Survey
* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project
* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project
Medieval Era Study Guide (476ish-1450ish) 1. SACRED MUSIC (religious) a. Catholic: Latin i. (one part of the mass in Greek: Kyrie Eleison) ii. Mass 1. Long church service set to music 2. Mass Proper a. Special Occasions 3. Mass Ordinary a. Always the same texts b. Plainchant/Gregorian Chant i. Always in Latin ii. Only sung by men ordained by church iii. Pope Gregory The Great 1. Mythology: dove spoke into his ear and taught him plainchants iv. Monophonic: “one sound” 1. No instruments 2. All voices in unison (same line) 3. No time signature, no beat v. Phrases 1. Melismatic: large number of notes per syllable of text 2. Neumatic: small number of notes per syllable of text 3. Syllabic: ONE note per syllable 2. Organum a. “drone” one long held note b. Harmony: two or more pitches at the same time c. Polyphonic: “many sounds” more than one vocal line at the same time (Polyphony) d. Parallel motion: 2 lines move homorhythmically in the same direction at the same time 3. Hildegard von Bingen a. German female composer of plainchant b. Wrote primarily for women’s voices c. Abbess of a convent (nun) d. Hermit – lived alone with one attendant e. Broke many rules of plainchant composition f. Well-respected, had “visions” 4. Paris, France at Notre Dame a. Leonin – composer of polyphonic organum i. Magnus Liber Organi “Great Book of Organum” b. Perotin – added more vocal lines to Leonin’s compositions, added his own compositions i. 3-4 Part Harmony c. Ars Nova – “new art” i. Ars Antiqua – “old art” SECULAR MUSIC (non-religious music) 1. France: Troubadours/Trouverres 2. Germany: Minnesingers 3. England: Minstrels a. Songs/chansons i. Love, royalty/court life, chivalry ii. Sung in the language of their countries iii. Catchy tunes, popular songs iv. Sung, accompanied by instruments v. “Rounds” – vocal parts that echo each other vi. French Composer of Chansons: 1. Guillaume de Machau b. Instruments i. Bas: soft 1. Flute, recorders, harps, lute/guitar ii. Haut: loud 1. Drums, sackbut, horns 4. VOCAL PARTS: a. Soprano b. Alto c. Tenor d. Bass