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India, China and Japan: From the Medieval to the Modern World The Mughal Empire Babur (1483-1530), Akbar (1542-1605) India as center of civilization Religious freedom (Islam, Hindu) Urdu language Artistic blend of Hindu, Persian, and Islamic elements Mughal Art Visual Arts Book illustrations, miniatures Secular Realistic scenes from courtly life Persian influences calligraphy “Akbar and the Elephant” from The History of Akbar The End of Mughal Rule and the Arrival of the British British East India Trading Company India as “Jewel in the Crown” of Britain Controlled by British government by 1849 The Rise of Nationalism India’s National Congress Party Activism for self-rule Mohandas Gandhi (1869-1948) Satyagraha: non-violent civil disobedience Chinese Culture Under Imperial Rule Centralized government (1368-1911) Relatively untouched by Western influence until the 17th century Incredible population growth Poverty, political unrest, and, ultimately, revolution The Arts Under the Ming Dynasty Political, economic stability Cultural enrichment Confucianism New literary genres Hua-Pen Novels Stage plays The Arts Under the Ming Dynasty Landscape paintings Human form in natural setting Artistic attitudes “change within tradition” No distinctions between major art forms Painted ceramicware called “China” 15th century Ming Dynasty painting A Ming Vase The Qing Dynasty: China and the Western Powers Western Trade and Chinese Independence Opium War (1839-1842) Internal rebellions weakened government Tai Ping Rebellion, Boxer Rebellion Republican Revolution Sun Yat-sen Chiang Kai-shek, Mao Tse-tung The Art and Culture of Japan: Shintoism Worship of the spirits of nature Imperial cult; worship of emperor and his ancestors as divine Drama Noh plays in which dancers enact dramatic, often supernatural stories stories with ritual and even slapstick The Art and Culture of Japan: The Edo Period Japanese versions of landscapes Gentler colors, heightened abstraction Influence of Western art Peacocks and Peonies (1176) Woodblock art Hokusai Katsushika (1760-1849) A study in the balance of opposites: image and empty space. The empty space mirrors the wave; water and sky are balanced, as in the Chinese yin/yang symbol below The Art and Culture of Japan: The Edo Period Basho’s Haiku Zen Buddhist reflections Crucial detail of landscapes Composed of three lines of five syllables, seven syllables, and five syllables “Humanities 1500: A Haiku” Powerpoint beaming eastern culture’s bright display while students write notes