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• Augmented Second • An interval of a Major second that has been raised ½ step • • • • • Bass Cantabile Chromatic Half Step • • • Close Harmony • • • • Contralto Countertenor Diatonic Half Step • • • Diminished Triad • • • First Inversion Triad Four-Part Harmony • • • Harmonic minor Scale • The lowest voice in 4-part harmony To be played in a singing style An interval of a half-step that uses the same letter name for both notes: C-C# In 4-part harmony, the distance between the soprano voice and the tenor voice is less than an octave Another name for alto, used for the lowest female voice The highest male voice, it is also the alto voice An interval of a half-step that uses different letter names for each note: C#-D A triad that is built with a minor 3rd (3-1/2 steps) and a diminished 5th (5-1/2 steps) A triad with the third of the chord in the bass voice. The practice of writing music with four voices, soprano, alto, tenor and bass An altered form of the natural minor scale that involves raising the leading tone/subtonic (7th degree) by ½ step. • • • • Leading Tone Marcato Mediant Melodic minor Scale • • • • The seventh scale degree in a western scale. To emphasize, play marked The third scale degree in a western scale An altered form of the natural minor scale that involves raising the submediant (6th degree) and the leading tone (7th degree) ascending and lowers them, descending. • Open Harmony • • • • • • Root Position Triad Second Inversion Triad Soprano Subito Submediant • • • • • In 4-part harmony, the distance between the soprano voice and the tenor voice is greater than an octave A triad with the root note of the chord in the bass. A triad with the fifth of the chord in the bass. In 4-part harmony, the highest voice. Suddenly The sixth scale degree in a western scale, a third below the tonic • Subtonic • • • • Supertonic Tenor Western Scales • • • • The seventh scale degree in a western scale, a second below the tonic. The second scale degree in a western scale. In 4-part harmony, the second voice from the bottom. A seven-note scale that is formed using five diatonic whole steps and two diatonic half steps.