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ADVANCED HIGHER HIGHER NATIONAL 5 NATIONAL 4 NATIONAL 3 STYLES Blues Jazz Rock Pop Rock ‘n’ roll Musical Scottish Latin American Baroque Ragtime Romantic Swing Concerto Opera Scots ballad Mouth music Reggae African music Rapping Symphony Gospel Classical Pibroch Celtic rock Bothy ballad Waulking song Gaelic psalm Aria Chorus Minimalist Indian Sonata Oratorio Impressionist Musique concrete Plainchant Mass String quartets Recitative Chamber music Jazz funk Soul music Renaissance Pavan Galliard Motet Madrigal Air/Ayre Anthem Ballett Neo-classical Serial Chorale Nationalist Electronic dance music Contemporary jazz MELODY & HARMONY Ascending Descending Step (stepwise) Leap (leaping) Repetition Sequence Question and Answer Improvisation Chord Discord Chord change Major/minor (tonality) Drone Broken chord/arpeggio Chord progression - I, IV and V (major keys) Change of key Pedal Scale Pentatonic scale Octave Vamp Scat singing Ornament Atonal, Cluster Chord progression - I, IV, V, VI (major keys) Imperfect / Perfect cadences Inverted pedal Chromatic Whole tone scale Grace note Glissando Modulation Contrary motion Trill Syllabic Melismatic Countermelody Descant (voice) Pitch bend Tone / Semitone Mode/modal Relative major/minor Interval Obbligato (instrumental) Acciaccatura Mordent Plagal cadence Interrupted cadence Tierce de picardie Dominant 7th Diminished 7th Added 6th Harmonic minor scale Melodic minor scale Appoggiatura Turn Suspension Tritone Bitonality / Polytonality Tone Row / Note Row Augmented triad Chords I, IV, V and VI in major and minor keys Chord II and 1st inversion (major keys only) RHYTHM & TEMPO Accent / Accented Beat / Pulse Bar; 2, 3 or 4 beats in the bar On the beat / Off the beat Repetition Slower / Faster Pause March, Reel, Waltz Drum fill Adagio Allegro Syncopation Scotch snap Strathspey Jig Simple time / Compound time 234 444 Anacrusis Andante Accelerando / Rallentando A tempo Dotted rhythms Rubato Ritardando Moderato Cross rhythms 6 9 12 888 TEXTURE, STRUCTURE & FORM Unison / Octave Harmony / Chord Solo Accompanied/ Unaccompanied Repetition Ostinato / Riff Round Canon Ternary — ABA Verse and chorus Middle 8 Theme and variation Cadenza Imitation Strophic Binary — AB Rondo (ABACA…) Alberti bass Walking bass Ground bass Homophonic Polyphonic Contrapuntal Coda TIMBRE & DYNAMICS MUSICAL LITERACY striking (hitting), blowing, bowing, strumming, plucking Orchestra – strings, brass, woodwind and percussion (tuned and un-tuned) Accordion, fiddle, bagpipes acoustic guitar, electric guitar piano, organ, drum kit Steel band, Scottish dance band, folk group voice / choir staccato / legato Lines and Spaces of the Treble Clef Steps Repetition Brass band, wind band Violin, cello, double bass, harp Flute, clarinet, saxophone, pan pipes, recorder Trumpet, trombone Timpani — snare drum, bass drum, cymbals, triangle, tambourine, guiro, xylophone, glockenspiel Harpsichord Bass guitar Distortion Muted Soprano, Alto, Tenor, Bass Backing vocals Piccolo, Oboe, Bassoon (French) horn, Tuba Viola Castanets, hi-hat, cymbals, bongo drums Clarsach / Bodhran Sitar / Tabla Arco / Pizzicato Con sordino Flutter tonguing Rolls Reverb Mezzo soprano Baritone A cappella Treble clef stave: C-A’ Sequences crotchet, minim, dotted minim, semibreve barlines, double barlines f – forte, p – piano < cresc – crescendo > dim – diminuendo Semi quaver, Grouped semi quavers, paired quavers Repeat signs mf – mezzo forte mp –mezzo piano Tones / Semitones Accidentals— flats, sharps and naturals Scales and key signatures - C major, G major and F major, A minor Chords - C major, G major, F major and A minor Leaps Dotted rhythms, Dotted crotchet, Dotted quaver Scotch snap 1st and 2nd time bars ff — fortissimo, pp — pianissimo, sfz — sforzando 3 against 2 Time changes Irregular time signatures Augmentation Diminution Through-composed Da capo aria Lied Passacaglia Concerto grosso Sonata form Exposition Subject Basso continuo Ritornello Tremolando Harmonics Coloratura Ripieno Concertino String quartet Bass clef: E — C Note naming and transposing into bass clef Chords I, IV, V and VI in major and minor keys — diminished, dominant Naming and writing diatonic intervals formed from the tonic 6/8 time Quavers, crotchets, dotted crotchets, dotted minims Triplets Rests — quaver, crochet, dotted crotchet, minim, semibreve Da capo (D.C.) Slurs Accents Phrase marks Staccato marks Hemiola Fugue Subject Countersubject Answer Stretto Antiphonal Bridge Leitmotiv Inversion Retrograde Song cycle Consort Counter tenor Sprechgesang Piano trio Identifying/inserting chords to cadence points and under melodies Diminished 7th Dominant 7th Added 6th 1st and 2nd inversions of major and minor triads Bass clef: C — E Transposing bass clef in to treble clef Rewriting (in either treble or bass clef) a note at the same pitch using up to two ledger lines below or above the stave Enharmonic equivalent – rewriting a note at the same pitch Scales and key signatures – D major, Bb major, E minor & D minor 8va (octave higher); 8vb (octave lower) Ties / Syncopated rhythms / Time changes Time signature: 5/4 Dal segno (D.S.) Fine