below are a few examples of my duties: •Setup and Troubleshooting of Pro Tools HD systems •Designing custom environments for Logic Audio systems •Designing various custom midi and audio systems for Home and Project studios. •Diagnosis and repair of apple systems in order to function optimally with a digital audio setup 2001-2004 Digital Audio Engineer / Sound Designer, Basement 247 Basement 247 is a recording studio located in Allston, Ma. I have worked at this studio since 2001. I was originally brought in to install a digital system (Pro Tools and Nuendo) in a fully analog studio. Once this was setup, I was kept on as a digital engineer and sound designer. On the Engineering end, I use Pro Tools and Nuendo for mixing and producing. As a sound designer I employ various sampling and synthesis techniques in order to gain the desired result for a clients’ required soundscape. 2000-2001 Music Supervisor / Composer, IdentityOne IdentityOne was located in Downtown Boston; they were an Ad Agency that focused mainly on the digital branding end of the market. Their specialty became making music videos for the Internet. I was originally hired as a Production Designer for various web sites. Eventually, I was promoted to the level of music supervisor. My duties included composing custom music for various clients such as General Motors, Look Snowboards and The David and Goliath Agency. I was also in the position to select and buy stock music when necessary as well as design sound effects for various web sites. Another duty, which was encompassed in this position, was creating "radio edits" for use with online music videos, which were then brought into flash animations and occasional television usage. 1999-2000 Composer / Voiceover Engineer / Sound Designer, Digitas Digitas is a Branding/Ad Agency located in the Downtown Boston area. Originally, I was employed there as a multimedia designer and eventually I was given the title of Sound Designer / Voiceover Engineer. My duties, while employed with Digitas, included writing music for Flash animations and television as well as recording 'voice overs'. I also designed interactive sound effects to be used on the web ranging from intro music to "click" sounds. The music I wrote while at Digitas was mainly Jazz, Classical and Electronica. Clients included: Tylenol, Neiman Marcus, Digitas 1997-1999 Sound Designer / Composer / Digital Producer, Rocketpop Labs Rocketpop Labs is Graphic Design and Sound Design house located in South Boston. Whilst employed with them, my duties encompassed writing electronic music and doing sound design for an interactive medium. The mainstay of music I was given the task of writing tended to lean towards electronica with a focus in 'trance' and 'Drum and Bass'. Occasionally, I would be asked to write some jazz or blues if the client requested so. At Rocketpop/Zero Zero Island, I would deal with clients very closely in order to gain the desired musical mood necessary for a specific project. I performed all tasks for my compositions. These tasks were composing, engineering, producing, sound design and mastering. 1999-2000 Lab Monitor / Electronic Music Tutor, Berklee College Of Music While I was attending Berklee College of Music (with a major in Music Synthesis and Music Production and Engineering) I was employed in the highly regarded music synthesis labs. My duties included having a mastery of Pro Tools, Studio Vision Pro, Logic Audio and various hardware and software synthesis techniques. I would instruct students in various techniques such as electronic arrangement, modular synthesis, subtractive synthesis, physical modelling and sampling techniques using software and hardware samplers and synthesizers. While at Berklee, I also worked as a tutor in electronic music and engineering. This would entail teaching students various synthesis techniques, sequencing/recording programs as well as mentoring students in direction of a final project necessary for graduation. MUSIC APPLICATIONS Pro Tools, Nuendo, Logic, Cubase, Digital Performer, Cakewalk, Sonar, Reason, Peak, Sound Forge, Sound Designer, Ableton Live, Soundtrack, Muzys, Wavelab, Sound Forge, Deck, Spark, Studio Vision Pro, Galaxy, Sound Diver, Sound Hack, T-Racks OTHER APPLICATIONS Adobe Photoshop, Adobe ImageReady, , Adobe Illustrator, Adobe Indesign, AdobeGoLive, QuarkXpress, Macromedia Fireworks, Macromedia Dreamweaver, Macromedia Flash, Macromedia Freehand, MetaTools Infini-D, Microsoft Office, MetaTools Bryce 3D, Final Cut Pro SYNTHESIS TECHNIQUES AM, FM, Subtractive, Additive, Physical Modeling, Modular MUSICAL INSTRUMENTS Bass Guitar, Guitar, Drums, Piano